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Situating the Art Cinema Field of Cultural Production and Consumption

Geoff King

Geoff King is Professor of Film and TV Studies at Brunel University London. He is the author of Indiewood, USA: Where Hollywood Meets Independent Cinema (I.B. Tauris, 2009) and Spectacular Narratives: Hollywood in the Age of the Blockbuster (I. B. Tauris, 2000). Author affiliation details are correct at time of print publication.

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Positioning Art Cinema : Film and Cultural Value

I.B. Tauris, 2019

Book

...How should we understand the sphere of art cinema more broadly; the way it is positioned and typically ascribed particular forms of cultural value? A number of social, cultural and historical frameworks are outlined in this chapter...

Contemporary Auteur Directors in France

Douglas Morrey

Douglas Morrey is Reader in French Studies at the University of Warwick, UK, where he researches and teaches French cinema and contemporary French literature. He is the author of Jean-Luc Godard (2005) and Michel Houellebecq: Humanity and its Aftermath (2013), and is the co-author of Jacques Rivette (2009). Author affiliation details are correct at time of print publication.

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The Legacy of the New Wave in French Cinema

Bloomsbury Academic, 2020

Book

...Despite various recent developments – notably a growth in popular generic filmmaking following the broad model of Hollywood (action, horror, science fiction, romantic comedy) – ‘French cinema’ as a national body of production...

Our Town: Homesickness in The Small Town and Clouds of May

Bülent Diken

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Bülent Diken teaches Social and Cultural Theory at Kadir Has University, Turkey, and Lancaster University, UK. His research interests include the sociology of cinema, and his most recent book is God, Politics, Economy (2015). Author affiliation details are correct at time of print publication.

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Graeme Gilloch

Graeme Gilloch is Reader in Sociology at Lancaster University, UK, where he researches and teaches courses in Critical Theory, visual culture – especially film and photography – and urban cultures. His most recent book is Siegfried Kracauer: Our Companion in Misfortune (2015). Author affiliation details are correct at time of print publication.

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Craig Hammond

Craig Hammond is Senior Lecturer in the School of Education at Liverpool John Moores University, UK, where he researches and teaches courses on the philosophy of education, utopia, visual culture and pedagogy. His most recent book is Hope, Utopia and Creativity in Higher Education: Pedagogical Tactics for Alternative Futures (2017). Author affiliation details are correct at time of print publication.

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The Cinema of Nuri Bilge Ceylan : The Global Vision of a Turkish filmmaker

I.B. Tauris, 2018

Book

...Homesickness is a suffering unlike any other. (The Small Town) A Charmed Circle In the extraordinarily long third scene of The Small Town (Kasaba, 1995) – Ceylan’s first feature-length film and, according to our interpretation here...

Winter Sleep: Disappearance as Social Topology

Bülent Diken

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Bülent Diken teaches Social and Cultural Theory at Kadir Has University, Turkey, and Lancaster University, UK. His research interests include the sociology of cinema, and his most recent book is God, Politics, Economy (2015). Author affiliation details are correct at time of print publication.

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Graeme Gilloch

Graeme Gilloch is Reader in Sociology at Lancaster University, UK, where he researches and teaches courses in Critical Theory, visual culture – especially film and photography – and urban cultures. His most recent book is Siegfried Kracauer: Our Companion in Misfortune (2015). Author affiliation details are correct at time of print publication.

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Craig Hammond

Craig Hammond is Senior Lecturer in the School of Education at Liverpool John Moores University, UK, where he researches and teaches courses on the philosophy of education, utopia, visual culture and pedagogy. His most recent book is Hope, Utopia and Creativity in Higher Education: Pedagogical Tactics for Alternative Futures (2017). Author affiliation details are correct at time of print publication.

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The Cinema of Nuri Bilge Ceylan : The Global Vision of a Turkish filmmaker

I.B. Tauris, 2018

Book

...Yes! If one thinks about it, you know, looks into it and analyses all this hotchpotch, if you will allow me to call it so, it’s not life but more like a fire in a theatre! (Chekhov, The Wife)A Chekhov (2000) The Wife...

Three Monkeys and the Oblivion of the Spectral Fourth

Bülent Diken

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Bülent Diken teaches Social and Cultural Theory at Kadir Has University, Turkey, and Lancaster University, UK. His research interests include the sociology of cinema, and his most recent book is God, Politics, Economy (2015). Author affiliation details are correct at time of print publication.

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Graeme Gilloch

Graeme Gilloch is Reader in Sociology at Lancaster University, UK, where he researches and teaches courses in Critical Theory, visual culture – especially film and photography – and urban cultures. His most recent book is Siegfried Kracauer: Our Companion in Misfortune (2015). Author affiliation details are correct at time of print publication.

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and

Craig Hammond

Craig Hammond is Senior Lecturer in the School of Education at Liverpool John Moores University, UK, where he researches and teaches courses on the philosophy of education, utopia, visual culture and pedagogy. His most recent book is Hope, Utopia and Creativity in Higher Education: Pedagogical Tactics for Alternative Futures (2017). Author affiliation details are correct at time of print publication.

