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Short Circuits

Global Animation Theory : International Perspectives at Animafest Zagreb

Bloomsbury Academic, 2019

Book chapter

0

...Introduction Pursuing a highly personal and surprisingly consistent course, painter, filmmaker and sculptor Robert Carlton Breer (1926–2011) was driven by a persistent interest in visual perception. No matter how diverse, Breer’s works...

Beyond Self-images

Global Animation Theory : International Perspectives at Animafest Zagreb

Bloomsbury Academic, 2019

Book chapter

0

...It seems that the first decades of the new millennium have brought about a small renaissance of documentaries, especially those that combine live action and animated pictures and even those visualized totally by employment of various...

Subversive Machinery

Global Animation Theory : International Perspectives at Animafest Zagreb

Bloomsbury Academic, 2019

Book chapter

0

...In 1984, The Polish Film Chronicles (Polska Kronika Filmowa, PKF, 1944–1994), a weekly propaganda newsreel used by the Communist government for communicating with Polish moviegoers, dedicated two-and-a-half minutes...

Animation in the Gallery and the Gestalt

Global Animation Theory : International Perspectives at Animafest Zagreb

Bloomsbury Academic, 2019

Book chapter

0

...The practice of drawing – professional knowledge – can be derived from two sources: either from universal faith, i.e. on the basis of the idea conception, which implies a collective ideal, or on the basis of a non-collective...

‘… The Film Is Not About That’

Global Animation Theory : International Perspectives at Animafest Zagreb

Bloomsbury Academic, 2019

Book chapter

0

...The recurrent phrase in proposal and script treatment for the film; published in English translation in Kitson (2005: 123–130) (though this particular phrase, as well as a few others, quoted further, are, in translation, different from...

Animation since 1980

Global Animation Theory : International Perspectives at Animafest Zagreb

Bloomsbury Academic, 2019

Book chapter

0

...In 1980, I participated in the World Festival of Animated Film in Zagreb as an editor-in chief of the ASIFA quarterly Animafilm. I was twenty-eight years old then. It was a very special moment in Polish history. The economic...

The Importance of Ranko Munitić’s Work on the Zagreb School of Animation

Global Animation Theory : International Perspectives at Animafest Zagreb

Bloomsbury Academic, 2019

Book chapter

0

...Art should be poked, no matter what. Then it gladly starts to dance, colorful and human. Like every abandoned human message that cannot fade away, even if nobody listens to it. Pronounced, no matter what. Introduction Ranko...

Austria Unlimited – Chances, Spirits and Limitations of a Small Production Environment

Holger Lang

Holger Lang is an Austrian researcher, artist and filmmaker, living and working in Vienna. For over 20 years he has been teaching animation, media arts and aesthetics for an American university at one of their satellite locations in Austria and also their main campus in St. Louis, USA. Author affiliation details are correct at time of print publication.

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Global Animation Theory : International Perspectives at Animafest Zagreb

Bloomsbury Academic, 2019

Book chapter

0

...Introduction When two special programmes of Austrian animation were introduced at Animafest Zagreb in June 2015 (Kožul 2015: 192–211), festival staff asked the curators from ASIFA Austria onto the stage. However, the initial...

Lynsey Martin

Global Animation Theory : International Perspectives at Animafest Zagreb

Bloomsbury Academic, 2019

Book chapter

0

...Introduction martin 2015 I like to think of much of my work as being finely crafted with great attention given over to editing where each frame is important and the film...

The Successful Chorus of ‘The Second Wave’

Global Animation Theory : International Perspectives at Animafest Zagreb

Bloomsbury Academic, 2019

Book chapter

0

...The paper was originally presented at the 7th annual Under the Radar conference (Vienna; http://under-radar.com/2017/ ). Preface: the images of ‘Father Power’ and the voices of women artists When...