Loading

Results

  • Lord of the Rings, The (trilogy) Close
Sort By:  1-4 of 4 (1 page)
Results per page:
         

Fantasy, Style and Coherence

James Walters

James Walters is Lecturer in Film and Television Studies at the University of Birmingham and author of Alternative Worlds in Hollywood Cinema and co-editor of Film Moments: Criticism, History, Theory. Author affiliation details are correct at time of print publication.

Search for publications

Fantasy Film : A Critical Introduction

Berg, 2011

Book chapter

...The Value of Coherence This final chapter seeks to crystallize a notion that has underpinned a number of the debates taking place within the book: coherence within fantasy film. At a basic level, concepts of coherence have clear prescience...

Introduction: Franchised Adaptations

Kyle Meikle

Kyle Meikle is Assistant Professor of Communication and English at the University of Baltimore, USA, and Film Reviews Editor for Adaptation. Author affiliation details are correct at time of print publication.

Search for publications

Adaptations in the Franchise Era : 2001–16

Bloomsbury Academic, 2019

Book chapter

...Warner Bros.’s Harry Potter and the Sorcerer’s Stone, adapted from the bestselling 1997 young adult (YA) novel by J.K. Rowling, opened in November 2001, grossing over $974 million worldwide and launching...

Conclusion: Dimensional Adaptations

Kyle Meikle

Kyle Meikle is Assistant Professor of Communication and English at the University of Baltimore, USA, and Film Reviews Editor for Adaptation. Author affiliation details are correct at time of print publication.

Search for publications

Adaptations in the Franchise Era : 2001–16

Bloomsbury Academic, 2019

Book chapter

...LEGO set #4701 – The Sorting Hat – was released in 2001, timed to coincide with the arrival of Harry Potter and the Sorcerer’s Stone on the big screen. The scene features a Harry Potter minifigure, an accompanying wand and white owl...

Animation and Performance

Annabelle Honess Roe

Annabelle Honess Roe is a lecturer at the University of Surrey, UK, where she is the programme director for Film Studies. Her scholarship and teaching focuses on animation, documentary and popular culture more broadly. Author affiliation details are correct at time of print publication.

Search for publications

The Animation Studies Reader

Bloomsbury Academic, 2019

Book chapter

...The concept of performance, imbued as it is with ideas of embodiment and the corporeal, would initially seem to have little relevance to animation. After all, many animated characters are virtual and intangible, unlike the physical, ‘real...