Loading
Loading
Log In

Results

Sort By:  1-10 of 425 (43 pages)
Results per page:
         

Woody Allen

Ryan Gilbey

Ryan Gilbey is a freelance film journalist and writes for a variety of publications, including Sight & Sound, the Guardian, Observer and the Sunday Times. He is the former film critic for the Independent. It Don’t Worry Me is his first book. Author affiliation details are correct at time of print publication.

Search for publications

It Don’t Worry Me : Nashville, Jaws, Star Wars and beyond

Faber and Faber, 2003

Book

...Sleeper (1973): Woody Allen as Miles Monroe. In 1977, with the help of his co-writer Marshall Brickman and his editor Ralph Rosenblum, Woody Allen invented Woody Allen. The character proved so...

Film Exists in a State of Philosophy: Two Contemporary Cavellian Views

Garrett Stewart

Garrett Stewart

Search for publications

The Thought of Stanley Cavell and Cinema : Turning Anew to the Ontology of Film a Half-Century after The World Viewed

Bloomsbury Academic, 2020

Book

...THE QUESTION OF WHETHER PHILOSOPHY can occur through film (sometimes called in the shorthand “film-as-philosophy”) has been especially lively during the last twenty years of scholarship in the philosophy of film. Specifically, the question...

Symbolic Storyworlds

Warren Buckland

Warren Buckland is Reader in Film Studies at Oxford Brookes University, UK. He is the author of Film Theory: Rational Reconstructions (2012), Directed by Steven Spielberg (2006), and The Cognitive Semiotics of Film (2000). Author affiliation details are correct at time of print publication.

Search for publications

Wes Anderson’s Symbolic Storyworld : A Semiotic Analysis

Bloomsbury Academic, 2019

Book

...Within the framework of a theory of codes it is unnecessary to resort to the notion of extension [reference], nor to that of possible worlds; the codes, insofar as they are accepted by a society, set up a ‘cultural’ world, which is neither...

Introduction

Roger Crittenden

Roger Crittenden: After a distinguished career at the BBC, where he gained a special award for sustained excellence as a film editor, he was recruited to the new National Film and Television School as Head of Editing and later became Director of the MA programme. While with the NFTS, he taught in Moscow, Mexico City, Manila, Copenhagen, Singapore, Brisbane Australia, and in Cuba. In 2014 he was given the first ever CILECT International Teaching Award for his outstanding contribution to media pedagogy. More recently, he was appointed Adjunct Professor of Film at Griffith University in Brisbane, Australia. Roger is the author of two books on editing, as well as a book on Truffaut’s Day For Night for the British Film Institute's Film Classic Series. Author affiliation details are correct at time of print publication.

Search for publications

Fine Cuts : Interviews on the Practice of European Film Editing

Routledge, 2018

Book

... I f I were writing the history of fi lm editors in the United States, I might start with a photo that shows D.W. Griffi th with a certain Rose Smith. It was her husband, James Smith, who as his editor was credited by Griffi th as being...

The Short Answer

Marilyn Beker

Marilyn Beker is a professor of screenwriting in the School of Film and Television at Loyola Marymount University in Los Angeles, California. She is the author of Screenwriting With a Conscience: Ethics for Screenwriters and The Screenwriter Activist: Writing Social Issue Movies. She has extensive screenwriting and production experience and is the recipient of the Visionary Leader in Education Award from Shorts HD and Shorts International for her work in short films. Author affiliation details are correct at time of print publication.

Search for publications

Write To Shoot : Writing Short Films for Production

Routledge, 2017

Book

... T H E S H O RT A N S W E R As I mentioned in the introduction, there are lots of rea- sons to write and make a short film. Perhaps the most obvi- ous reason is to gain access to audiences. It’s much easier to get lots of people to see...

Film Theory, Film Analysis

Warren Buckland

Warren Buckland is Reader in Film Studies at Oxford Brookes University, UK. He is the author of Film Theory: Rational Reconstructions (2012), Directed by Steven Spielberg (2006), and The Cognitive Semiotics of Film (2000). Author affiliation details are correct at time of print publication.

Search for publications

Wes Anderson’s Symbolic Storyworld : A Semiotic Analysis

Bloomsbury Academic, 2019

Book

...The goal toward which all descriptive work strives is not the film as a real discourse (a series of images, sounds, and words arranged in a certain order, an object that may be attested), for the latter is already an achieved object before...

Annie Hall (1977)

Mark Axelrod

Mark Axelrod is a Full Professor of English & Comparative Literature, and Director of the John Fowles Center for Creative Writing, at Chapman University, USA. Author affiliation details are correct at time of print publication.

Search for publications

Constructing Dialogue : Screenwriting From Citizen Kane to Midnight in Paris

Bloomsbury Academic, 2014

Book

...Screenplay by Woody Allen and Marshall BrickmnaThe theater lobby scene in Annie Hall is really a tour de force in imaginative screenwriting. Alvy, Allen’s character, refuses to watch a film after it begins, so he and Annie have to wait...

Midnight in Paris (2011)

Mark Axelrod

Mark Axelrod is a Full Professor of English & Comparative Literature, and Director of the John Fowles Center for Creative Writing, at Chapman University, USA. Author affiliation details are correct at time of print publication.

Search for publications

Constructing Dialogue : Screenwriting From Citizen Kane to Midnight in Paris

Bloomsbury Academic, 2014

Book

...Screenplay by Woody AllenI think it was in the PBS documentary American Masters that Allen alluded to the fact that he was not “academic” in his work or that he had no predilection towards being academic in his work; however, one would...

On the Dialectics of Filmic Colours (in general) and Red (in particular)

Paul Coates

Paul Coates is Professor in the Film Studies Department of the University of Western Ontario, Canada. He is the author of The Story of the Lost Reflection (1985), The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror (1991) and Cinema, Religion and the Romantic Legacy (2003). Author affiliation details are correct at time of print publication.

Search for publications

Cinema and Colour : The Saturated Image

British Film Institute, 2010

Book

...Introduction: In the Shadow of Eisenstein I wanted there to be red drops of blood in the black-and-white part, after the murder of Vladimir Andreyevich; but Fira Tobak would not have it; saying that would be Formalism. (Eisenstein...

Bruno Dumont on Bruno Dumont by Kaleem Aftab

Projections 12 : Film-makers on Film Schools

Faber and Faber Limited, 2002

Book

...Bruno DumontWith only two features to his name, 43-year-old French director Bruno Dumont has already won more international prizes than most auteurs could hope for in a lifetime’s work. And yet jeers greeted Dumont as he collected...