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“Assertions in Technique”: Tracking the Medial “Thread” in Cavell’s Filmic Ontology

The Thought of Stanley Cavell and Cinema : Turning Anew to the Ontology of Film a Half-Century after The World Viewed

Bloomsbury Academic, 2020

Book

...CELEBRATION—AND FURTHER SPURRED CEREBRATION—is the business at hand. Little room, or even occasion, for lament. Yet, in my exactly half-century’s engagement with the work of Stanley Cavell (since 1969’s Must We Mean What We Say...

Pre-Production

Robert Edgar Hunt

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Publications include Screenwriting (2009) and Directing Fiction (2010) and most recently the second edition of The Language of Film(Bloomsbury, 2015). Research projects include work on Hitchcock and Herrmann, contemporary television and Top Gear. Robert was a co-editor of The Music Documentary: Acid Rock to Electropop (2013). Author affiliation details are correct at time of print publication.

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Basics Film-Making 03: Directing Fiction

AVA Publishing SA, 2010

Book

... TEXT 7/15/09 8:45:06 AM Dr Strangelove or: How I Stopped Worrying and Learned to Love the Bomb (dir: Stanley Kubrick 1964) is normally the longest part of the fi lm-making process; it is also often the part that is least...

Introduction

Tom Zaniello

Tom Zaniello is Professor Emeritus, having taught film and cultural studies, and directed the Honors Program at Northern Kentucky University, USA. He has been active as a film programmer for the Hill Center in Washington DC and for the London and North West (Liverpool) Labour Film Festivals. He recently published California’s Lamson Murder Mystery (2016), the story of the wrongful conviction of a Hollywood screenwriter for murder, along with Working Stiffs, Union Maids, Reds, and Riffraff: An Expanded Guide to Films about Labor, 2nd ed. (2003) and The Cinema of Globalization (2007). Author affiliation details are correct at time of print publication.

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The Cinema of the Precariat : The Exploited, Underemployed, and Temp Workers of the World

Bloomsbury Academic, 2020

Book

...The precariat is now a vast global workforce whose transitory and tenuous relationship with their employers makes most of them liable for termination or furlough at any time. But they still continue to work, for these are likely the only...

Virtuosity Classical

Murray Pomerance

Murray Pomerance is an independent scholar living in Toronto, Canada. He is the editor of the "Techniques of the Moving Image" series and the Horizons of Cinema series, and co-editor, with Lester D. Friedman and Adrienne L. McLean respectively, of the Screen Decades and Star Decades series. Pomerance has written, edited and co-edited several books, including Cinema, If You Please (2018), Moment of Action (2016), Alfred Hitchcock's America (2013), The Horse who Drank the Sky: Film Experience beyond Narrative and Theory (2008), and two BFI Classics on Marnie (2014) and The Man Who Knew Too Much (2016). Author affiliation details are correct at time of print publication.

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Virtuoso : Film Performance and the Actor’s Magic

Bloomsbury Academic, 2019

Book

...I have given several examples of moments in which a single actor in character transcends the territory of the drama, rises up, flies off to a contextually relevant virtuosic Neverland, then lands again. A single actor, or a Roman candle...

Introduction: Analog and Digital Forms and Star Wars

Thomas J. Connelly

Thomas J. Connelly is Visiting Assistant Professor of Media Studies at Pomona College, USA. He is the author of Cinema of Confinement (2019). Author affiliation details are correct at time of print publication.

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Capturing Digital Media : Perfection and Imperfection in Contemporary Film and Television

Bloomsbury Academic, 2019

Book

...The sale of George Lucas’s Star Wars franchise to Disney in 2013 came with the announcement of three new films to be set chronologically following Return of the Jedi (1983), with J. J. Abrams to direct the first installment. Abrams...

Cinematography, Subjectivity, and Guilt

Sandra Meiri

Sandra Meiri is a senior lecturer and academic supervisor of film studies in the Department of Literature, Linguistics and Art, The Open University of Israel. She has taught many undergraduate, graduate courses, and seminars (on film theories, gender, sexuality, film history, film and psychoanalysis) in the Department of Film and Television, Tel Aviv University. Author affiliation details are correct at time of print publication.

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and

Odeya Kohen-Raz

Odeya Kohen Raz is a lecturer and coordinator of film theory teaching at the Sapir Academic College, a teaching coordinator in the Department of Literature, Linguistics and Art, The Open University of Israel, and teaches in the Department of Film and Television, Tel Aviv University. Author affiliation details are correct at time of print publication.

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Traversing the Fantasy : The Dialectic of Desire/Fantasy and the Ethics of Narrative Cinema

Bloomsbury Academic, 2016

Book

...The Cinematographic Image This chapter analyzes two meta-cinematic films that focus on the filmmaking process: Fellini’s 8½ (1963) and Lynch’s Mulholland Drive (2001). Although neither of them complies with a classical narrative...

All or Nothing (2002)

Directed by

Mike Leigh

Written by

Mike Leigh

Screenplay

Image

Contemporary Crime

The Cinema Book

British Film Institute, 2007

Book

...Criminals, crime, victims of crime, and official and unofficial agents of law, order and justice have featured in films since the turn of the century. The earliest American crime films include A Career in Crime (1900), The Bold Bank Robbery...

Ethology of Death

Elena del Río

Elena del Río is Professor of Film Studies at the University of Alberta, Canada. Her essays have been featured in journals such as Camera Obscura, Discourse, Quarterly Review of Film and Video, Film-Philosophy, The New Review of Film and Television Studies, SubStance, and Deleuze Studies. She has also contributed essays to edited collections on the films of Atom Egoyan, Rainer W. Fassbinder, and on the philosophy of film, and Deleuze and cinema. She is the author of Deleuze and the Cinemas of Performance: Powers of Affection (2008). Author affiliation details are correct at time of print publication.

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The Grace of Destruction : A Vital Ethology of Extreme Cinemas

Bloomsbury Academic, 2016

Book

...A love of life which can say yes to death.As anyone minimally familiar with the films of Takeshi Kitano knows, the most notable characteristic of these films is their pervasive engagement with violent death. It will be the purpose...

The MTV Influence on Editing II

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

... The MTV Influence on Editing II j In the last chapter we explored the characteristics of the MTV style in editing. Whereas linear narratives proceed by focusing a viewer’s identifica- tion with a main character, the MTV approach...