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Go West, Brother: The Politics of Landscape in the Blaxploitation Western

Austin Fisher

Austin Fisher is Senior Lecturer in Film and Television Studies at Bournemouth University, author of Radical Frontiers in the Spaghetti Western (2011), founding co-editor of the “Global Exploitation Cinemas” book series and editor of Spaghetti Westerns at the Crossroads (2015). He serves on the Editorial Board of the Transnational Cinemas journal, is Co-Chair of the SCMS “Transnational Cinemas” Scholarly Interest Group, and founder of the “Spaghetti Cinema” festival. Author affiliation details are correct at time of print publication.

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Grindhouse : Cultural Exchange on 42nd Street, and Beyond

Bloomsbury Academic, 2016

Book

2

...When The Legend of Nigger Charley (Martin Goldman, 1972) opened in downtown theaters across the United States in May 1972, its marketing campaign provided a clear indication of who its target audience was. The film’s tagline—“Somebody warn...

Introduction: 42nd Street, and Beyond

Austin Fisher

Austin Fisher is Senior Lecturer in Film and Television Studies at Bournemouth University, author of Radical Frontiers in the Spaghetti Western (2011), founding co-editor of the “Global Exploitation Cinemas” book series and editor of Spaghetti Westerns at the Crossroads (2015). He serves on the Editorial Board of the Transnational Cinemas journal, is Co-Chair of the SCMS “Transnational Cinemas” Scholarly Interest Group, and founder of the “Spaghetti Cinema” festival. Author affiliation details are correct at time of print publication.

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Johnny Walker

Johnny Walker is a Lecturer in Media at Northumbria University, UK. His writing on horror and exploitation cinema can be read in journals such as Horror Studies, the Journal of British Cinema and Television, and in his forthcoming books Contemporary British Horror Cinema: Industry, Genre and Society (2015) and Snuff: Real Death and Screen Media (Bloomsbury, 2015). Author affiliation details are correct at time of print publication.

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Grindhouse : Cultural Exchange on 42nd Street, and Beyond

Bloomsbury Academic, 2016

Book

4

... westerns discussed here by Austin Fisher are cases in point of films that appear to have been overlooked in cult discourse. As Johannes Ferle argues, Quentin Tarantino’s claims of originality for Django Unchained (2012), which is clearly...