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Introduction: Screen | Capture | Attention

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Maria Poulaki

Maria Poulaki is Lecturer in Film and Digital Media Arts at University of Surrey, UK. Placing contemporary cinematics within the realm of complexity theory and neuroscience debates, she has contributed to Screen, New Review of Film and Television Studies, Film-Philosophy, Cinema & Cie, Projections, and a number of edited volumes. Author affiliation details are correct at time of print publication.

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Compact Cinematics : The Moving Image in the Age of Bit-Sized Media

Bloomsbury Academic, 2017

Book chapter

3

... attention, we argue, on account of specific cinematic qualities: the movement of the images, its affective appeal, the attempt at narrative, and the thickening of time.For a reflection on the cinematic in these terms, see Hesselberth (2012,...

Mobile Cinematics

Compact Cinematics : The Moving Image in the Age of Bit-Sized Media

Bloomsbury Academic, 2017

Book chapter

1

... similar moments of change throughout the history of cinema—for instance when handheld cameras became widely available during the Second World War, liberating filmmakers from the constraint of heavy cameras. As Hesselberth (2014) has pointed...

Long Story Short

Compact Cinematics : The Moving Image in the Age of Bit-Sized Media

Bloomsbury Academic, 2017

Book chapter

0

...Introduction In this chapter, I reflect on Long Story Short (2016), an art project that takes form both as a 45-minute film and a multichannel video installation. In the project, over 100 people at homeless shelters, food banks, adult...

Coda—Flash Forward

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

0

...In this book I have made a case for analyzing the chronotopes of the cinematic as affective encounters in space-time. I have argued that, while the site of cinema is on the move, the extent to which technologically mediated sounds...

Introduction

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

Search for publications

Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

0

...In 2009 Philips released an online advertisement entitled Carousel for their 21:9 “cinema proportioned” LCD television, directed by Adam Berg in collaboration with Stink Digital. A single continuous tracking shot, the advertisement takes...

HERE—Locating the Cinematic

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

0

...Walking into a modern museum exhibition running a show where many sounds and images are projected can now be an overwhelming experience. This is particularly the case when these sounds and images are not separated but overlap, so...

NOW—Navigating Cinematic Time

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

0

...Thus begins Robert Jan Westdijk’s film Zusje (NL, Little Sister 1995—Figures 2.1–2.6). The film is seemingly shot from the perspective of Martijn’s home video camera, with which he travels from London to Amsterdam to make a film about his...

Me—Situating Cinematic Presence

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

Search for publications

Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

0

...A large black shadow dances on a highly illuminated surface, a building façade consisting of one square plane and two more or less triangular planes. In the shadow a reflection, not of the person casting the shadow but rather a residue...

Solitary Screens: On the Recurrence and Consumption of Images

Compact Cinematics : The Moving Image in the Age of Bit-Sized Media

Bloomsbury Academic, 2017

Book chapter

0

...On the evening of September 22, 1907, during one of his regular trips to Italy, Sigmund Freud wrote a short letter to his family back in Vienna. The letter begins,On the Piazza Colonna behind which I am staying, as you know, several...

Of Flipbooks and Funny Animals: Chris Ware’s Quimby the Mouse

Compact Cinematics : The Moving Image in the Age of Bit-Sized Media

Bloomsbury Academic, 2017

Book chapter

0

...Drawing extends the act of the hand, and with it the wrist, the forearm, the gaze, and finally the whole body. Against the intellectualizing to which we have wanted to reduce it sometimes, drawing produces a rhythmic ­configuration...