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Crime Dramas

Carrie Tarr

Carrie Tarr, Senior Research Fellow at Thames Valley University, UK with Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK Carrie Tarr, Senior Research Fellow at Thames Valley University, UK Author affiliation details are correct at time of print publication.

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Brigitte Rollet

Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK --This text refers to the Paperback edition. Author affiliation details are correct at time of print publication.

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Cinema and the Second Sex : Women's Filmmaking in France in the 1980s and 1990s

Bloomsbury Academic, 2016

Book chapter

0

...The French crime film or policier (polar in slang) has been one of French cinema’s most popular genres since the 1950s (Austin, 1996: 99–118, Forbes, 1992: 47–75, Vincendeau, 1992a: 50–80). However, it enjoys higher status than comedy...

Comedy

Carrie Tarr

Carrie Tarr, Senior Research Fellow at Thames Valley University, UK with Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK Carrie Tarr, Senior Research Fellow at Thames Valley University, UK Author affiliation details are correct at time of print publication.

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Brigitte Rollet

Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK --This text refers to the Paperback edition. Author affiliation details are correct at time of print publication.

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Cinema and the Second Sex : Women's Filmmaking in France in the 1980s and 1990s

Bloomsbury Academic, 2016

Book chapter

1

... with babycare in Trois hommes et un couffin (1985). Supplied by and reproduced with permission from the Ronald Grant Archive. Serreau has described Trois hommes et un couffin as her most feminist film (Rollet, 1998: 136–40), but it has proved...

Work, Art and Citizenship

Carrie Tarr

Carrie Tarr, Senior Research Fellow at Thames Valley University, UK with Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK Carrie Tarr, Senior Research Fellow at Thames Valley University, UK Author affiliation details are correct at time of print publication.

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Brigitte Rollet

Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK --This text refers to the Paperback edition. Author affiliation details are correct at time of print publication.

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Cinema and the Second Sex : Women's Filmmaking in France in the 1980s and 1990s

Bloomsbury Academic, 2016

Book chapter

1

... of testimonies from a variety of women about their experiences and views on life, the frankness of which shocked members of the general public (Colvile, 1993b: 85, Rollet, 1998: 50–62). At the same time, influenced by the critique of western...

Introduction

Carrie Tarr

Carrie Tarr, Senior Research Fellow at Thames Valley University, UK with Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK Carrie Tarr, Senior Research Fellow at Thames Valley University, UK Author affiliation details are correct at time of print publication.

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and

Brigitte Rollet

Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK --This text refers to the Paperback edition. Author affiliation details are correct at time of print publication.

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Cinema and the Second Sex : Women's Filmmaking in France in the 1980s and 1990s

Bloomsbury Academic, 2016

Book chapter

1

... a dit, 1992), Martine Dugowson (Mina Tannenbaum, 1994), and Nicole Garcia (Place Vendôme, 1998). Diane Kurys and Coline Serreau have been the subject of critical attention (Rollet, 1998, Tarr, 1999a) and at the end of the decade there have...

The Age of Possibilities

Carrie Tarr

Carrie Tarr, Senior Research Fellow at Thames Valley University, UK with Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK Carrie Tarr, Senior Research Fellow at Thames Valley University, UK Author affiliation details are correct at time of print publication.

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Brigitte Rollet

Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK --This text refers to the Paperback edition. Author affiliation details are correct at time of print publication.

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Cinema and the Second Sex : Women's Filmmaking in France in the 1980s and 1990s

Bloomsbury Academic, 2016

Book chapter

1

... Ethel, who wonders if she would be a feminist at all if she looked like Brigitte Bardot, and Dugowson employs various humorous devices to underline their potential for rifts. In one scene, for example, their voice-overs contradiet what...

Couples

Carrie Tarr

Carrie Tarr, Senior Research Fellow at Thames Valley University, UK with Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK Carrie Tarr, Senior Research Fellow at Thames Valley University, UK Author affiliation details are correct at time of print publication.

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and

Brigitte Rollet

Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK --This text refers to the Paperback edition. Author affiliation details are correct at time of print publication.

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Cinema and the Second Sex : Women's Filmmaking in France in the 1980s and 1990s

Bloomsbury Academic, 2016

Book chapter

1

... and Brigitte Bardot in Et Dieu créa la femme (1956) to Catherine Deneuve in Belle de jour (1967) and Béatrice Dalle in 37°2 le matin (1986). However, the banality of (male-constructed) images of female sexuality mitigates the fascination...

Growing Up

Carrie Tarr

Carrie Tarr, Senior Research Fellow at Thames Valley University, UK with Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK Carrie Tarr, Senior Research Fellow at Thames Valley University, UK Author affiliation details are correct at time of print publication.

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and

Brigitte Rollet

Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK --This text refers to the Paperback edition. Author affiliation details are correct at time of print publication.

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Cinema and the Second Sex : Women's Filmmaking in France in the 1980s and 1990s

Bloomsbury Academic, 2016

Book chapter

0

...One of the most frequently recurring topics of films directed by women in France, from the 1970s through to the 1990s, is the representation of childhood and adolescence, either through period films or through films about contemporary...

Conclusion

Carrie Tarr

Carrie Tarr, Senior Research Fellow at Thames Valley University, UK with Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK Carrie Tarr, Senior Research Fellow at Thames Valley University, UK Author affiliation details are correct at time of print publication.

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and

Brigitte Rollet

Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK --This text refers to the Paperback edition. Author affiliation details are correct at time of print publication.

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Cinema and the Second Sex : Women's Filmmaking in France in the 1980s and 1990s

Bloomsbury Academic, 2016

Book chapter

1

... movies of Nicole Garcia and Marion Vernoux, or the historical films of Brigitte Roüan and Yolande Zauberman. The best genre films open up new spaces for women and innovative representations of femininity. In particular, Josiane Balasko’s...

Families

Carrie Tarr

Carrie Tarr, Senior Research Fellow at Thames Valley University, UK with Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK Carrie Tarr, Senior Research Fellow at Thames Valley University, UK Author affiliation details are correct at time of print publication.

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and

Brigitte Rollet

Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK --This text refers to the Paperback edition. Author affiliation details are correct at time of print publication.

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Cinema and the Second Sex : Women's Filmmaking in France in the 1980s and 1990s

Bloomsbury Academic, 2016

Book chapter

1

... in chapter 9), Sandrine Veysset’s Y aura-t-il de la neige à Noël? (1996) and Myriam Boyer’s La Mère Christain (1999), discussed below.See also Brigitte Roüan’s Outremer (1990), discussed in chapter 9. For the most part, these films pay...

Road Movies

Carrie Tarr

Carrie Tarr, Senior Research Fellow at Thames Valley University, UK with Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK Carrie Tarr, Senior Research Fellow at Thames Valley University, UK Author affiliation details are correct at time of print publication.

Search for publications
and

Brigitte Rollet

Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK --This text refers to the Paperback edition. Author affiliation details are correct at time of print publication.

Search for publications

Cinema and the Second Sex : Women's Filmmaking in France in the 1980s and 1990s

Bloomsbury Academic, 2016

Book chapter

0

...The road movie, like the western, is generally considered an archetypal American genre. It is most often associated with its best known postwar manifestations, namely, the existential male buddy road film, influenced by Jack Kerouac...