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Air Force One: Eight Sequences Eight Miles Up

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

0

...In this 1997 film, screenwriter Andrew Marlowe and director Wolfgang Petersen teamed to create a polished and sophisticated thriller that demonstrates effective use of the four main tools, with dramatic and ironic tension building across...

Double Indemnity: Flashback to the Future

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

0

...Released in 1944 as a much-anticipated cinematic adaptation of a James M. Cain novel considered too risqué for the screen, Double Indemnity wound up winning several Academy Awards, among them Best Screenplay. It is noteworthy...

Lawrence of Arabia: Sixteen Sequences and an Intermission

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

0

...Because of its length, Lawrence of Arabia stretches the limits of the dramatic form. As first noted by Aristotle and reinforced by others, one aspect that distinguishes drama from the novel and other long narrative forms...

Being John Malkovich: The Disappearing Lead Actor

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

0

...Upon initial viewing, this 1999 independent film seems a complete break from traditional storytelling, described by critics variously as “weird to the max,” “different from anything that came before it,” and “wonderful and inspired...

The Graduate: Passive Main Character

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

0

...The “passive main character” poses a vexing problem for screenwriters. As detailed in Chapter 1, the most commonly used tool in engaging audience attention is dramatic tension, which relies on a character who actively strives to achieve...

The Shop Around the Corner: Fractured Symmetry

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

0

...The sixth collaboration between screenwriter Samson Raphaelson and director Ernst Lubitsch, this picture, based on a stage play by Hungarian playwright Miklos Laszlo, appeared in 1940. Its basic kernel—about bitter rivals who have...

Introduction, or, Should I Save the Cat and Send the Hero on His Journey?

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Connie Shears

Connie Shears is Associate Professor in the Psychology Department at Chapman University, USA. Author affiliation details are correct at time of print publication.

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The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies

Bloomsbury Academic, 2018

Book chapter

0

...Rich and seemingly boundless as the creative arts seem to be, each is filtered through the narrow biological channels of human cognition.Edward O. Wilson, The Social Conquest of Earth (New York: W. W. Norton, 2012), p. 268.Edward O. Wilson,...

The Science of Imagination: Temporal Lobes, How to Think Creatively, Stages of Mind, or, Your Dope-Fueled Imaginings

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Connie Shears

Connie Shears is Associate Professor in the Psychology Department at Chapman University, USA. Author affiliation details are correct at time of print publication.

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The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies

Bloomsbury Academic, 2018

Book chapter

0

...Scientists, everyone knows, are analytical, precise, and use their left brain; creative types are free-spirited, disorganized, and use their right brain. Scientists observe the physical world; screenwriters explore the ephemeral world...

The Science of Connecting to the Main Character, or, Why Do I Worry That a Meth Dealer Might Get Caught?

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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and

Connie Shears

Connie Shears is Associate Professor in the Psychology Department at Chapman University, USA. Author affiliation details are correct at time of print publication.

Search for publications

The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies

Bloomsbury Academic, 2018

Book chapter

2

... accept his place in the hierarchy, wherever it may be). During the course of pursuing his desire, he suffers sufficiently to become conscious of his need and let go of his want.Paul Gulino, Screenwriting: The Sequence Approach (New York:...

The Science of Exposition, or, What’s Wrong with an Information Dump?

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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and

Connie Shears

Connie Shears is Associate Professor in the Psychology Department at Chapman University, USA. Author affiliation details are correct at time of print publication.

Search for publications

The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies

Bloomsbury Academic, 2018

Book chapter

0

...In order to become emotionally involved in a film, the audience needs to know the answers to the questions of who, what, when, where, and under what conditions the picture will take place. This information is called exposition. If we don’t...