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Dystopia and the Apocalyptic Scene

Brian Baker

Brian Baker is Lecturer in English at Lancaster University, UK. Author affiliation details are correct at time of print publication.

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Contemporary Masculinities in Fiction, Film and Television

Bloomsbury Academic, 2015

Book chapter

1

... such as The Drowned World (1963). In Billion Year Spree (1973), a history of science fiction, Brian Aldiss calls the work of Wyndham and Christopher, rather dismissively, the ‘cosy catastrophe’. ‘The essence of the cosy catastrophe,’ writes...

“A Walk in the Woods”

Brian Winston

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Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

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Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

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Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

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The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

1

... Curtis| USA| 1915 influenced Flaherty’s approach to Nanook of the North (Winston, B., 2005: 8–9), was already writing of “documentary material” and “documentary works,” giving a definition of the documentary film stressing authenticity...

“To Make Space for the Un-thought”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

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Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

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Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

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The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

1

... they been the filmmaker. Matthew Winston proposes an analogy with mathematics where objectivity functions like a constant. Faced with an event, all objective journalistic accounts—fair, balanced, professional, factual—“should produce functionally...

“A Breath of Fresh Air for the Documentary”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

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Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

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and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

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The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

1

... knowledge but are rather the product of system engineering in reaction to supervening social necessities (Winston, 1998); that is, in this case, a need for information and entertainment. To facilitate diffusion while maintaining control,...

“Giving Voice”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

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Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

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and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

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The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

1

... appointed in 1968 executive producer of a new production program at the National Film Board of Canada specifically dedicated to using film as a change-making tool (Winston, 2014c: 40, f/n 15). The Challenge for Change/Société nouvelle...

“Nous sommes dans le bain”/“We are Implicated”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

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Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Search for publications
and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

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The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

1

... a classic Watt’s “extravert,” was cast as the central character in Sylvania Waters (1992),Sylvania Waters| Brian Hill/Kate Woods| UK/Australia| 1992, March 7–June 28. a series set in a Sydney suburb. She briefly became a celebrity, made...

“To Thine Own Self be True”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

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Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Search for publications
and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

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The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

1

... is that the thoughts she utters—the role she is playing—are her own. To take a further extreme example, it is the foundation of the claim on the real in Brian Hill’s documusicals. In Feltham Sings, Hill films a teenage burglar in his cell in a young...

“Life as Narrativized”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

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Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Search for publications
and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

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The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

2

... can often be detected in documentary: in Jennings, say,Eg Words for Battle |UK| 1944 (but see Winston, B., 2008: 125) or Blank.Eg Gap Toothed Women |USA |1987 (but see Winston, B. 2008: 126) And, again, for all that it is unrecognized...

An Agenda

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

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Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Search for publications
and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

Search for publications

The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

1

... of my death was an exaggeration” (Winston, 2015b). Artistic achievement is, of course, harder to gage but, without question, the observational tradition of direct cinema has been augmented by compelling works exploring mentalités, seeking...

MINUTES: The Act of Documenting

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

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Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Search for publications
and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

Search for publications

The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

0

...In this book, we have suggested some salient points for discussion of the twenty-first century documentary realizing that:capturing documentary’s future is an unfinished work.However, it is up to all of us to create it. Now. It’s up...