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Ryan Gilbey is a freelance film journalist and writes for a variety of publications, including Sight & Sound, the Guardian, Observer and the Sunday Times. He is the former film critic for the Independent. It Don’t Worry Me is his first book. Author affiliation details are correct at time of print publication.

Jadranka Skorin-Kapov is Professor of Operations Research at Stony Brook University, USA, with a diverse background in mathematics, philosophy, and art history and criticism. Author affiliation details are correct at time of print publication.

Melis Behlil

Philip Drake

Richard Ayoade is a writer and director. In addition to directing and co-writing Garth Marenghi’s Darkplace, he has adapted and directed Joe Dunthorne’s novel Submarine for the screen, and is the co-writer (with Avi Korine) and director of the film, The Double. As an actor he is best known for his roles as Dean Learner in Garth Marenghi’s Darkplace and Maurice Moss in the Emmy Award-winning The IT Crowd, for which we was awarded a BAFTA as Best Performance in a Comedy. Author affiliation details are correct at time of print publication.

Richard Ayoade is a writer and director. In addition to directing and co-writing Garth Marenghi’s Darkplace, he has adapted and directed Joe Dunthorne’s novel Submarine for the screen, and is the co-writer (with Avi Korine) and director of the film, The Double. As an actor he is best known for his roles as Dean Learner in Garth Marenghi’s Darkplace and Maurice Moss in the Emmy Award-winning The IT Crowd, for which we was awarded a BAFTA as Best Performance in a Comedy. Author affiliation details are correct at time of print publication.

Jason Wood works for the Curzon Cinema organisation. He is the author of The Faber Book of Mexican Cinema and is also the editor of Nick Broomfield. Author affiliation details are correct at time of print publication.

Ian Haydn Smith

Jadranka Skorin-Kapov is Professor of Operations Research at Stony Brook University, USA, with a diverse background in mathematics, philosophy, and art history and criticism. Author affiliation details are correct at time of print publication.

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

Fraser MacDonald

Walter Donohue

Oren Moverman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

Fraser MacDonald

Walter Donohue

Oren Moverman