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Production

Robert Klenner

Robert Klenner is the Acting Head of Directing at The Australian Film, Television and Radio School. Author affiliation details are correct at time of print publication.

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Directing Screen Performances

Bloomsbury Academic, 2019

Book chapter

...Directing the shoot is about being in the moment—engaging with people and physical settings, and making countless decisions. It is challenging, stressful, and exhilarating. You may find that once you start production you enter a kind...

The Metamorphosis of Place: Projection-Mapped Animation

Dan Torre

Dan Torre is a lecturer in the School of Media and Communication at RMIT University in Melbourne, Australia. He has written widely on animation, media and popular culture. Author affiliation details are correct at time of print publication.

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Animated Landscapes : History, Form and Function

Bloomsbury Academic, 2015

Book chapter

...In this chapter I will look at a number of theoretical considerations concerning the rising trend of large-scale projection-mapped animations, which signals an emerging and unique form of site-specific animation. This type of cinema...

5. Girlfriend in a Coma

James Franco

James Franco grew up in the northern California town of Palo Alto. He is an actor, director, screenwriter and artist. His film appearances include Milk, Pineapple Express, the Spider-Man trilogy, Howl, Oz the Great and Powerful, Spring Breakers, and This Is The End. Author affiliation details are correct at time of print publication.

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Directing Herbert White : Poems and Prose

Faber & Faber, 2014

Book chapter

Lighting

Mike Figgis

Mike Figgis is the renowned musician/film-maker whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, the award-winning Leaving Las Vegas, as well as the innovative digital films Timecode and Hotel. His photographs have been displayed at galleries, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...California über alles The technique of lighting has evolved throughout the history of cinema. When the first cameras were constructed and the first emulsion stock developed, film speeds were very slow. This meant that in order to get a good...

Art Direction

Michael Ryan

Dr Sean Michael Ryan is a Lecturer in Biblical Studies, Heythrop College, University of London Author affiliation details are correct at time of print publication.

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Melissa Lenos

Melissa Lenos is Assistant Professor of English, Donnelly College, USA. Author affiliation details are correct at time of print publication.

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An Introduction to Film Analysis : Technique and Meaning in Narrative Film

Continuum, 2012

Book chapter

...Art direction or production design constructs the visual and aural environment of a film. The choice of location or the design of the set is an active agent in creating meaning, as are lighting, color, and sound.Location and set design...
...White critics’ blindness to the importance of blackness in a racial sense to film noir has still not been adequately addressed. Race is film noir’s repressed unconscious Signifier. It was convenient that French critics first named...

Camera Work

Michael Ryan

Dr Sean Michael Ryan is a Lecturer in Biblical Studies, Heythrop College, University of London Author affiliation details are correct at time of print publication.

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and

Melissa Lenos

Melissa Lenos is Assistant Professor of English, Donnelly College, USA. Author affiliation details are correct at time of print publication.

Search for publications

An Introduction to Film Analysis : Technique and Meaning in Narrative Film

Continuum, 2012

Book chapter

...When you watch a film, you see it through the camera’s eye, so where the camera is placed and how it moves are crucial constituents of film meaning.Shots vary enormously in meaning. Close-ups often convey a sense of intimacy...

Me—Situating Cinematic Presence

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...A large black shadow dances on a highly illuminated surface, a building façade consisting of one square plane and two more or less triangular planes. In the shadow a reflection, not of the person casting the shadow but rather a residue...

HERE—Locating the Cinematic

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...Walking into a modern museum exhibition running a show where many sounds and images are projected can now be an overwhelming experience. This is particularly the case when these sounds and images are not separated but overlap, so...

Women in Film Noir

Women in Film Noir

British Film Institute, 1978

Book chapter

...The dark lady, the spider woman, the evil seductress who tempts man and brings about his destruction is among the oldest themes of art, literature, mythology and religion in western culture. She is as old as Eve, and as current as today...