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Ryan Gilbey is a freelance film journalist and writes for a variety of publications, including Sight & Sound, the Guardian, Observer and the Sunday Times. He is the former film critic for the Independent. It Don’t Worry Me is his first book. Author affiliation details are correct at time of print publication.

Dr. Jacob Leigh is Lecturer in the department of Media Arts at Royal Holloway, University of London, UK. Author affiliation details are correct at time of print publication.

Dr. Jacob Leigh is Lecturer in the department of Media Arts at Royal Holloway, University of London, UK. Author affiliation details are correct at time of print publication.

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

Lenore DeKoven has had a distinguished and varied career in film, theatre, and television on both east and west coasts. From 1988 to 2008, she taught in the Graduate Film Division of Columbia University’s School of the Arts, and has also taught at UCLA and New York University. She is a member of the Directors Guild of America, a former Vice President of the League of Professional Theatre Women, was one of the Founders of NY Women in Film and TV, and has directed and produced plays and television in New York and LA. In 1981, DeKoven created Our Workshop East, a development gym for actors, writers, and directors. Author affiliation details are correct at time of print publication.

Steen Ledet Christiansen is Associate Professor of English at Aalborg University, Denmark. His research focuses on popular visual culture, particularly film and the burgeoning field of post-cinema. Author affiliation details are correct at time of print publication.

Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, with research interests including screenwriting, prose fiction, radio drama, popular music, the practice of film production, short film production and distribution, narratology and the theory and practice of comedy. Author affiliation details are correct at time of print publication.

John Marland is a Senior Lecturer in Literature Studies at York St John University with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production. Author affiliation details are correct at time of print publication.

Kira Kitsopanidou

Mark Axelrod is a Full Professor of English & Comparative Literature, and Director of the John Fowles Center for Creative Writing, at Chapman University, USA. Author affiliation details are correct at time of print publication.

Pierre Hodgson

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was Catch Us If You Can in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

Walter Donohue