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Bowie’s Covers: The Artist as Modernist

Enchanting David Bowie : Space/Time/Body/Memory

Bloomsbury Academic, 2015

Book chapter

4

... David Bowie: Fame, Sound and Vision. Cambridge: Polity. David Tetzlaff. 1994. ‘Music for meaning: reading the discourse of authenticity in rock’. Journal of Communication Enquiry, 18 (1), 95–117. Dave Thompson. 2006. Hallo Spaceboy:...

Horizons of History

David Deamer

David Deamer is Associate Lecturer in film at Manchester Metropolitan University, UK. He has published in Martin-Jones and Brown’s Deleuze and Film; Bell and Colebrook’s Deleuze and History; Deleuze Studies; and the online A/V Journal, of which he was co-founder. He blogs on Deleuze and cinema at www.daviddeamer.com. Author affiliation details are correct at time of print publication.

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Deleuze, Japanese Cinema, and the Atom Bomb : The Spectre of Impossibility

Bloomsbury Academic, 2014

Book chapter

2

... Party Historians’ Group in the UK; historians – such as Eric Hobsbawm, Christopher Hill and E. P. Thompson – who focused upon the role of the masses, the common people, in history. Indeed, Bourdieu translated Thompson’s The Making...

Ephemerality between Fantasy and Reality: Sexploitation, Fan Magazines, and the Adults-Only Film and Publishing Industries

David Church

David Church is a film historian specializing in genre studies, taste cultures, and histories of film exhibition and distribution. He is a Lecturer in Comparative Cultural Studies at Northern Arizona University, USA, and is the author of Grindhouse Nostalgia: Memory, Home Video, and Exploitation Film Fandom (2015). Author affiliation details are correct at time of print publication.

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Disposable Passions : Vintage Pornography and the Material Legacies of Adult Cinema

Bloomsbury Academic, 2016

Book chapter

1

... (almost instantly disintegrating) paper,” with their ephemeral materiality thereby helping frame their cultural disrepute in similar ways as the magazines under consideration in this chapter.David M. Earle, Re-covering Modernism: Pulps,...

Cyborg masochism and homo-fascism: Terminator 2: Judgment Day

David Greven

David Greven is Professor of English at the University of South Carolina, USA, and the author of many books, including Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin and Manhood in Hollywood from Bush to Bush. Author affiliation details are correct at time of print publication.

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Queering The Terminator : Sexuality and Cyborg cinema

Bloomsbury Academic, 2017

Book chapter

1

... self-sacrifice in the destruction of the Cyberdyne offices evinces. (Charles S. Dutton’s supporting character in David Fincher’s 1991 Alien 3 meets the same fate and fulfills the same function.) As Willis writes, Why do white women’s...

Eroticizing the Degraded Past: Stag Films, Cinephilia, and the Marketing of Necro-erotic Desire

David Church

David Church is a film historian specializing in genre studies, taste cultures, and histories of film exhibition and distribution. He is a Lecturer in Comparative Cultural Studies at Northern Arizona University, USA, and is the author of Grindhouse Nostalgia: Memory, Home Video, and Exploitation Film Fandom (2015). Author affiliation details are correct at time of print publication.

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Disposable Passions : Vintage Pornography and the Material Legacies of Adult Cinema

Bloomsbury Academic, 2016

Book chapter

1

... this regard, I am also admittedly guilty of reproducing what David Andrews calls the “hard-core-centricity” of porn studies, in which much scholarship on pornography tends to reproduce the hard-core adult industry’s own strategies of cultural...