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Tom Stempel is the author of five books, two of which were published by Continuum–FrameWork: A History of Screenwriting in American Film and Storytellers to the Nation: A History of American Television Writing–the others being Screenwriter: The Life of Nunnally Johnson; Screenwriting; and American Audiences on Movies and Moviegoing. He is Professor of Cinema, Cinema-Television Department, Los Angeles City College. He has taught on these subjects for more than thirty years. Author affiliation details are correct at time of print publication.

Tom Stempel is the author of five books, two of which were published by Continuum–FrameWork: A History of Screenwriting in American Film and Storytellers to the Nation: A History of American Television Writing–the others being Screenwriter: The Life of Nunnally Johnson; Screenwriting; and American Audiences on Movies and Moviegoing. He is Professor of Cinema, Cinema-Television Department, Los Angeles City College. He has taught on these subjects for more than thirty years. Author affiliation details are correct at time of print publication.

Joseph McBride is a film historian and associate professor in the Cinema department at San Francisco State University. His many books include Searching for John Ford, Frank Capra: The Catastrophe of Success, Steven Spielberg: A Biography, Hawks on Hawks, Whatever Happened to Orson Welles?: A Portrait of an Independent Career, as well as the critical studies John Ford (1974, with Michael Wilmington) and Orson Welles. Author affiliation details are correct at time of print publication.

Tom Stempel is the author of five books, two of which were published by Continuum–FrameWork: A History of Screenwriting in American Film and Storytellers to the Nation: A History of American Television Writing–the others being Screenwriter: The Life of Nunnally Johnson; Screenwriting; and American Audiences on Movies and Moviegoing. He is Professor of Cinema, Cinema-Television Department, Los Angeles City College. He has taught on these subjects for more than thirty years. Author affiliation details are correct at time of print publication.

Mark Evan Schwartz is Associate Professor of Screenwriting at Loyola Marymount University, School of Film and Television, in California. He’s a former Head of Story Development for Nelson Entertainment, Story Analyst for the David Geffen Company, and Production Assistant to Francis Ford Coppola. A working screenwriter, he has credits on over a dozen produced feature films and television movies. Author affiliation details are correct at time of print publication.

Tom Stempel is the author of five books, two of which were published by Continuum–FrameWork: A History of Screenwriting in American Film and Storytellers to the Nation: A History of American Television Writing–the others being Screenwriter: The Life of Nunnally Johnson; Screenwriting; and American Audiences on Movies and Moviegoing. He is Professor of Cinema, Cinema-Television Department, Los Angeles City College. He has taught on these subjects for more than thirty years. Author affiliation details are correct at time of print publication.

Joseph McBride is a film historian and associate professor in the Cinema department at San Francisco State University. His many books include Searching for John Ford, Frank Capra: The Catastrophe of Success, Steven Spielberg: A Biography, Hawks on Hawks, Whatever Happened to Orson Welles?: A Portrait of an Independent Career, as well as the critical studies John Ford (1974, with Michael Wilmington) and Orson Welles. Author affiliation details are correct at time of print publication.

Joseph McBride is a film historian and associate professor in the Cinema department at San Francisco State University. His many books include Searching for John Ford, Frank Capra: The Catastrophe of Success, Steven Spielberg: A Biography, Hawks on Hawks, Whatever Happened to Orson Welles?: A Portrait of an Independent Career, as well as the critical studies John Ford (1974, with Michael Wilmington) and Orson Welles. Author affiliation details are correct at time of print publication.

Joseph McBride is a film historian and associate professor in the Cinema department at San Francisco State University. His many books include Searching for John Ford, Frank Capra: The Catastrophe of Success, Steven Spielberg: A Biography, Hawks on Hawks, Whatever Happened to Orson Welles?: A Portrait of an Independent Career, as well as the critical studies John Ford (1974, with Michael Wilmington) and Orson Welles. Author affiliation details are correct at time of print publication.

Tom Stempel is the author of five books, two of which were published by Continuum–FrameWork: A History of Screenwriting in American Film and Storytellers to the Nation: A History of American Television Writing–the others being Screenwriter: The Life of Nunnally Johnson; Screenwriting; and American Audiences on Movies and Moviegoing. He is Professor of Cinema, Cinema-Television Department, Los Angeles City College. He has taught on these subjects for more than thirty years. Author affiliation details are correct at time of print publication.