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Tom Brown is Senior Lecturer in Film at King's College London, UK. He is co-editor, with James Bennett, of Film and Television After DVD (2008). Author affiliation details are correct at time of print publication.

Fran Pheasant-Kelly

Drew Ayers is Assistant Professor of Theatre and Film at Eastern Washington University, USA. His research focuses on visual culture, digital technology, visual effects, cinema, and nonhuman theory, and he has previously been published in Animation, Configurations, Film Criticism, and several edited anthologies. Ayers also serves as a board member and programmer for the Spokane International Film Festival. Author affiliation details are correct at time of print publication.

Ernest Mathijs is Associate Professor of Film Studies at the University of British Columbia, Canada. He is the author of The Cinema of David Cronenberg (2008), co-author of Cult Cinema (2011) and co-editor of The Cult Film Reader (2008). Author affiliation details are correct at time of print publication.

Kyle Meikle is Assistant Professor of Communication and English at the University of Baltimore, USA, and Film Reviews Editor for Adaptation. Author affiliation details are correct at time of print publication.

Kyle Meikle is Assistant Professor of Communication and English at the University of Baltimore, USA, and Film Reviews Editor for Adaptation. Author affiliation details are correct at time of print publication.

Mark Sawicki is a camera man, artist, and actor. He has had many roles in the world of film, from teaching visual effects for over 15 years at the UCLA extension, authoring video programs on the art of clay animation, and being an independent stop motion animator on several MTV videos. He won an Emmy Certificate for his contribution to the television series, Star Trek while working as a cameraman for Illusion Arts. He won a Clio for his camera work while at Celestial Mechanics Incorporated. Mark is currently a digital colorist and effects camera supervisor at Custom Film Effects. A few of his recent films include Premonition, The Black Dahlia, 40 Year Old Virgin, and Eternal Sunshine of the Spotless Mind. Author affiliation details are correct at time of print publication.

Annabelle Honess Roe is a lecturer at the University of Surrey, UK, where she is the programme director for Film Studies. Her scholarship and teaching focuses on animation, documentary and popular culture more broadly. Author affiliation details are correct at time of print publication.

Tino Balio is Emeritus Professor of Communication Arts at the University of Wisconsin-Madison.The 2001 recipient of the inaugural Academy Film Scholar Grant from the Academy of Motion Picture Arts and Sciences, Balio has written widely on the historical development of Hollywoodand the American film industry. He is the author of a two-volume history of United Artists, Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939 (1996), and The Foreign Film Renaissance on American Screens, 1946–1973 (2010). Author affiliation details are correct at time of print publication.

I.Q. Hunter is Reader in Film Studies at De Montfort University, Leicester, UK. He is the editor of British Science Fiction Cinema (1999), and the co-editor of British Comedy Cinema (2012), Controversial Images (2012) and Science Fiction Across Media (2013). Author affiliation details are correct at time of print publication.