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Rührender Achtung: Terrence Malick's Cinematic Neo-Modernity

Terrence Malick : Film and Philosophy

Continuum, 2011

Book chapter

2

... by James Morrison and Thomas Shur (2003); The Cinema of Terrence Malick edited by Hanna Patterson (now in a second edition, 2007); and Terrence Malick by Lloyd Michaels (2009). There are two books on The Thin Red Line alone by Michel Chion...

Introduction

Stuart Kendall

Stuart Kendall teaches Critical Studies at the California College of the Arts, US. He is the author of Georges Bataille and The Ends of Art and Design. Author affiliation details are correct at time of print publication.

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Thomas Deane Tucker

Thomas Deane Tucker is a professor of Humanities at Chadron State College, US. He is the author of Derridada: Duchamp as Readymade Deconstruction. Author affiliation details are correct at time of print publication.

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Terrence Malick : Film and Philosophy

Continuum, 2011

Book chapter

4

... philosopher who had been a member of Che Guevara's revolutionary cadre, but nothing came of the story.See James Morrison and Thomas Schur, The Films of Terrence Malick (Westport: Praeger, 2003), 2. The following spring Malick continued...

Worlding the West: An Ontopology of Badlands

Thomas Deane Tucker

Thomas Deane Tucker is a professor of Humanities at Chadron State College, US. He is the author of Derridada: Duchamp as Readymade Deconstruction. Author affiliation details are correct at time of print publication.

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Terrence Malick : Film and Philosophy

Continuum, 2011

Book chapter

3

...A specter haunts the films of Terrence Malick. We can beckon it generally as “metaphysics,” but it properly answers to the name of Martin Heidegger. It is well known that before he ventured into the world of filmmaking Malick's first...

Terrence Malick's Histories of Violence

Terrence Malick : Film and Philosophy

Continuum, 2011

Book chapter

0

...Fire A fire rages through the films of Terrence Malick. In Badlands, a family home is doused in petrol and set alight; the piano, the sheet music, the food, the furniture, a doll's house and a child's bed with its forlorn china doll...

Voicing Meaning: On Terrence Malick's Characters

Terrence Malick : Film and Philosophy

Continuum, 2011

Book chapter

1

... ed. Murray Smith and Thomas E. Wartenberg (Malden, MA: Blackwell Publishing, 2006). I will draw from film-theoretical work on the nature of film experience and connect this body of thought to Martin Heidegger's thinking, particularly his...
...There's a simple reason for grain elevators, as there is for everything, but the force behind the reason, the reason for the reason, is the land and the sky. There's too much sky out here, for one thing, too much horizontal, too many lines...

The Belvedere and the Bunkhouse: Space and Place in Days of Heaven

Terrence Malick : Film and Philosophy

Continuum, 2011

Book chapter

0

...While the house in Days of Heaven is never named, Malick's original script from 1976 includes the following description: “EXT. Belvedere. At the center of the bonanza, amid a tawny sea of grain, stands a gay Victorian house, three stories...

The Tragic Indiscernibility of Days of Heaven

Stuart Kendall

Stuart Kendall teaches Critical Studies at the California College of the Arts, US. He is the author of Georges Bataille and The Ends of Art and Design. Author affiliation details are correct at time of print publication.

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Terrence Malick : Film and Philosophy

Continuum, 2011

Book chapter

1

... of the narrative and thematic content, not only in terms of pace and internal sense, but in terms of external references and sources.In The Films of Terrence Malick, James Morrison and Thomas Schur make the paradoxical claim that “Malick's influences...

Song of the Earth: Cinematic Romanticism in Malick's The New World

Terrence Malick : Film and Philosophy

Continuum, 2011

Book chapter

1

... savages,” then the film would surely deserve to be dismissed for its “terminal naivety.”James Morrison and Thomas Shur, The Films of Terrence Malick (Westport: Praeger, 2003), 199.For a critical analysis of these ambivalent responses...

Whereof One Cannot Speak: Terrence Malick's The New World

Terrence Malick : Film and Philosophy

Continuum, 2011

Book chapter

0

...Invocation Terence Malick's film The New World (2005) opens with an inverted image of trees and sky, a reflection in water, which foreshadows, perhaps, the upending of our expectations of the world we will encounter in the film. Soon...