Loading
A History of Russian Cinema

A History of Russian Cinema

by Birgit Beumers

Birgit Beumers is Professor of Film Studies at the University of Aberystwyth, Wales (UK). She specialises in Russian culture, especially cinema and theatre, and the cinemas of the former Soviet territories. Her authored works include A History of Russian Cinema (Bloomsbury, 2009) and Aleksandr Sokurov: Russian Ark (Intellect Books, 2016) and she has edited, among many others works, Directory of World Cinema: Russia (Intellect Books 2010; 2014) and A Companion to Russian Cinema (Wiley-Blackwell, 2016), and is co-editor of Cinema in Central Asia: Rewriting Cultural Histories (IB Tauris, 2013). She is editor of the journals KinoKultura (online) and Studies in Russian and Soviet Cinema (Taylor & Francis). Author affiliation details are correct at time of print publication.

Search for publications
Berg, 2009
  • DOI:
    10.5040/9781501351075
  • ISBN:
    978-1-84520-215-6 (paperback)

    978-1-5013-5107-5 (online)
  • Edition:
    First Edition
  • Place of Publication:
    Oxford
  • Published Online:
    2018
A History of Russian Cinema
Collapse All Sections

Film emerged in pre-Revolutionary Russia to become the ‘most important of all arts’ for the new Bolshevik regime and its propaganda machine. The 1920s saw a flowering of film experimentation, notably with the work of Eisenstein, and a huge growth in the audience for film, which continued into the 1930s with the rise of musicals. The films of the Second World War and Cold War periods reflected a return to political concerns in their representation of the ‘enemy’. The 1960s and 1970s saw the rise of art-house films. With glasnost came the collapse of the state-run film industry and an explosion in the cinematic treatment of previously taboo topics. In the new Russia, cinema has become genuinely independent, as a commercial as well as an artistic medium.

A History of Russian Cinema is the first complete history from the beginning of film to the present day and presents an engaging narrative of both the industry and its key films in the context of Russia's social and political history.