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Conclusion

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

0

...Relationality in narrative: Female subjectivity in formation in women’s cinema In Irigaray’s critique of the polarization of sexual difference in the philosophy of Levinas in ‘Questions to Emmanuel Levinas’, she insists that the feminine...

Performance

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

1

... of worn-out devices (Ince 2005), but may equally well be read as an attempt on Calle’s part to perform her way into a male-dominated history of innovation in which women film-makers hardly figure.On the domination of the New Wave by male...

Look

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

Search for publications

The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

1

... in the 1960s, an attempt at demolishing which in 2015 failed to destroy all the towers – and is a mixture of edgy thriller and intimate personal drama whose central character Jackie (Kate Dickie) works in a Glasgow CCTV centre, monitoring...

Female Subjectivity in Philosophy and Theory

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

0

...If there is no such thing today as femininity, it is because there never was. (Simone de Beauvoir, The Second Sex, p. 4)My criticism of Western philosophy above all has concerned the forgetting of the existence of a subjectivity which...

Freedom

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

0

...Freedom is a concept central to existentialist thought, and the struggles Sartre underwent, from the 1940s onwards, in order to formulate a satisfactory account of human freedom – a trajectory that leads from Being and Nothingness (1943...

Speech

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

0

...Isolating the language of film from its images and narrative dimension is not often undertaken, so devoting a whole chapter of this book to ‘Speech’ may require more explanation than the aspects of subjectivity that entitle its other...

Desire

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

0

...One of the oldest of philosophical concepts, ‘desire’ is perhaps also the most geographically widespread, since it features in Eastern religions such as Buddhism as well as across Western philosophy and theory. Associated particularly...

Feminist Film Studies and Women’s Cinema after Psychoanalysis

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

1

... and the question of the auteur, which underwent something of a revival during the decade. As I have detailed elsewhere (Ince 2008), this applied to film authorship in general as well as female film authorship, which did not really become a focus...

Body

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

Search for publications

The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

0

...In recent years, contemporary gender and queer theory have done at least as much as existential phenomenology to make embodiment a focus of research in cultural studies and the critical humanities. If feminist and queer theorists have led...