Loading

Results

Sort By:  1-10 of 26 (3 pages)
Results per page:
         

Hitting Bottom

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

Search for publications

European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

...Post-human, posthumous and post-mortem agency Crucial to our idea of Hollywood cinema is the action hero. Audiences love American films for their practical problem-solvers, their gangster-mafia entrepreneurs, their world...

Beyond the Edges of the Frame: The Invisible in Aki Kaurismäki’s Films

The Films of Aki Kaurismäki : Ludic Engagements

Bloomsbury Academic, 2018

Book chapter

...Tom Sutcliffe , Watching ( London : Faber and Faber, 2000), 106. ‘All films are a small region of light...

Deadpan Dogs: Aki Kaurismäki’s Canine Comedies

The Films of Aki Kaurismäki : Ludic Engagements

Bloomsbury Academic, 2018

Book chapter

...In a particularly succinct summary, Aki Kaurismäki has been described as a ‘deadpan comic visionary, Finland’s number-one movie export, and champion of the underdog and other house pets’. Film Comment 39, no. 2...

Dreamers and Other Sentimental Fools: Money, Solidarity and Ambivalent Populism in the Films of Aki Kaurismäki

The Films of Aki Kaurismäki : Ludic Engagements

Bloomsbury Academic, 2018

Book chapter

...Introduction A persistent representation in Aki Kaurismäki’s cinema renders the members of the working class as longing for an ‘ordinary’ life, a life involving secure employment, conventional love and a middle-class...

Temporality in Kaurismäki: Anachronism, Allusion, Tableau

Thomas Austin

Thomas Austin is Reader in Media & Film at the University of Sussex, UK. He is the author of Hollywood, Hype and Audiences: Selling and Watching Popular Film in the 1990s (2002) and Watching the World: Screen Documentary and Audiences (2007); and co-editor of Contemporary Hollywood Stardom (2003) and Rethinking Documentary: New Perspectives, New Practices (2008). Author affiliation details are correct at time of print publication.

Search for publications

The Films of Aki Kaurismäki : Ludic Engagements

Bloomsbury Academic, 2018

Book chapter

...In Aki Kaurismäki’s short film Dogs Have No Hell (2002), Released as part of the portmanteau film, Ten Minutes Older: Visions of Time. a small businessman just released from jail has 10 minutes to find the woman he loves...

Levels of Typification in Aki Kaurismäki’s Drifting Clouds

The Films of Aki Kaurismäki : Ludic Engagements

Bloomsbury Academic, 2018

Book chapter

...In all fiction characters appear to varying degrees like fully rounded personalities as well as somehow representative types. In very rough terms, it may be said that individuation makes characters interesting and evokes sympathetic...

Brownfields of Late Capitalism

Pietari Kääpä

Pietari Kääpä is Lecturer in Media and Communications at University of Stirling, UK. His research work synergizes transnational film and media studies with ecocriticism. Kääpä has published widely on transnational Nordic cinema and issues relating to ecocinema, including collections and articles exploring ecocritical concerns in Chinese cinema, in relation to audiences, documentary politics and minority film production. Author affiliation details are correct at time of print publication.

Search for publications

Ecology and Contemporary Nordic Cinemas : From Nation-building to Ecocosmopolitanism

Bloomsbury Academic, 2014

Book chapter

...The previous chapters have addressed the ways national narratives use nature as a cultural resource, often vindicating traditionalist or even conservative politics. If urbanity was a concern in these films, it was constructed...

Openings and Conclusions

Pietari Kääpä

Pietari Kääpä is Lecturer in Media and Communications at University of Stirling, UK. His research work synergizes transnational film and media studies with ecocriticism. Kääpä has published widely on transnational Nordic cinema and issues relating to ecocinema, including collections and articles exploring ecocritical concerns in Chinese cinema, in relation to audiences, documentary politics and minority film production. Author affiliation details are correct at time of print publication.

Search for publications

Ecology and Contemporary Nordic Cinemas : From Nation-building to Ecocosmopolitanism

Bloomsbury Academic, 2014

Book chapter

...The scope of ecocinema produced in the Nordic countries varies extensively, ranging from the appropriation of nature for culture and capital to valorizations of deep ecology and complex hybridity. I have identified three poles of ecological...

Representing the End Times

Pietari Kääpä

Pietari Kääpä is Lecturer in Media and Communications at University of Stirling, UK. His research work synergizes transnational film and media studies with ecocriticism. Kääpä has published widely on transnational Nordic cinema and issues relating to ecocinema, including collections and articles exploring ecocritical concerns in Chinese cinema, in relation to audiences, documentary politics and minority film production. Author affiliation details are correct at time of print publication.

Search for publications

Ecology and Contemporary Nordic Cinemas : From Nation-building to Ecocosmopolitanism

Bloomsbury Academic, 2014

Book chapter

...By focusing on the diverse combinations of nature writing and national narration, this study continues interrogating the appropriation of nature for various cultural and socio-political purposes. Previous studies on American (Brereton 2005;...

Responsibility and the Nordic Model

Pietari Kääpä

Pietari Kääpä is Lecturer in Media and Communications at University of Stirling, UK. His research work synergizes transnational film and media studies with ecocriticism. Kääpä has published widely on transnational Nordic cinema and issues relating to ecocinema, including collections and articles exploring ecocritical concerns in Chinese cinema, in relation to audiences, documentary politics and minority film production. Author affiliation details are correct at time of print publication.

Search for publications

Ecology and Contemporary Nordic Cinemas : From Nation-building to Ecocosmopolitanism

Bloomsbury Academic, 2014

Book chapter

...The scope of this book has gradually expanded from studies of heritage culture to explorations of multicultural ideology in an egalitarian Norden. Moving from the level of domestic concerns to a more global scale is entirely relevant...