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Living Cinema Memories: Restaging the Past at the Pictures

Matthew Jones

Matthew Jones is Associate Professor in Film Studies at De Montfort University, UK. He has published widely on mid-century cinema audiences and science fiction film and television. He is the co-editor of Time Travel in Popular Media: Essays on Film, Television, Literature and Video Games (2015). Author affiliation details are correct at time of print publication.

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...Introduction Between 2013 and 2016, I was part of a team of researchers at University College London, led by Melvyn Stokes and also including Emma Pett, which collected people’s memories of visiting cinemas in Britain’s villages, towns...

Eating with Your Eyes: Edible Cinema and Participatory Synaesthesia

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...A substantial amount of research has, and with reason, been devoted to the subject of gastronomic representation and consumption upon the silver screen. It goes without saying that this most fundamental and necessary human activity allows...

Conclusion

Max Sexton

Max Sexton is a lecturer at the University of Surrey, where he currently teaches film and television theory, and an independent scholar. After working in British television, he completed an MA History of Film and Visual Media and a PhD. He is currently interested in the links between aesthetics and technology, the de-stabilization of genre and inter-medial areas between film and television, including debates about the use of live performance and special effects. He co-authored Adapting Science Fiction to Television: Small Screen, Expanded Universe (2015) with Malcolm Cook. Author affiliation details are correct at time of print publication.

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Secular Magic and the Moving Image : Mediated Forms and Modes of Reception

Bloomsbury Academic, 2017

Book chapter

...This book has shown that secular magic and its use on television and film can heighten an awareness of the difficulties of definition and interpretation of particular types of texts. It is possible to analyse them texturally...

Introduction

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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and Helen W. Kennedy

and Helen W. Kennedy

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...The act of film viewing is inherently a time-based, temporally specific occasion. Nowhere more is this the case than in film festivals which work to a large extent to a specific annual or biannual calendar, take place over a clearly defined...

Introduction

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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and

Helen W. Kennedy

Helen W. Kennedy is Head of the School of Media at the University of Brighton, UK. Author affiliation details are correct at time of print publication.

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...This section brings together cutting-edge, practice-based enquiry into different aspects of live cinema production. The contributions take creative practice forwards in a number of key ways:They examine advances in creative practice in live...

Introduction

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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and

and Helen W. Kennedy

and Helen W. Kennedy

Search for publications

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...Our readers will have already discerned that audiences feature a great deal in the first two sections of this volume – populating and negotiating the spaces and temporalities of live cinema; audiences are indeed key to animating live cinema...

Introduction

Max Sexton

Max Sexton is a lecturer at the University of Surrey, where he currently teaches film and television theory, and an independent scholar. After working in British television, he completed an MA History of Film and Visual Media and a PhD. He is currently interested in the links between aesthetics and technology, the de-stabilization of genre and inter-medial areas between film and television, including debates about the use of live performance and special effects. He co-authored Adapting Science Fiction to Television: Small Screen, Expanded Universe (2015) with Malcolm Cook. Author affiliation details are correct at time of print publication.

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Secular Magic and the Moving Image : Mediated Forms and Modes of Reception

Bloomsbury Academic, 2017

Book chapter

...This book explores the idea of secular magic and its use in the moving image. The term ‘secular magic’ is used in this book to suggest a realist account of magic and its proximity to illusion and fiction. The link between communication...
...In September 2010, Secret Cinema founder Fabien Riggall explained the growing popularity of immersive film events in the following terms:Secret Cinema is a British company that specializes in ‘immersive’ cinema events. Previous examples...

Hangmen Rehanged – Fusing Event Cinema, Live Cinema and Sensory Cinema in the Evolution of Site and Screen Responsive Theatre Sarah Atkinson

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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and

Helen W. Kennedy

Helen W. Kennedy is Head of the School of Media at the University of Brighton, UK. Author affiliation details are correct at time of print publication.

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...Prologue On Friday 27 May 2016, the inaugural Live Cinema Conference was held at King’s College London. The day involved a number of panels, workshops, master classes and installations and was attended by professionals, practitioners...

Nostalgia and Placemaking at Los Angeles’ Outdoor Movies

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...Family movie night. A first date at the cinema. The must-see cult classic. Sharing films is a way for people to share their lives, their identities and parts of their emotional fabric with others. Movies help audiences make sense...