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The ‘Third Way’ and the Spanish Middlebrow Film in the 1970s

Sally Faulkner

Sally Faulkner is Professor of Hispanic Studies and Film Studies at the University of Exeter, UK. She is the author of Literary Adaptations in Spanish Cinema (2004) and A Cinema of Contradiction: Spanish Film of the 1960s (2006) and was awarded a Fellowship from the British Arts and Humanities Research Council for 2011. Author affiliation details are correct at time of print publication.

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A History of Spanish Film : Cinema and Society 1910–2010

Bloomsbury Academic, 2013

Book chapter

1

... simultaneously.Nazarín (1958), for example, attracted both pro- and anti-Catholic responses (Faulkner 2004, 137). Including Tristana in a history of Spanish cinema as an example of one of the four models of critique set out by Bentley...

Miró Films and Middlebrow Cinema in the 1980s

Sally Faulkner

Sally Faulkner is Professor of Hispanic Studies and Film Studies at the University of Exeter, UK. She is the author of Literary Adaptations in Spanish Cinema (2004) and A Cinema of Contradiction: Spanish Film of the 1960s (2006) and was awarded a Fellowship from the British Arts and Humanities Research Council for 2011. Author affiliation details are correct at time of print publication.

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A History of Spanish Film : Cinema and Society 1910–2010

Bloomsbury Academic, 2013

Book chapter

1

... as NCE were subsidized, albeit through different mechanisms with different names, for exactly the same reasons (for details see Faulkner 2006, 13–20). Continuity may be stressed once again by the fact that many of the directors who received...

Middlebrow Cinema of the 1990s

Sally Faulkner

Sally Faulkner is Professor of Hispanic Studies and Film Studies at the University of Exeter, UK. She is the author of Literary Adaptations in Spanish Cinema (2004) and A Cinema of Contradiction: Spanish Film of the 1960s (2006) and was awarded a Fellowship from the British Arts and Humanities Research Council for 2011. Author affiliation details are correct at time of print publication.

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A History of Spanish Film : Cinema and Society 1910–2010

Bloomsbury Academic, 2013

Book chapter

0

...In the 1990s, democratic Spain, member of North Atlantic Treaty Organization (from 1982) and the European Community (from 1986), saw the PSOE (Partido Socialist Obrero Español), in power since 1982, lose the elections in 1996 to José María...

Charting Upward Social Mobility

Sally Faulkner

Sally Faulkner is Professor of Hispanic Studies and Film Studies at the University of Exeter, UK. She is the author of Literary Adaptations in Spanish Cinema (2004) and A Cinema of Contradiction: Spanish Film of the 1960s (2006) and was awarded a Fellowship from the British Arts and Humanities Research Council for 2011. Author affiliation details are correct at time of print publication.

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A History of Spanish Film : Cinema and Society 1910–2010

Bloomsbury Academic, 2013

Book chapter

1

... protection from that same state through subsidy and access to film festival and art-house cinema circuits (Faulkner 2006, 16–18). Such an opposition needs some revision as in reality ‘new’ and ‘outrider’ auteurist directors alike suffered...

Questions of Class and Questions of Art in Early Cinema

Sally Faulkner

Sally Faulkner is Professor of Hispanic Studies and Film Studies at the University of Exeter, UK. She is the author of Literary Adaptations in Spanish Cinema (2004) and A Cinema of Contradiction: Spanish Film of the 1960s (2006) and was awarded a Fellowship from the British Arts and Humanities Research Council for 2011. Author affiliation details are correct at time of print publication.

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A History of Spanish Film : Cinema and Society 1910–2010

Bloomsbury Academic, 2013

Book chapter

1

... throughout the cinema’s existence. What lies behind many criticisms of the domestic cinema in Spain is a Marxist-inflected hostility to popular culture, especially popular culture under Franco, which was deemed to be pro-regime (see Faulkner 2006,...

Social Mobility and Cinema of the 1940s and 1950s

Sally Faulkner

Sally Faulkner is Professor of Hispanic Studies and Film Studies at the University of Exeter, UK. She is the author of Literary Adaptations in Spanish Cinema (2004) and A Cinema of Contradiction: Spanish Film of the 1960s (2006) and was awarded a Fellowship from the British Arts and Humanities Research Council for 2011. Author affiliation details are correct at time of print publication.

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A History of Spanish Film : Cinema and Society 1910–2010

Bloomsbury Academic, 2013

Book chapter

0

...An analysis of post-war Spanish cinema that places politics centre stage is persuasive. Such an approach bears witness to the devastation endured by the nation after an appalling three-year fratricidal Civil War (1936–9), then the long...

From Cine Social to Heritage Cinema in Films of the 2000s

Sally Faulkner

Sally Faulkner is Professor of Hispanic Studies and Film Studies at the University of Exeter, UK. She is the author of Literary Adaptations in Spanish Cinema (2004) and A Cinema of Contradiction: Spanish Film of the 1960s (2006) and was awarded a Fellowship from the British Arts and Humanities Research Council for 2011. Author affiliation details are correct at time of print publication.

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A History of Spanish Film : Cinema and Society 1910–2010

Bloomsbury Academic, 2013

Book chapter

1

... begun to question it: in 2004 I included two major TV serials in a monograph on literary adaptations (Fortunata y Jacinta [Camus 1980] and La Regenta [Méndez Leite 1995] [Faulkner 2004, 79–125]); in 2009 Paul Julian Smith offered...

Introduction

Sally Faulkner

Sally Faulkner is Professor of Hispanic Studies and Film Studies at the University of Exeter, UK. She is the author of Literary Adaptations in Spanish Cinema (2004) and A Cinema of Contradiction: Spanish Film of the 1960s (2006) and was awarded a Fellowship from the British Arts and Humanities Research Council for 2011. Author affiliation details are correct at time of print publication.

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A History of Spanish Film : Cinema and Society 1910–2010

Bloomsbury Academic, 2013

Book chapter

0

...This book is a history of Spanish cinema that brings the question of class mobility to the fore. The key term here is ‘mobility’. Its opposite, stasis, is the explicit or implicit object of critique of much political film. From Luis...