Loading

Results

  • Artists Film Close
Sort By:  1-10 of 115 (12 pages)
Results per page:
         

Artists’ biographies in film as popular art history

Doris Berger

Doris Berger is a curator at the Skirball Cultural Center in Los Angeles, USA. She was a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art. Author affiliation details are correct at time of print publication.

Search for publications

Projected Art History : Biopics, Celebrity Culture, and the Popularizing of American Art

Bloomsbury Academic, 2014

Book chapter

...Art can be disseminated in many ways: by means of exhibitions, books, guided tours, as well as by articles or documentaries. Editorials and photo essays in literary biographies, coffee table books, comics, children’s books, movies...

Basquiat and celebrity culture

Doris Berger

Doris Berger is a curator at the Skirball Cultural Center in Los Angeles, USA. She was a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art. Author affiliation details are correct at time of print publication.

Search for publications

Projected Art History : Biopics, Celebrity Culture, and the Popularizing of American Art

Bloomsbury Academic, 2014

Book chapter

...In contrast to Pollock, the completion of the biopic BasquiatBasquiat aka Build a Fort, Set It on Fire, D: Julian Schnabel, USA 1996, 108 mins; Script: Lech Majewski, John F. Bowe, Michael Holman, Julian Schnabel; Cast: Jeffrey Wright...

Hollywood’s art histories

Doris Berger

Doris Berger is a curator at the Skirball Cultural Center in Los Angeles, USA. She was a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art. Author affiliation details are correct at time of print publication.

Search for publications

Projected Art History : Biopics, Celebrity Culture, and the Popularizing of American Art

Bloomsbury Academic, 2014

Book chapter

...This book has concentrated on a segment of popular art history, taking into consideration its intertextuality, intermediality, historicity, and functionality. It has demonstrated that this segment is an important factor in producing...

An Ersatz of Life: The Dream Life of Technology

New Screen Media : Cinema/Art/Narrative

British Film Institute, 2002

Book chapter

...I work with moving images: film, stereoscopic projection performance, and interactive cinema on CD-ROM and websites. My ongoing project is an exploration of what could be described as ‘the dream life of technology’ (not what technology...

The Good Cook: A Vertical Axis versus a Horizontal Axis in Interactive Narrative Construction

New Screen Media : Cinema/Art/Narrative

British Film Institute, 2002

Book chapter

...The notion of games with the viewer as a player (or detective) is well-documented and frequently used in the making of interactive multimedia works. It is my contention that the dramatic potential of the medium has yet to be fully...

Pollock

Doris Berger

Doris Berger is a curator at the Skirball Cultural Center in Los Angeles, USA. She was a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art. Author affiliation details are correct at time of print publication.

Search for publications

Projected Art History : Biopics, Celebrity Culture, and the Popularizing of American Art

Bloomsbury Academic, 2014

Book chapter

...It is astounding that it has taken 50 years for the first biopic on Jackson Pollock to be produced since the stories about the artist Pollock are literally predestined for a biographical Hollywood production. Jackson Pollock is considered...

Some Introductory Thoughts on Gidal’s Films and Theory [1979]

Malcolm Le Grice

Peter Kardia is widely recognised as a radical and influential teacher at both Saint Martins and the Royal College during the 60s and 70s, and his essay on how we should be approaching art and education will be central to the book. Hester Wesley has researched and written on Peter's influence on art education and his teaching at Saint Martins and the Royal College, placing it into wider context of art education generally. The last essay will be by Malcolm Le Grice (art historian) on the influence of the art teacher and art schools in history on the artist. The introduction is by Roderick Coyne who is an artist and who also taught at Saint Martins for 10 years. Author affiliation details are correct at time of print publication.

Search for publications

Experimental Cinema in the Digital Age

British Film Institute, 2001

Book chapter

...Like a large proportion of experimental film-makers, Peter Gidal came to film from the background of modern painting and is of the generation which was influenced by, but sought ways out of, abstract expressionism. Also, like a number...

Holding the Camera

Nicky Hamlyn

Nicky Hamlyn studied Fine Art at the University of Reading. From 1979 to 1981 He was a workshop organiser at the London Filmmakers’ Co-op, where he was also a founder of and regular contributor to the Co-op's magazine Undercut. He is currently a lecturer in Time Based media and Visual Theory at Kent Institute of Art and Design. His films have been screened at festivals and venues around the world. Author affiliation details are correct at time of print publication.

Search for publications

Film Art Phenomena

British Film Institute, 2003

Book chapter

...The question of how to support the camera is never a merely technical one, but for a number of film-makers this consideration has gone hand in hand with related questions of modes of vision, and the balancing of the camera’s role with other...

Interactivity

Nicky Hamlyn

Nicky Hamlyn studied Fine Art at the University of Reading. From 1979 to 1981 He was a workshop organiser at the London Filmmakers’ Co-op, where he was also a founder of and regular contributor to the Co-op's magazine Undercut. He is currently a lecturer in Time Based media and Visual Theory at Kent Institute of Art and Design. His films have been screened at festivals and venues around the world. Author affiliation details are correct at time of print publication.

Search for publications

Film Art Phenomena

British Film Institute, 2003

Book chapter

...The disorientating in art is the as yet unperceived new structure.Robert Morris, ‘Some Notes on the Phenomenology of Making’, Artforum vol. 8 no. 8, April 1970, p. 62, quoted in Michael Compton and David Sylvester, Robert Morris (London...

Betrayed by Maggie Cheung: In the Mood for Love (2000)

Stephen Teo

Stephen Teo, Ph.D., is a filmmaker, critic, and film historian. He is Associate Professor in the Wee Kim Wee School of Communication and Information at Nanyang Technological University, Singapore, and author of Hong Kong Cinema (BFI, 1997). Author affiliation details are correct at time of print publication.

Search for publications

Wong Kar-Wai

British Film Institute, 2005

Book chapter

...The Beginning of the Affair Of all Wong’s projects, In the Mood for Love has one of the more complicated and fascinating evolutions. By piecing together various accounts of what Wong had said in interviews, his next film after Happy...