Screen Studies: Bloomsbury and Faber Screenplays and Criticism - Searc
Loading

Results

Sort By:  1-10 of 259 (26 pages)
Results per page:
         

Being True to the Character

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber and Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

Search for publications
and

Walter Donohue

Walter Donohue

Search for publications

The Director’s Cut : The Best of Projections

Faber and Faber Limited, 2006

Book chapter

...I first saw Frances McDormand in Blood Simple – an eye-opening film and a ‘where did they get that woman?’ performance. Next I saw her in Raising Arizona (a film I had been eager to see, since I had badly wanted the Nicolas Cage role)....

Some Like it Dark

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber and Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

Search for publications
and

Walter Donohue

Walter Donohue

Search for publications

The Director’s Cut : The Best of Projections

Faber and Faber Limited, 2006

Book chapter

...Editor’s Note Tony Curtis was sleeping late. His daughter, Jamie Lee, had just got back from a hot summer in London shooting the sequel to A Fish Called Wanda. At our request, she took a tape recorder with her when she went to see him....

De Niro and Me

The Director’s Cut : The Best of Projections

Faber and Faber Limited, 2006

Book chapter

...Mean Streets Mean Streets : ‘All the abandon of a trapped animal.’ The pool table. What he did was jump on to the table. I remember him behaving with all the abandon of a trapped animal; I thought the bravado of jumping up...

Sound Design

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber and Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

Search for publications
and

Walter Donohue

Walter Donohue

Search for publications

The Director’s Cut : The Best of Projections

Faber and Faber Limited, 2006

Book chapter

...It disappeared long ago, but in 1972 The Window was still there, peering blindly through a veil of dust, thirty-five feet above the floor of Samuel Goldwyn’s old Stage 7. I never would have noticed had not Richard pointed it out to me as we...

Missing Sandy Dennis

The Director’s Cut : The Best of Projections

Faber and Faber Limited, 2006

Book chapter

...There are always moments, sometimes entire scenes and characters, that are cut out of a movie. For anyone who takes an active interest in the story they are helping to tell, whatever their capacity in a production, there is bound...

Jodie Foster talks to Mike Figgis

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber and Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

Search for publications
and

Walter Donohue

Walter Donohue

Search for publications

The Director’s Cut : The Best of Projections

Faber and Faber Limited, 2006

Book chapter

...New York, New York: De Niro and Liza Minnelli.How would you describe what you do?God, I never know how to describe it. I don’t think I do a different job as a director than I do as an actress, or as a producer. For me it’s all about...

Jeanette Helen

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber and Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

Search for publications
and

Walter Donohue

Walter Donohue

Search for publications

The Director’s Cut : The Best of Projections

Faber and Faber Limited, 2006

Book chapter

...Hello, Jeannette Helen.Jeannette Helen Morrison, yes.How long have I called you Jeannette Helen?Since you were old enough to know what my real name was.Why do you think I call you Jeannette Helen?I don’t know. Instead of calling me Mom...

Making Tarnation

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber and Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

Search for publications
and

Walter Donohue

Walter Donohue

Search for publications

The Director’s Cut : The Best of Projections

Faber and Faber Limited, 2006

Book chapter

...The feature debut of Jonathan Caouette, Tarnation is a raw, extremely personal and sensual display of self-destruction and rebirth that announces the arrival of an exceptional new cinematic visionary. Interweaving a psychedelic whirlwind...

Don’t Try for Me, Argentina

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber and Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

Search for publications
and

Walter Donohue

Walter Donohue

Search for publications

The Director’s Cut : The Best of Projections

Faber and Faber Limited, 2006

Book chapter

...Edited and introduced by Tony Raynes Photographs by Christopher Doyle Wong Kar-Wai entered the Hong Kong film industry as a scriptwriter, but stopped pre-scripting his own films when he embarked on the second, Days of Being Wild. Since...

Clint Eastwood on Directed By . . .

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber and Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

Search for publications
and

Walter Donohue

Walter Donohue

Search for publications

The Director’s Cut : The Best of Projections

Faber and Faber Limited, 2006

Book chapter

...You want me to talk about the directors I’ve worked with? Let’s start with those I didn’t get the chance to be directed by. Howard Hawks, for example, the first director I ever met! It was a brief meeting. I was helping him round up his...