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Francis Ford Coppola

Ryan Gilbey

RYAN GILBEY writes on film for the Independent, the Guardian, and Sight and Sound and is author of It Don’t Worry Me (2004). Author affiliation details are correct at time of print publication.

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It Don’t Worry Me : Nashville, Jaws, Star Wars and beyond

Faber and Faber, 2003

Book chapter

...Making The Conversation (1974): Gene Hackman confers with Francis Ford Coppola. The Conversation: Gene Hackman as Harry Caul. In the films of Francis Ford Coppola, size matters. This robust...

Merci pour le chocolat (2000): Cause and Effect

Jacob Leigh

Dr. Jacob Leigh is Lecturer in the department of Media Arts at Royal Holloway, University of London, UK. Author affiliation details are correct at time of print publication.

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The Late Films of Claude Chabrol : Genre, Visual Expressionism and Narrational Ambiguity

Bloomsbury Academic, 2017

Book chapter

...Merci pour le chocolat is based on Charlotte Armstrong’s novel The Chocolate Cobweb (1948), translated and published in France in 1949 as Et merci pour le chocolat.Armstrong’s novel was published in France by Ditis, translated...

La Fleur du mal (2003): Keeping it in the Family

Jacob Leigh

Dr. Jacob Leigh is Lecturer in the department of Media Arts at Royal Holloway, University of London, UK. Author affiliation details are correct at time of print publication.

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The Late Films of Claude Chabrol : Genre, Visual Expressionism and Narrational Ambiguity

Bloomsbury Academic, 2017

Book chapter

...Incest, inheritance, politics and terroir: these are the leading subjects of La Fleur du mal. The film’s narrative structure is founded on a principle of repetition; it opens with Pierre Charpin’s corpse and it ends with Gérard’s (Bernard...

Epilogue

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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Beyond the Screen : Emerging Cinema and Engaging Audiences

Bloomsbury Academic, 2014

Book chapter

...At the Guardian Edinburgh International Television Festival on 22 August 2013, The James MacTaggart Memorial Lecture.So I predict in the next decade or two, any differentiation between these platforms will fall away. Is 13 hours watched...

Goldfinger (1964)

Mark Axelrod

Mark Axelrod is a Full Professor of English & Comparative Literature, and Director of the John Fowles Center for Creative Writing, at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Constructing Dialogue : Screenwriting From Citizen Kane to Midnight in Paris

Bloomsbury Academic, 2014

Book chapter

...Screenplay by Richard Maibaum and Paul Dehn Based on the novel by Ian FlemingIn an American Film Institute [AFI] interview, Hitchcock once talked about cinematic tension and the example he used was the “bomb under the table” ploy. According...

Catherine Breillat on 36 fillette

Pierre Hodgson

,

Pierre Hodgson

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John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 9 : French Film-makers on Film-making in association with Positif

1999

Book chapter

...Catherine BreillatIn 1988, Catherine Breillat's 36 fillette burst on the French film scene like a ball of flame, inventing a new genre: the Frenchwoman's sex film. She had made only one previous film, Tapage nocturne, in 1979. Her most...

Arnaud Desplechin on La Sentinelle

Pierre Hodgson

,

Pierre Hodgson

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John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 9 : French Film-makers on Film-making in association with Positif

1999

Book chapter

...Arnaud Desplechin, directing Emmaneuel Salinger in La SentinelleArnaud Desplechin is one of France's foremost young directors. His most recent feature, Comment je me suis disputé (ou Ma vie sexuelle), was in competition at Cannes. He...

Bertrand Tavernier on Un Dimanche à la campagne

Pierre Hodgson

,

Pierre Hodgson

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John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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and

Walter Donohue

Walter Donohue

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Projections 9 : French Film-makers on Film-making in association with Positif

1999

Book chapter

...Bertrand TavernierOriginally a film critic, Bertrand Tavernier is one of the few French film directors of his generation with an established international reputation. Films include L'Horloger de Saint-Paul (1973), Que la fête commence...

Hail, Caesar! (2016)

Directed by

Joel Coen

and

Ethan Coen

Written by

Joel Coen

and

Ethan Coen

Screenplay

Image
...House at Night We are looking – through the rain-pelted windshield of a parked car – at a small, Spanish-style bungalow. The rattle of driving rain does not quite cover the sound from inside the house of drunken female laughter...

Claude Sautet on Un Coeur en hiver

Pierre Hodgson

,

Pierre Hodgson

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John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

Search for publications
and

Walter Donohue

Walter Donohue

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Projections 9 : French Film-makers on Film-making in association with Positif

1999

Book chapter

...Claude Sautet, directing Emmanuelle Béart on Un Coeur en hiverBorn in 1924, Claude Sautet made a name for himself with his first film, Classe tous risques (1962), starring Jean-Paul Belmondo and Lino Ventura. He has directed many...