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A Bug Dreams of Heaven

Lynch on Lynch

Faber & Faber, 1997

Book chapter

1

... something about The Elephant Man.Then Stuart gave the script that Chris de Vore and Eric Bergren had written to Anne Bancroft. Anne read it and loved it and gave it to Mel Brooks. Mel read it and loved it. And so the first thing that happened...
... are briefly as one in Mulholland Drive (2001).But at this point, having just completed the pilot, where exactly were we in the story?You see Chris, to me that is not the way to look at it. That would be like saying, ‘When you were shooting,...

Transfer: From Big Science to Little Films

Cronenberg on Cronenberg

Faber & Faber, 1997

Book chapter

0

...Not long after Cronenberg had successfully situated his mind and body at the most conducive end of the University campus and curriculum, his creative juices instigated yet another of their unforeseen flows. They began tentatively...

Crimes of the Future: Obsessions and Avant-Garde Films

Cronenberg on Cronenberg

Faber & Faber, 1997

Book chapter

0

...Discussion and critical appraisal of David Cronenberg’s work have tended to pivot on auteurist principles. This particular strain of cinematic analysis was virulent in the 1960s in the most progressive film journals and journalism...

Garden in the City of Industry

Lynch on Lynch

Faber & Faber, 1997

Book chapter

1

... do here, and this is how it goes here.In The Grandmother you’re already playing with the way people move. The parents, for instance, move occasionally in very threatening or eccentric ways. What is that about?I don’t know, Chris. It’s . ....

Wounds, Scars and Twisted Cars: Crash

Cronenberg on Cronenberg

Faber & Faber, 1997

Book chapter

0

...If Cronenberg’s 1992 adaptation of William Burroughs’ The Naked Lunch seemed overdue, his filming of J. G. Ballard’s 1973 novel Crash looks and feels as if it was made long, long ago in a parallel universe. For one is forcibly struck...

Oww God, Mom, the Dog He Bited Me

Lynch on Lynch

Faber & Faber, 1997

Book chapter

1

... and it seemed to be sorta talking to me. But Dune was a fiasco and there weren’t any more wanted.Was it always your intention to write the script for the original movie?I was going to work with Chris de Vore and Eric Bergren from The Elephant...

Shadow of a Twisted Hand Across My House

Lynch on Lynch

Faber & Faber, 1997

Book chapter

1

... don’t know quite what to say to you there, Chris, about that! They’re just opposites, you know, that’s all. And then that means there’s something in the middle. And the middle isn’t a compromise, it’s, like, the power of both.People...

Body Talk: The Cinepix Years

Cronenberg on Cronenberg

Faber & Faber, 1997

Book chapter

0

...After Stereo and Crimes of the Future, the way forward was not obvious to Cronenberg. Having contracted the film bug and worked through an avant-garde phase, he took a year off. Spending much of that time in Tourettes-sur-Loup in southern...

Unrequited Life: From Dead Zones to Dead Ringers

Cronenberg on Cronenberg

Faber & Faber, 1997

Book chapter

1

... was living in, the school that he taught at, are all gone suddenly. The loneliness and the melancholy and the impossibility of dealing with things. And yet the necessity to do it. That’s what it was. It’s Chris Walken’s face. That’s...