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PAM COOK is Professor Emerita in Film at the University of Southampton, UK. She is the editor of The Cinema Book (3rd Edition, 2007) and Gainsborough Pictures (BFI, 1997), and the author of Fashioning the Nation: Costume and Identity in British Cinema (1996), the BFI Film Classic on ‘I Know Where I’m Going!; (2002), Screening the Past: Memory and Nostalgia in Cinema (2005), and Baz Luhrmann in the BFI World Directors series (2010). Author affiliation details are correct at time of print publication.

Douglas Gomery is Resident Scholar at the Library of American Broadcasting and Film at the University of Maryland, USA. Author affiliation details are correct at time of print publication.

David Schroeder holds a PhD from Cambridge University, and is Professor Emeritus at Dalhousie University, Canada. His books include Haydn and the Enlightenment (Oxford UP, 1990), Mozart in Revolt (Yale UP, 1999), Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film (Continuum, 2002/Bloomsbury, 2016), and Our Schubert: His Enduring Legacy (Scarecrow, 2008). Author affiliation details are correct at time of print publication.

Paul Coates is Professor in the Film Studies Department of the University of Western Ontario, Canada. He is the author of The Story of the Lost Reflection (1985), The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror (1991) and Cinema, Religion and the Romantic Legacy (2003). Author affiliation details are correct at time of print publication.

Douglas Gomery is Resident Scholar at the Library of American Broadcasting and Film at the University of Maryland, USA. Author affiliation details are correct at time of print publication.

Roy Perkins

Martin Stollery

Michael Temple is Reader in Film and Media at Birkbeck College, University of London, UK, and Director of the Birkbeck Institute for the Moving Image and the Essay Film Festival. He is the author of Jean Vigo (2005), and has co-edited several books about Jean-Luc Godard, as well as Decades Never Start on Time: A Richard Roud Anthology (BFI, 2014). Author affiliation details are correct at time of print publication.

Karen Smolens is the niece of Richard Roud. She attended her first New York Film Festival at age 13, where she saw her uncle moderate a press conference with Roberto Rossellini following a screening of The Rise of Louis XIV (1966). She lives in Brookline, Massachusetts, USA. Author affiliation details are correct at time of print publication.

Douglas Gomery is Resident Scholar at the Library of American Broadcasting and Film at the University of Maryland, USA. Author affiliation details are correct at time of print publication.

Douglas Gomery is Resident Scholar at the Library of American Broadcasting and Film at the University of Maryland, USA. Author affiliation details are correct at time of print publication.

Michael Temple is Reader in Film and Media at Birkbeck College, University of London, UK, and Director of the Birkbeck Institute for the Moving Image and the Essay Film Festival. He is the author of Jean Vigo (2005), and has co-edited several books about Jean-Luc Godard, as well as Decades Never Start on Time: A Richard Roud Anthology (BFI, 2014). Author affiliation details are correct at time of print publication.

Michael Witt is Professor of Cinema and Co-Director of the Centre for Research in Film and Audiovisual Cultures at the University of Roehampton, London, UK. He has published widely on French film history in journals such as Screen, Trafic and New Left Review and co-curated seasons of French experimental cinema, documentary, and the work of Jean-Luc Godard for institutions such as Tate Modern and BFI Southbank. He is the co-editor of For Ever Godard (2004) and Jean-Luc Godard: Documents (2006), and the author of Jean-Luc Godard, Cinema Historian (2013). Author affiliation details are correct at time of print publication.