Loading
China’s iGeneration
China’s iGeneration

Matthew D. Johnson

Matthew D. Johnson is Assistant Professor of East Asian History at Grinnell College, US. As a doctoral student at the University of California, San Diego he conducted one of the first oral histories of China’s early socialist film industry. His scholarly writing focuses on the history of the motion picture in China; documentary cinema and practice; public cultural service and security; and U.S.-China transnational relations. He is a member of the editorial board of the Journal of Chinese Cinemas. Author affiliation details are correct at time of print publication.

Search for publications
, Keith B. Wagner

Keith B. Wagner is an Assistant Professor of Film Studies and Social Theory in the Graduate School of Film and Digital Media at Hongik University in Seoul, South Korea. Before moving to Asia, he completed his M.Phil degree at the University of Cambridge and his PhD at King’s College London. He is the co-editor of Neoliberalism and Global Cinema: Capital, Culture and Marxist Critique (2011) and is completing a manuscript based on his dissertation entitled Living with Uncertainty: Precarious Labor in Global Cinema. Author affiliation details are correct at time of print publication.

Search for publications
, Tianqi Yu

Tianqi Yu is a filmmaker, and Assistant Professor of Film and Media Studies, University of Nottingham, China campus (Ningbo). She received an MPhil in Sociology from the University of Cambridge, and a PhD from the Centre for Research and Education in Arts and Media, the University of Westminster. Her research focuses on documentary, amateur cinema, Chinese cinema and visual arts. Yu is completing her monograph ‘My’ Self On Camera – First Person Documentary Practice in Twenty-first Century China (Edinburgh University Press). As a filmmaker, her works include Photographing Shenzhen (2007, Discovery), and Memory of Home (2009, collected by DSLCollection). Yu is also a member of the editorial board of the Journal of Contemporary Chinese Art. Author affiliation details are correct at time of print publication.

Search for publications
and Luke Vulpiani

Luke Vulpiani is a PhD candidate at King’s College London under the supervision of Dr Viktor Fan. He has a 1st Class BA Degree in Film Studies from The University of Warwick and a MA in Chinese Studies from the School of Oriental and African Studies (SOAS), University of London. His research focuses on aesthetic theory, Chinese film and the relationship between film and philosophy, psychoanalysis and politics. Author affiliation details are correct at time of print publication.

Search for publications
(eds)

Bloomsbury Academic, 2014

Subjects

Content Type:

Book chapter

Genres, Movements and Styles:

Documentary/Non-Fiction

Place:

China

Related Content

Goodbye to the Grim Real, Hello to What Comes Next

The Moment of Passage from the Sixth Generation to the iGeneration

by

Luke Vulpiani

Luke Vulpiani is a PhD candidate at King’s College London under the supervision of Dr Viktor Fan. He has a 1st Class BA Degree in Film Studies from The University of Warwick and a MA in Chinese Studies from the School of Oriental and African Studies (SOAS), University of London. His research focuses on aesthetic theory, Chinese film and the relationship between film and philosophy, psychoanalysis and politics. Author affiliation details are correct at time of print publication.

Search for publications


DOI: 10.5040/9781501300103.ch-005
Page Range: 89–104
Subscription Required

This item is only available to members of institutions that have purchased access. If you belong to such an institution, please log in.