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The Moves: Blood (1989)

Adrian Martin

Adrian Martin is film critic for The Age (Melbourne) and author of a study of Terrence Malick forthcoming from bfi Publishing. Author affiliation details are correct at time of print publication.

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Film Moments : Criticism, History, Theory

British Film Institute, 2003

Book

4

... as Superstar (London: Penguin, 1970). Shigehiko Hasumi, ‘Sunny Skies’, in David Desser (ed.), Ozu’s Tokyo Story (Cambridge: Cambridge University Press, 1997). Adrian Martin, ‘A vida interior de um filme’, in Ricardo Matos Cabo (ed.), Cem mil cigarros – os filmes de Pedro Costa (Lisbon: Orfeu Negro, 2009)....

Drama: A Closer Connection

Adrian Pennington

Adrian Pennington is managing editor of The IBC Daily. Author affiliation details are correct at time of print publication.

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Carolyn Giardina

Carolyn Giardina is contributing editor, Tech, at The Hollywood Reporter. Author affiliation details are correct at time of print publication.

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Exploring 3D : The New Grammar of Stereoscopic Filmmaking

Focal Press, 2013

Book

1

... with the intimacy of shared moments between characters. Since Avatar, a growing number of filmmakers such as Peter Jackson (The Hobbit), Ang Lee (The Life of Pi), Ridley Scott (Prometheus), Martin Scorsese (Hugo), and Baz Luhrmann (The Great Gatsby)...

Musical Mutations: Before, Beyond and Against Hollywood

Adrian Martin

Adrian Martin is film critic for The Age (Melbourne) and author of a study of Terrence Malick forthcoming from bfi Publishing. Author affiliation details are correct at time of print publication.

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Movie Mutations : The Changing Face of World Cinephilia

British Film Institute, 2003

Book

3

... is generally meant by the term MTV movie); to the films of Martin Scorsese, Emir Kusturica, Federico Fellini, Terrence Malick, Miklos Jancsó, Michael Mann, Glauber Rocha, Werner Schroeter, Sergei Paradjanov or Jon Jost, where musical scores...

‘Ain’t There Anyone Here for Love?’

Howard Hawks : New Perspectives

British Film Institute, 2016

Book

2

... Brennan (Stumpy) and John Wayne (Chance) in Rio Bravo (1959), a generously cross-generational film that also incorporates the virtually adolescent Ricky Nelson and the drink-addled Dean Martin into its ‘family’. This view of domesticity – even...

The New Grammar of Stereoscopic Filmmaking

Adrian Pennington

Adrian Pennington is managing editor of The IBC Daily. Author affiliation details are correct at time of print publication.

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and

Carolyn Giardina

Carolyn Giardina is contributing editor, Tech, at The Hollywood Reporter. Author affiliation details are correct at time of print publication.

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Exploring 3D : The New Grammar of Stereoscopic Filmmaking

Focal Press, 2013

Book

1

... on Hugo, Academy Award winner Martin Scorsese likened the technology to cubism and sculpture, understanding that characters and objects can be seen from new perspectives and need no longer be fixed to a flat canvas. “Picasso and Braque...

The Future of Academic Film Study

Adrian Martin

Adrian Martin is film critic for The Age (Melbourne) and author of a study of Terrence Malick forthcoming from bfi Publishing. Author affiliation details are correct at time of print publication.

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James Naremore

James Naremore is Emeritus Chancellors’ Professor at Indiana University. He is the author of a number of books, including Acting in the Cinema (1988), The Films of Vincente Minnelli (1993), More than Night: Film Noir in its Contexts (1998; 2008) and On Kubrick (2007). Author affiliation details are correct at time of print publication.

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Movie Mutations : The Changing Face of World Cinephilia

British Film Institute, 2003

Book

3

... Criticism has nothing to do with hierarchies. (Manny Farber, 1977)Manny Farber, Negative Space: Manny Farber on the Movies (New York: Da Capo, 1998), p. 365.15 August 2001Dear Adrian,Perhaps like you, I have mixed feelings about these Farber...

Movie Mutations 2: Second Round

Quintín

,

Mark Peranson

,

Mark Peranson

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Nicole Brenez

,

Nicole Brenez

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Adrian Martin

Adrian Martin is film critic for The Age (Melbourne) and author of a study of Terrence Malick forthcoming from bfi Publishing. Author affiliation details are correct at time of print publication.

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and

Jonathan Rosenbaum

Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Author affiliation details are correct at time of print publication.

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Movie Mutations : The Changing Face of World Cinephilia

British Film Institute, 2003

Book

3

... and Adrian were completely unknown to me, even as names. And in fact it was the texts of those three that stood out as the most emblematic because of their radical novelty: they came from the antipodes of my own story.To be clear about this, I...

Movie Mutations: Letters from (and to) Some Children of 1960

Jonathan Rosenbaum

,

Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Author affiliation details are correct at time of print publication.

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Adrian Martin

,

Adrian Martin is film critic for The Age (Melbourne) and author of a study of Terrence Malick forthcoming from bfi Publishing. Author affiliation details are correct at time of print publication.

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Kent Jones

,

Alexander Horwath

,

Alexander Horwath

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Nicole Brenez

Nicole Brenez

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and

Raymond Bellour

Raymond Bellour

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Movie Mutations : The Changing Face of World Cinephilia

British Film Institute, 2003

Book

4

... Nicole Brenez (France), Alexander Horwath (Austria), Kent Jones (US) and you, Adrian Martin (Australia). Each of you, I should add, I met independently of the other three, originally through correspondence (apart from Kent), although Kent...