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Introduction

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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and Helen W. Kennedy

and Helen W. Kennedy

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

6

... Later Live Experiences’, Helen W. Kennedy examines the audience experience of the highly acclaimed zombie street game 2.8 Hrs Later and the Secret Cinema 28 Days Later experience. The 2.8 Hrs Later street game repurposes the city as a play...

Introduction

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

Search for publications
and

and Helen W. Kennedy

and Helen W. Kennedy

Search for publications

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

4

... [i.e. the work of live cinema] with the blossoming field of Film Festival Studies’ (Atkinson and Kennedy 2016a). It was our intention to solicit work that built specifically on this field, since it is principally the context of film...

Introduction

Helen W. Kennedy

Helen W. Kennedy is Head of the School of Media at the University of Brighton, UK. Author affiliation details are correct at time of print publication.

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

4

...We open this volume with a focus on space: the initial typology of live cinema that we proposed (Atkinson and Kennedy 2016) took the alternate spaces and locations of screens, whether enhanced, augmented or participatory as a key...

Introduction

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

Search for publications
and

Helen W. Kennedy

Helen W. Kennedy is Head of the School of Media at the University of Brighton, UK. Author affiliation details are correct at time of print publication.

Search for publications

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

3

...This section brings together cutting-edge, practice-based enquiry into different aspects of live cinema production. The contributions take creative practice forwards in a number of key ways:They examine advances in creative practice in live...

Funfear Attractions: The Playful Affects of Carefully Managed Terror in Immersive 28 Days Later Live Experiences

Helen W. Kennedy

Helen W. Kennedy is Head of the School of Media at the University of Brighton, UK. Author affiliation details are correct at time of print publication.

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

4

... and immersive cinematic experiences is not just the powerful influence of film aesthetics but also, I argue, a ludoaesthetics – embodied play-specific pleasures. These hybrid experiences afford what Giddings and Kennedy (2008) described...

Live Cinema Presents … Cultures, Economies, Aesthetics

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

Search for publications
and

and Helen W. Kennedy

and Helen W. Kennedy

Search for publications

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

6

... by Sarah Atkinson & Helen W. Kennedy, The Edinburgh International Film Audience Conference, 30 March 2017, Filmhouse, Edinburgh and ‘Spectacular, Spectacular, No words in the vernacular, Can describe this great event …’: Attention...

Beyond the Metropolis: Immersive Cinema in a Rural Context

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

1

... empirical work on immersive cinema has focused on metropolitan filmgoing cultures and practices. From analyses of the ambitious productions of Secret Cinema (Atkinson and Kennedy 2015, 2016; Pett 2016) to investigations of more exclusive cult...

Hangmen Rehanged – Fusing Event Cinema, Live Cinema and Sensory Cinema in the Evolution of Site and Screen Responsive Theatre Sarah Atkinson

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

Search for publications
and

Helen W. Kennedy

Helen W. Kennedy is Head of the School of Media at the University of Brighton, UK. Author affiliation details are correct at time of print publication.

Search for publications

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

3

... creative process, through my own reflections as co-producerAlongside Helen W. Kennedy. through interviews with my collaborators, performers and audience members, I explore two critical areas within this chapter. First, I examine the tension...

Living Cinema Memories: Restaging the Past at the Pictures

Matthew Jones

Matthew Jones is Associate Professor in Film Studies at De Montfort University, UK. He has published widely on mid-century cinema audiences and science fiction film and television. He is the co-editor of Time Travel in Popular Media: Essays on Film, Television, Literature and Video Games (2015). Author affiliation details are correct at time of print publication.

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

2

... performance or interactivity inspired by the content of the film’ (Live Cinema UK 2016). This definition has been developed further by Sarah Atkinson and Helen Kennedy (2016a) to categorize such activities into three distinct groups. In ‘enhanced’...

Pop(-up)ular Culture at the Seaside: The British Pleasure Pier as Screening Space

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

3

... that relate to what Sarah Atkinson and Helen W. Kennedy term ‘augmented cinema’ (2016a: 141). Typically these events focused on situating the audience in locations relevant to the film’s story of a great white shark attacking beachgoers...