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Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

Jeff Rush is an associate professor at Temple University's Department of Film & Media Arts. He has served as director of the MFA program and as Department Chair in Film & Media Arts. He received an MFA in Screenwriting and Directing from the American Film Institute and an MFA in Fiction Writing from the University of Iowa's Writer's Workshop. In addition to teaching, Jeff has worked as a freelance screenwriter and has published numerous articles and books. Author affiliation details are correct at time of print publication.

Guy Gallo's screenplay of Under the Volcano was directed by John Huston and released in 1984. Since then, he has written over a dozen feature screenplays, and had four others produced. He has taught advanced screenwriting for twenty years in the Graduate Film Division of Columbia University's School of the Arts, and drama at Princeton as well as New York University. Among his former students are James Mangold (Girl Interrupted, 3:10 to Yuma, Walk the Line), Greg Mottola (Superbad, Adventureland), Jeannine Dominy (Dangerous Beauty), Emily Abt (Toe to Toe) and Christopher Zalla (Sundance Grand Jury 2007 for Sangre di mi sangre). Author affiliation details are correct at time of print publication.

Tom Stempel is the author of five books, two of which were published by Continuum–FrameWork: A History of Screenwriting in American Film and Storytellers to the Nation: A History of American Television Writing–the others being Screenwriter: The Life of Nunnally Johnson; Screenwriting; and American Audiences on Movies and Moviegoing. He is Professor of Cinema, Cinema-Television Department, Los Angeles City College. He has taught on these subjects for more than thirty years. Author affiliation details are correct at time of print publication.

Marilyn Beker is a professor of screenwriting in the School of Film and Television at Loyola Marymount University in Los Angeles, California. She is the author of Screenwriting With a Conscience: Ethics for Screenwriters and The Screenwriter Activist: Writing Social Issue Movies. She has extensive screenwriting and production experience and is the recipient of the Visionary Leader in Education Award from Shorts HD and Shorts International for her work in short films. Author affiliation details are correct at time of print publication.

Marilyn Beker is a professor of screenwriting in the School of Film and Television at Loyola Marymount University in Los Angeles, California. She is the author of Screenwriting With a Conscience: Ethics for Screenwriters and The Screenwriter Activist: Writing Social Issue Movies. She has extensive screenwriting and production experience and is the recipient of the Visionary Leader in Education Award from Shorts HD and Shorts International for her work in short films. Author affiliation details are correct at time of print publication.

Tom Stempel is the author of five books, two of which were published by Continuum–FrameWork: A History of Screenwriting in American Film and Storytellers to the Nation: A History of American Television Writing–the others being Screenwriter: The Life of Nunnally Johnson; Screenwriting; and American Audiences on Movies and Moviegoing. He is Professor of Cinema, Cinema-Television Department, Los Angeles City College. He has taught on these subjects for more than thirty years. Author affiliation details are correct at time of print publication.

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

Jeff Rush is an associate professor at Temple University's Department of Film & Media Arts. He has served as director of the MFA program and as Department Chair in Film & Media Arts. He received an MFA in Screenwriting and Directing from the American Film Institute and an MFA in Fiction Writing from the University of Iowa's Writer's Workshop. In addition to teaching, Jeff has worked as a freelance screenwriter and has published numerous articles and books. Author affiliation details are correct at time of print publication.

Irv Bauer’s vast experience in teaching screenwriting includes undergraduate programs at New York University and Sarah Lawrence College, playwriting at many universities and venues, and non-performance workshops for writers at the New Dramatists. Bauer has mentored countless up-and-coming industry writers and directors and taught his own very successful classes and tutorials, drawing students from all over the world. He is the author of several produced and optioned plays and screenplays as well as many commissioned rewrites of film and television scripts and stage plays. Irv is also widely known for the animated series Courage The Cowardly Dog on Cartoon Network. Author affiliation details are correct at time of print publication.

Jack Epps, Jr. is the co-author of the films, Top Gun, The Secret Of My Success, Dick Tracy, Anaconda, and Turner and Hooch. Epps is also a script doctor and has contributed to films such as Sister Act and Die Hard With a Vengeance. Epps is Associate Professor and Chair of the Writing for Screen and Television Program at the University of Southern California’s School of Cinematic Arts, USA. Author affiliation details are correct at time of print publication.

Jack Epps, Jr. is the co-author of the films, Top Gun, The Secret Of My Success, Dick Tracy, Anaconda, and Turner and Hooch. Epps is also a script doctor and has contributed to films such as Sister Act and Die Hard With a Vengeance. Epps is Associate Professor and Chair of the Writing for Screen and Television Program at the University of Southern California’s School of Cinematic Arts, USA. Author affiliation details are correct at time of print publication.