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Great Relationships: Jack Green, ASC, Clint Eastwood, Bruce Surtees, and Joe Dieves

Jay Holben

Jay Holben spent more than a decade working as a director of photography. As a technical journalist, Holben has been a lead contributing writer for American Cinematographer magazine for nearly two decades. For seven years, he served as technical editor for Digital Video magazine, he is the current lighting columnist for TV Technology magazine, and has been a contributor to Videography and The Hollywood Reporter. As the author of the highly-lauded independent lighting manual: A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget, Holben was been able to bring his on-set experiences to new filmmakers. In addition to frequent speaking engagements, he holds a faculty position at the Global Cinematography Institute. With Behind the Lens, Holben strives to influence and inform today’s entrenched production technicians with regaling stories from the front-lines. He is currently an independent producer and director living in Los Angeles. Author affiliation details are correct at time of print publication.

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Behind the Lens : Dispatches from the Cinematographic Trenches

Focal Press, 2016

Book

... Great Relationships: Jack Green, ASC, Clint Eastwood, Bruce Surtees, and Joe Dieves This was part of a series of small articles that ran in the September 1998 issue of American Cinematographer spotlighting several great teams in film...

High Plains Drifter

Edward Buscombe

Edward Buscombe is the editor of The BFI Companion to Western and has written on Stagecoach, The Searchers and The Unforgiven in the BFI Film Classics series. Author affiliation details are correct at time of print publication.

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100 Westerns : BFI Screen Guides

British Film Institute, 2006

Book

...Not surprisingly, Eastwood’s first Western as both star and director owes something to his work with Sergio Leone. A mysterious stranger (Eastwood) rides into the town of Lago and when an inhabitant asks, ‘What did you say your name...

Thunderbolt and Lightfoot

Jason Wood

Jason Wood is a writer, film programmer and filmmaker. He is Artistic Director of Film at HOME, Visiting Professor at MMU and Visiting Professor at University of Salford, UK, and the author of a number of books including The Faber Book of Mexican Cinema (2006), Nick Broomfield: Documenting Icons (2005), 100 Road Movies (BFI 2007) and Talking Movies: Contemporary World Directors in Interview (2006). He contributes to a range of publications including Sight & Sound, The Guardian, Vertigo and Little White Lies. Author affiliation details are correct at time of print publication.

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100 Road Movies : BFI Screen Guides

British Film Institute, 2007

Book

...Michael Cimino’s first film as a director after penning Silent Running (1972) and the subsequent year’s Magnum Force (in conjunction with John Milius), Thunderbolt and Lightfoot came to Cimino at the behest of star Clint Eastwood...

Pale Rider

Edward Buscombe

Edward Buscombe is the editor of The BFI Companion to Western and has written on Stagecoach, The Searchers and The Unforgiven in the BFI Film Classics series. Author affiliation details are correct at time of print publication.

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100 Westerns : BFI Screen Guides

British Film Institute, 2006

Book

...Eastwood’s Westerns often have the happy knack of drawing on the genre’s roots while giving a new twist to a traditional form. Pale Rider owes an obvious debt to Shane (1953), made thirty years previously. As in the earlier film...

Unforgiven

Edward Buscombe

Edward Buscombe is the editor of The BFI Companion to Western and has written on Stagecoach, The Searchers and The Unforgiven in the BFI Film Classics series. Author affiliation details are correct at time of print publication.

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100 Westerns : BFI Screen Guides

British Film Institute, 2006

Book

...Hailed almost unanimously by critics as a ‘revisionist’ Western, Clint Eastwood’s most recent excursion out west cunningly attempts to have its cake and eat it too. On the one hand, it tries to distance itself from the celebration...

The Good, the Bad and the Ugly/Il buono, il brutto, il cattivo

Edward Buscombe

Edward Buscombe is the editor of The BFI Companion to Western and has written on Stagecoach, The Searchers and The Unforgiven in the BFI Film Classics series. Author affiliation details are correct at time of print publication.

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100 Westerns : BFI Screen Guides

British Film Institute, 2006

Book

...This is the last and the most ambitious of Sergio Leone’s three films with Clint Eastwood. To the rivalry between the Eastwood character (here called Blondie) and the Lee Van Cleef character (here called Angel Eyes) Leone has added a third...

A Fistful of Dollars/Per un pugno di dollari

Edward Buscombe

Edward Buscombe is the editor of The BFI Companion to Western and has written on Stagecoach, The Searchers and The Unforgiven in the BFI Film Classics series. Author affiliation details are correct at time of print publication.

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100 Westerns : BFI Screen Guides

British Film Institute, 2006

Book

...The first of Clint Eastwood’s collaborations with Sergio Leone changed not only both their careers, but the history of the Western genre. Until this time known, if at all, for his supporting role in the TV series Rawhide (1959–66), Eastwood...

The Beguiled

Edward Buscombe

Edward Buscombe is the editor of The BFI Companion to Western and has written on Stagecoach, The Searchers and The Unforgiven in the BFI Film Classics series. Author affiliation details are correct at time of print publication.

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100 Westerns : BFI Screen Guides

British Film Institute, 2006

Book

...The original script for The Beguiled was written by Albert Maltz, one of the blacklisted Hollywood Ten who had also written Two Mules for Sister Sara (1970), the previous collaboration between director Don Siegel and star Clint Eastwood...

Editor's Note

Conversations with Clint : Paul Nelson's Lost Interviews with Clint Eastwood 1979–1983

Continuum, 1979

Book

...Because Paul Nelson's interview technique tended to be less guided than it was roundabout—more conversational, if you will (he knew that to get to the heart of A, sometimes it required jumping ahead to K or S, or even Z, and coming back...

Afterword

Conversations with Clint : Paul Nelson's Lost Interviews with Clint Eastwood 1979–1983

Continuum, 1979

Book

...Despite several requests, Clint Eastwood declined comment for this book. The answer was always the same: he was busy editing his new film and preparing for the next one. “He does wish you the very best with your book.” It would have been...