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“And It’s So Tiring”: Chantal Akerman’s Ruminative Economy

Ivone Margulies

Ivone Margulies is Professor in the Film and Media Studies Department at Hunter College, CUNY. She is the author of In Person: Reenactment in Postwar and Contemporary Cinema (2018), Nothing Happens: Chantal Akerman’s Hyperrealist Everyday (1996), and is the editor of Rites of Realism: Essays on Corporeal Cinema (2003). Author affiliation details are correct at time of print publication.

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On Women’s Films : Across Worlds and Generations

Bloomsbury Academic, 2019

Book

4

... Bruxelas, trans. Flora Sussekind and Ivone Margulies (Rio de Janeiro: 7 Letras, 2017) explored a multi-voice reading: Eleven actresses and the translators read in alternating shifts in June 2016, Midrash Cultural Center, Rio de Janeiro, and six...

Introduction: On Women’s Films: Moving Thought Across Worlds and Generations

Ivone Margulies

Ivone Margulies is Professor in the Film and Media Studies Department at Hunter College, CUNY. She is the author of In Person: Reenactment in Postwar and Contemporary Cinema (2018), Nothing Happens: Chantal Akerman’s Hyperrealist Everyday (1996), and is the editor of Rites of Realism: Essays on Corporeal Cinema (2003). Author affiliation details are correct at time of print publication.

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Jeremi Szaniawski

Jeremi Szaniawski is Assistant Professor of comparative literature and film studies in the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst, USA. He is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

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On Women’s Films : Across Worlds and Generations

Bloomsbury Academic, 2019

Book

4

... the chapters by Elena Gorfinkel, Ivone Margulies, Andréa França, Jeremi Szaniawski, and Liza Johnson. See also Gorfinkel (2012); Redrobe’s (2016). Conventions central to activist representation of minority voices or of class and gender...