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The Cinema of Nuri Bilge Ceylan : The Global Vision of a Turkish filmmaker

I.B. Tauris, 2018

Book

...Three Monkeys (2008), Ceylan’s sixth film production, starts with a night sequence, a lone man driving his car along an unlit and isolated road. The road is winding, and beyond the traces of the rear lights the car is camouflaged...

Once Upon a Time in Anatolia: Ante Rem, Revenge, Hinterland and Detection

Bülent Diken

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Bülent Diken teaches Social and Cultural Theory at Kadir Has University, Turkey, and Lancaster University, UK. His research interests include the sociology of cinema, and his most recent book is God, Politics, Economy (2015). Author affiliation details are correct at time of print publication.

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Graeme Gilloch

Graeme Gilloch is Reader in Sociology at Lancaster University, UK, where he researches and teaches courses in Critical Theory, visual culture – especially film and photography – and urban cultures. His most recent book is Siegfried Kracauer: Our Companion in Misfortune (2015). Author affiliation details are correct at time of print publication.

Search for publications
and

Craig Hammond

Craig Hammond is Senior Lecturer in the School of Education at Liverpool John Moores University, UK, where he researches and teaches courses on the philosophy of education, utopia, visual culture and pedagogy. His most recent book is Hope, Utopia and Creativity in Higher Education: Pedagogical Tactics for Alternative Futures (2017). Author affiliation details are correct at time of print publication.

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The Cinema of Nuri Bilge Ceylan : The Global Vision of a Turkish filmmaker

I.B. Tauris, 2018

Book

...In the opening scene of Once Upon a Time in Anatolia, we are introduced to the dusk of an undisclosed evening; as we peer through the smeared border and time-laden grime of a dishevelled workshop window, the atmospheric warning of a storm...

Distant: A Winter’s Tale

Bülent Diken

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Bülent Diken teaches Social and Cultural Theory at Kadir Has University, Turkey, and Lancaster University, UK. His research interests include the sociology of cinema, and his most recent book is God, Politics, Economy (2015). Author affiliation details are correct at time of print publication.

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Graeme Gilloch

Graeme Gilloch is Reader in Sociology at Lancaster University, UK, where he researches and teaches courses in Critical Theory, visual culture – especially film and photography – and urban cultures. His most recent book is Siegfried Kracauer: Our Companion in Misfortune (2015). Author affiliation details are correct at time of print publication.

Search for publications
and

Craig Hammond

Craig Hammond is Senior Lecturer in the School of Education at Liverpool John Moores University, UK, where he researches and teaches courses on the philosophy of education, utopia, visual culture and pedagogy. His most recent book is Hope, Utopia and Creativity in Higher Education: Pedagogical Tactics for Alternative Futures (2017). Author affiliation details are correct at time of print publication.

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The Cinema of Nuri Bilge Ceylan : The Global Vision of a Turkish filmmaker

I.B. Tauris, 2018

Book

...A sad tale’s best for winter. (The Winters Tale, Act I Scene 2) Departures first light: as dawn breaks on a midwinter’s morning, a dark figure (Yusuf – Mehmet Emin Toprak in his last roleTragically, Toprak was killed in a car accident...

Multitrack and Transcultural Narratives in Wim Wenders’s Works

Wim Wenders : Making Films that Matter

Bloomsbury Academic, 2020

Book

...“Ah, if I could be all the people in all the places.” “Triumphal Ode” by Álvaro de Campos (Fernando Pessoa’s heteronym) quoted in Lisbon Story (1994).“Triumphal Ode” by Álvaro de Campos (Fernando Pessoa’s heteronym) quoted in Lisbon Story...

Hollywood’s art histories

Doris Berger

Doris Berger is a curator at the Skirball Cultural Center in Los Angeles, USA. She was a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art. Author affiliation details are correct at time of print publication.

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Projected Art History : Biopics, Celebrity Culture, and the Popularizing of American Art

Bloomsbury Academic, 2014

Book

...This book has concentrated on a segment of popular art history, taking into consideration its intertextuality, intermediality, historicity, and functionality. It has demonstrated that this segment is an important factor in producing...

Landscape painting, Chinese philosophy and the aesthetic innovation of Still Life

Cecília Mello

Cecília Mello is Lecturer in Film Studies at the University of São Paulo, Brazil. She has written previously on Jia Zhangke in book chapters and articles, and she is the co-editor, with Lúcia Nagib, of Realism and the Audiovisual Media (2009; paperback 2013). Author affiliation details are correct at time of print publication.

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The Cinema of Jia Zhangke : Realism and Memory in Chinese Film

Bloomsbury Academic, 2019

Book

...Jia Zhangke’s highly acclaimed Still Life is set in a vanishing cityscape against the backdrop of one of China’s most famous landscapes, the three gorges of the Yangtze River. It shares aesthetic qualities with the tradition of landscape...