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  • Artists Film
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Experimental Animation

The Animation Studies Reader

Bloomsbury Academic, 2019

Book chapter

...Experimental animation offers a distinct set of formal challenges to the spectator. Watching a commercial animation, the viewer is typically compelled to speculate on how the narrative conflicts might be resolved, and they are also invited...

Artists’ biographies in film as popular art history

Doris Berger

Doris Berger is a curator at the Skirball Cultural Center in Los Angeles, USA. She was a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art. Author affiliation details are correct at time of print publication.

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Projected Art History : Biopics, Celebrity Culture, and the Popularizing of American Art

Bloomsbury Academic, 2014

Book chapter

...Art can be disseminated in many ways: by means of exhibitions, books, guided tours, as well as by articles or documentaries. Editorials and photo essays in literary biographies, coffee table books, comics, children’s books, movies...

Basquiat and celebrity culture

Doris Berger

Doris Berger is a curator at the Skirball Cultural Center in Los Angeles, USA. She was a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art. Author affiliation details are correct at time of print publication.

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Projected Art History : Biopics, Celebrity Culture, and the Popularizing of American Art

Bloomsbury Academic, 2014

Book chapter

...In contrast to Pollock, the completion of the biopic BasquiatBasquiat aka Build a Fort, Set It on Fire, D: Julian Schnabel, USA 1996, 108 mins; Script: Lech Majewski, John F. Bowe, Michael Holman, Julian Schnabel; Cast: Jeffrey Wright...

Hollywood’s art histories

Doris Berger

Doris Berger is a curator at the Skirball Cultural Center in Los Angeles, USA. She was a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art. Author affiliation details are correct at time of print publication.

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Projected Art History : Biopics, Celebrity Culture, and the Popularizing of American Art

Bloomsbury Academic, 2014

Book chapter

...This book has concentrated on a segment of popular art history, taking into consideration its intertextuality, intermediality, historicity, and functionality. It has demonstrated that this segment is an important factor in producing...

An Ersatz of Life: The Dream Life of Technology

New Screen Media : Cinema/Art/Narrative

British Film Institute, 2002

Book chapter

...I work with moving images: film, stereoscopic projection performance, and interactive cinema on CD-ROM and websites. My ongoing project is an exploration of what could be described as ‘the dream life of technology’ (not what technology...

Amateurs: Naïve Artists or Everyday Experts?

Materializing Memories : Dispositifs, Generations, Amateurs

Bloomsbury Academic, 2018

Book chapter

...What are the skills, the pleasures and the subjective meanings of being “amateur” using the internet to express his passion? The amateur is not the opposite of the professional, he is halfway between the ordinary man and the professional...

The Good Cook: A Vertical Axis versus a Horizontal Axis in Interactive Narrative Construction

New Screen Media : Cinema/Art/Narrative

British Film Institute, 2002

Book chapter

...The notion of games with the viewer as a player (or detective) is well-documented and frequently used in the making of interactive multimedia works. It is my contention that the dramatic potential of the medium has yet to be fully...

Pollock

Doris Berger

Doris Berger is a curator at the Skirball Cultural Center in Los Angeles, USA. She was a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art. Author affiliation details are correct at time of print publication.

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Projected Art History : Biopics, Celebrity Culture, and the Popularizing of American Art

Bloomsbury Academic, 2014

Book chapter

...It is astounding that it has taken 50 years for the first biopic on Jackson Pollock to be produced since the stories about the artist Pollock are literally predestined for a biographical Hollywood production. Jackson Pollock is considered...

Digital Cinema and Experimental Film – Continuities and Discontinuities [1999]

Malcolm Le Grice

Peter Kardia is widely recognised as a radical and influential teacher at both Saint Martins and the Royal College during the 60s and 70s, and his essay on how we should be approaching art and education will be central to the book. Hester Wesley has researched and written on Peter's influence on art education and his teaching at Saint Martins and the Royal College, placing it into wider context of art education generally. The last essay will be by Malcolm Le Grice (art historian) on the influence of the art teacher and art schools in history on the artist. The introduction is by Roderick Coyne who is an artist and who also taught at Saint Martins for 10 years. Author affiliation details are correct at time of print publication.

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Experimental Cinema in the Digital Age

British Film Institute, 2001

Book chapter

...The arts using computers are too recent to have established any orthodox history or theory of their own. The technology itself is in rapid development and digital and electronic systems allow hybrid links between various technologies which...

A Non-Linear Tradition – Experimental Film and Digital Cinema [1997]

Malcolm Le Grice

Peter Kardia is widely recognised as a radical and influential teacher at both Saint Martins and the Royal College during the 60s and 70s, and his essay on how we should be approaching art and education will be central to the book. Hester Wesley has researched and written on Peter's influence on art education and his teaching at Saint Martins and the Royal College, placing it into wider context of art education generally. The last essay will be by Malcolm Le Grice (art historian) on the influence of the art teacher and art schools in history on the artist. The introduction is by Roderick Coyne who is an artist and who also taught at Saint Martins for 10 years. Author affiliation details are correct at time of print publication.

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Experimental Cinema in the Digital Age

British Film Institute, 2001

Book chapter

...Because digital applications in the field of cinema are beginning to have significant commercial potential, two features – interactivity and non-linearity – are becoming widely debated. If there is to be a recognisably new ‘digital cinema’,...