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Barry Lyndon and Aesthetic Time

Maria Pramaggiore

is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...Eternity itself rests in unity, and this image we call time.A new relationship to time was the most significant change, and perhaps the defining development, of the French Revolution.When it emphasizes the time in which things take place...

Postmodernism and Blade Runner

Matthew Flisfeder

Matthew Flisfeder is an Assistant Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of The Symbolic, The Sublime, and Slavoj Žižek’s Theory of Film (2012) and co-editor of Žižek and Media Studies: A Reader (2014). Author affiliation details are correct at time of print publication.

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Postmodern Theory and Blade Runner

Bloomsbury Academic, 2017

Book chapter

...Mapping the historical logic of Blade Runner Blade Runner is a film that, depending upon the manner in which it is addressed, can be claimed by various critical perspectives and theoretical approaches. Perhaps it is this very fact...

Paternal Crisis, or: History as Succession

Maria Pramaggiore

is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...Considered Kubrick’s “most literary” film by Vincent Lo Brutto (45) and described by Frank Rich as “as far away from literary modes of filmmaking as you can possibly get” (27), Barry Lyndon is, in fact, both literary and abstract....

The Film Theory of Fredric Jameson

Clint Burnham

Clint Burnham teaches theory and popular culture at Simon Fraser University, Canada. His books include The Jamesonian Unconscious: The Aesthetics of Marxist Theory (1995), The Only Poetry that Matters: Reading the Kootenay School of Writing (2011), and the collections Digital Natives (2011, co-ed. with Lorna Brown) and From Text to Txting: New Media in the Classroom (2012, co-ed. with Paul Budra). Author affiliation details are correct at time of print publication.

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Fredric Jameson and The Wolf of Wall Street

Bloomsbury Academic, 2016

Book chapter

...When Fredric Jameson begins Signatures of the Visible, his 1990 collection of film criticism, with the astonishing declaration that the “visual is essentially pornographic,” he might as well be talking about The Wolf of Wall Street. Arguing...

Intimate Volver

Frances Restuccia

Frances L. Restuccia is an English Professor at Boston College, where she teaches contemporary literary and cultural theory, the modern novel, the world novel, and film/film theory. She is the author of Amorous Acts: Lacanian Ethics in Modernism, Film, and Queer Theory (Stanford UP). Author affiliation details are correct at time of print publication.

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The Blue Box : Kristevan/Lacanian Readings of Contemporary Cinema

Continuum, 2012

Book chapter

...Kristeva’s semiotic/Almodóvar’s signature Pedro Almodóvar’s Volver can seem to embody so many components of Kristeva’s recent work that it may look like the quintessential Kristevan thought-specular film. It is as though Almodóvar made...

Postmodernism and postmodern theory

Matthew Flisfeder

Matthew Flisfeder is an Assistant Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of The Symbolic, The Sublime, and Slavoj Žižek’s Theory of Film (2012) and co-editor of Žižek and Media Studies: A Reader (2014). Author affiliation details are correct at time of print publication.

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Postmodern Theory and Blade Runner

Bloomsbury Academic, 2017

Book chapter

...Toward a theory of the postmodern My approach to postmodernism involves first providing a historical sketch of its emergence, and especially its relationship to modernism. Since, in my view, postmodernism is on the one hand the product...

Untimely Cinema: Barry Lyndon and the 1970s

Maria Pramaggiore

is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...Perhaps when everything is beautiful, nothing is beautiful.The preceding chapters have explored key aspects of the discourse of temporality within Barry Lyndon (1975), including the way it counters narrative sequence with a disruptive...

Adapting Barry Lyndon: A Tale of Two Auteurs

Maria Pramaggiore

is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

Search for publications

Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...A great narrative is a kind of miracle.[Stanley Kubrick] thought that Thackeray was better than any screenwriter alive.Stanley Kubrick “aspired to be the novelist of American filmmakers,” according to Robert Kolker (97). His films have been...

The Rhythm and the Rest: Painting, Cinema, Stillness

Maria Pramaggiore

is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...Three hours and four minutes of pictures.There is no work which does not have its beginning and end in other arts.We expect photographs, like paintings, to be transparent in the manner that is captured by the term “looking through...

Unveiling fetishism in the society of the spectacle

Frances Restuccia

Frances L. Restuccia is an English Professor at Boston College, where she teaches contemporary literary and cultural theory, the modern novel, the world novel, and film/film theory. She is the author of Amorous Acts: Lacanian Ethics in Modernism, Film, and Queer Theory (Stanford UP). Author affiliation details are correct at time of print publication.

Search for publications

The Blue Box : Kristevan/Lacanian Readings of Contemporary Cinema

Continuum, 2012

Book chapter

...[H]ow many Didiers exist in suffering without even considering the possibility of the . . . representation of the malaise in which they lock themselves and those close to them . . . ? . . . This is when the freedom and negativity proper...