Results

Geoff King is Professor of Film and TV Studies at Brunel University London. He is the author of Indiewood, USA: Where Hollywood Meets Independent Cinema (I.B. Tauris, 2009) and Spectacular Narratives: Hollywood in the Age of the Blockbuster (I. B. Tauris, 2000). Author affiliation details are correct at time of print publication.

Paul Taberhman

Doris Berger is a curator at the Skirball Cultural Center in Los Angeles, USA. She was a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art. Author affiliation details are correct at time of print publication.

Doris Berger is a curator at the Skirball Cultural Center in Los Angeles, USA. She was a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art. Author affiliation details are correct at time of print publication.

Cecília Mello is Lecturer in Film Studies at the University of São Paulo, Brazil. She has written previously on Jia Zhangke in book chapters and articles, and she is the co-editor, with Lúcia Nagib, of Realism and the Audiovisual Media (2009; paperback 2013). Author affiliation details are correct at time of print publication.

Bülent Diken teaches Social and Cultural Theory at Kadir Has University, Turkey, and Lancaster University, UK. His research interests include the sociology of cinema, and his most recent book is God, Politics, Economy (2015). Author affiliation details are correct at time of print publication.

Graeme Gilloch is Reader in Sociology at Lancaster University, UK, where he researches and teaches courses in Critical Theory, visual culture – especially film and photography – and urban cultures. His most recent book is Siegfried Kracauer: Our Companion in Misfortune (2015). Author affiliation details are correct at time of print publication.

Craig Hammond is Senior Lecturer in the School of Education at Liverpool John Moores University, UK, where he researches and teaches courses on the philosophy of education, utopia, visual culture and pedagogy. His most recent book is Hope, Utopia and Creativity in Higher Education: Pedagogical Tactics for Alternative Futures (2017). Author affiliation details are correct at time of print publication.

Bülent Diken teaches Social and Cultural Theory at Kadir Has University, Turkey, and Lancaster University, UK. His research interests include the sociology of cinema, and his most recent book is God, Politics, Economy (2015). Author affiliation details are correct at time of print publication.

Graeme Gilloch is Reader in Sociology at Lancaster University, UK, where he researches and teaches courses in Critical Theory, visual culture – especially film and photography – and urban cultures. His most recent book is Siegfried Kracauer: Our Companion in Misfortune (2015). Author affiliation details are correct at time of print publication.

Craig Hammond is Senior Lecturer in the School of Education at Liverpool John Moores University, UK, where he researches and teaches courses on the philosophy of education, utopia, visual culture and pedagogy. His most recent book is Hope, Utopia and Creativity in Higher Education: Pedagogical Tactics for Alternative Futures (2017). Author affiliation details are correct at time of print publication.

Mark Le Fanu is a well-known writer on film who has contributed regular pieces and columns to Sight and Sound, Positif and the East-West Review. A former Lecturer in English at the University of Cambridge, he was from 1993-2008 Director of Studies in Film History at the European Film College in Ebeltoft, Denmark. He is the author of The Cinema of Andrei Tarkovsky (1987) and Mizoguchi and Japan (2005), which was shortlisted in its year of publication for the Krazna-Kraus Prize. Author affiliation details are correct at time of print publication.

Douglas Morrey is Reader in French Studies at the University of Warwick, UK, where he researches and teaches French cinema and contemporary French literature. He is the author of Jean-Luc Godard (2005) and Michel Houellebecq: Humanity and its Aftermath (2013), and is the co-author of Jacques Rivette (2009). Author affiliation details are correct at time of print publication.

Bülent Diken teaches Social and Cultural Theory at Kadir Has University, Turkey, and Lancaster University, UK. His research interests include the sociology of cinema, and his most recent book is God, Politics, Economy (2015). Author affiliation details are correct at time of print publication.

Graeme Gilloch is Reader in Sociology at Lancaster University, UK, where he researches and teaches courses in Critical Theory, visual culture – especially film and photography – and urban cultures. His most recent book is Siegfried Kracauer: Our Companion in Misfortune (2015). Author affiliation details are correct at time of print publication.

Craig Hammond is Senior Lecturer in the School of Education at Liverpool John Moores University, UK, where he researches and teaches courses on the philosophy of education, utopia, visual culture and pedagogy. His most recent book is Hope, Utopia and Creativity in Higher Education: Pedagogical Tactics for Alternative Futures (2017). Author affiliation details are correct at time of print publication.