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Great Relationships: Jack Green, ASC, Clint Eastwood, Bruce Surtees, and Joe Dieves

Jay Holben

Jay Holben spent more than a decade working as a director of photography. As a technical journalist, Holben has been a lead contributing writer for American Cinematographer magazine for nearly two decades. For seven years, he served as technical editor for Digital Video magazine, he is the current lighting columnist for TV Technology magazine, and has been a contributor to Videography and The Hollywood Reporter. As the author of the highly-lauded independent lighting manual: A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget, Holben was been able to bring his on-set experiences to new filmmakers. In addition to frequent speaking engagements, he holds a faculty position at the Global Cinematography Institute. With Behind the Lens, Holben strives to influence and inform today’s entrenched production technicians with regaling stories from the front-lines. He is currently an independent producer and director living in Los Angeles. Author affiliation details are correct at time of print publication.

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Behind the Lens : Dispatches from the Cinematographic Trenches

Focal Press, 2016

Book

... Great Relationships: Jack Green, ASC, Clint Eastwood, Bruce Surtees, and Joe Dieves This was part of a series of small articles that ran in the September 1998 issue of American Cinematographer spotlighting several great teams in film...

Afterword

Conversations with Clint : Paul Nelson's Lost Interviews with Clint Eastwood 1979–1983

Continuum, 1979

Book

...Despite several requests, Clint Eastwood declined comment for this book. The answer was always the same: he was busy editing his new film and preparing for the next one. “He does wish you the very best with your book.” It would have been...

Flashback

Conversations with Clint : Paul Nelson's Lost Interviews with Clint Eastwood 1979–1983

Continuum, 1979

Book

...Clint Eastwood's Hotel RoomNew York, NYDecember 1979 Eastwood has yet to act in any of Steven Spielberg's films, but the two men have worked together several times. Spielberg produced Eastwood's Flags of Our Fathers and Letters from Iwo...

Editor's Note

Conversations with Clint : Paul Nelson's Lost Interviews with Clint Eastwood 1979–1983

Continuum, 1979

Book

...Because Paul Nelson's interview technique tended to be less guided than it was roundabout—more conversational, if you will (he knew that to get to the heart of A, sometimes it required jumping ahead to K or S, or even Z, and coming back...

The Telephone Call

Conversations with Clint : Paul Nelson's Lost Interviews with Clint Eastwood 1979–1983

Continuum, 1979

Book

...Paul Nelson's ApartmentNew York, NYJanuary 1983Fade In:Paul Nelson was always difficult to reach by phone. A devout screener, he almost always let his prehistoric answering machine, which many a friend grew to despise, pick up his calls...

Introduction

Conversations with Clint : Paul Nelson's Lost Interviews with Clint Eastwood 1979–1983

Continuum, 1979

Book

...“I'll say that you can see the man in his work just as clearly as you see Hemingway in A Farewell to Arms or John Cheever in his short stories. Hell, yes, he's an artist. I even think he's important. Not just a fabulous success at the box...

Cross-Media Stardom: Television/Film

Paul McDonald

Paul McDonald is Professor of Cultural and Creative Industries and Vice Dean (People & Planning) for Arts in the Faculty of Arts & Humanities at King’s College London, UK. He is the author of The Star System: Hollywood’s Production of Popular Identities (2000); Hollywood Stardom (2013) and Video and DVD Industries (BFI 2007). His co-edited volumes include, with Janet Wasko, The Contemporary Hollywood Film Industry (2008) and with Emily Carman, Eric Hoyt and Philip Drake, Hollywood and the Law (BFI 2015). He is the co-editor, with Michael Curtin, of the BFI series International Screen Industries. Author affiliation details are correct at time of print publication.

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George Clooney

British Film Institute, 2019

Book

...At the start of his acting career, Clooney spent over a decade juxtaposing television and film assignments, working regularly in both media but achieving no success in either. This career phase came to an end when Clooney worked...

Top 10 Directors According to TopTenReviews1

Clifford Thurlow

Clifford Thurlow is a writer and independent filmmaker. He co-produced Salvador Dali: A Biography and co-produced and presented The Dali Triangle for Yellowbay Films. The winner of a screenwriting award from EMDA, the European Media Development Award, his screenplay Zeitgeist is in development with Hub Media. Author affiliation details are correct at time of print publication.

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Max Thurlow

Max Thurlow is a journalist who has written for a number of publications including the Daily Mail and the Independent. He has shot, edited and screened a number of travel and short films. Author affiliation details are correct at time of print publication.

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Making Short Films : The complete guide from script to screen

Bloomsbury, 2013

Book

... According to TopTenReviews1 No of Director Career Span Top 4 Movies Films 1950s – 1 1960s – 3 Raiders of the Lost Ark (1981) 1970s – 3 Steven E.T. the Extra-Terrestrial (1982) 1 32 1980s – 7 Spielberg Jaws (1975) 1990s – 7 Saving Private...

The Conversations

Conversations with Clint : Paul Nelson's Lost Interviews with Clint Eastwood 1979–1983

Continuum, 1979

Book

...Clint Eastwood's and Paul Nelson's RoomsRed Lion Inn, Boise, IdOctober 1979Clint Eastwood's Hotel RoomNew York, NYDecember 1979Clint Eastwood's OfficeThe Malpaso Company, Burbank, CANovember 1979, October 1980and October 1983 1...

Unforgiven

Edward Buscombe

Edward Buscombe is the editor of The BFI Companion to Western and has written on Stagecoach, The Searchers and The Unforgiven in the BFI Film Classics series. Author affiliation details are correct at time of print publication.

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British Film Institute, 2004

Focused Study

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...In this work, Edward Buscombe explores the ways in which ‘Unforgiven’, sticking surprisingly close to the original script by David Webb Peoples, moves between the requirements of the traditional Western, with its generic conventions...