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The Star’s Script: Delon as Director, Producer, and Screenwriter

Isabelle Vanderschelden

Isabelle Vanderschelden

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Alain Delon : Style, Stardom, and Masculinity

Bloomsbury Academic, 2015

Book chapter

...In Chapter 7, Isabelle Vanderschelden investigates an overlooked period in Delon’s career, broadly 1976–1983. It investigates the star’s input into film production, then more specifically into screenwriting and directing. Vanderschelden...

Toujours Delon: The Script of Aging

Sue Harris

Sue Harris is Reader in French Cinema at Queen Mary University of London, UK. She is an Associate Editor of French Cultural Studies, the author of Bertrand Blier (2001) and co-editor of France in Focus: Film and National Identity (2000) and From Perversion to Purity: The Stardom of Catherine Deneuve (2007), among other titles. Author affiliation details are correct at time of print publication.

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Alain Delon : Style, Stardom, and Masculinity

Bloomsbury Academic, 2015

Book chapter

...Toujours is the theme song to Frank Riva, sung by Axelle Red. The lyrics speak of continuity between the past and the present and implicitly between youth and the experience of maturity: “There will always be something of you in me/ You...

Alain Delon, International Man of Mystery

Mark Gallagher

Mark Gallagher

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Alain Delon : Style, Stardom, and Masculinity

Bloomsbury Academic, 2015

Book chapter

...Mark Gallagher examines Delon’s career outside of French national contexts. Combining industrial analysis with performance, Gallagher addresses the circulation of Delon’s persona beyond the context of French cinema of the 1960s and 1970s...

Delon and Performance: Emploi and the Interaction Between Individual, Role, and Character

Laurent Jullier

Laurent Jullier

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Jean-Marc Leveratto

Jean-Marc Leveratto

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Alain Delon : Style, Stardom, and Masculinity

Bloomsbury Academic, 2015

Book chapter

...In Chapter 2, Laurent Jullier and Jean-Marc Leveratto reference Delon’s mythical status as pin-up, going on to situate his career in relation to the sociological concept of emploi, via the writings of Erving Goffman. Drawing on examples...

France’s “new Don Juan”: The Representation of Alain Delon’s Youth

Gwénaëlle Le Gras

Gwénaëlle Le Gras

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Alain Delon : Style, Stardom, and Masculinity

Bloomsbury Academic, 2015

Book chapter

...In Chapter 3, Gwénaëlle Legras examines Delon’s early media profile, showing how he was positioned between the generic traditions of French cinema of the late 1950s and the modernity that he was seen to represent both physically...

Coming to America

De Toth on De Toth : Putting the Drama in front of the Camera

Faber & Faber, 2010

Book chapter

...Andre de Toth’s first two American films are, if nothing else, extraordinarily diverse. Both deal with the subject of the Nazis. The first represents the low point of American film-making: a typical B-picture, with little to commend...

Gothic Superheroes: Blade II, Hellboy and Hellboy II: The Golden Army

Keith McDonald

Keith McDonald holds a PhD from Birkbeck College, University of London, UK, and is the Head of Programme for Media, Film Studies and Mass Communications at York St John University, UK. His research interests include popular culture, cult cinema and digital media. Author affiliation details are correct at time of print publication.

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Roger Clark

Roger Clark taught literature and film in UK Universities for over thirty years and has published on contemporary fiction and film. He was Senior Lecturer in Literature Studies at York St John University, UK, where he is currently Honorary Research Fellow in the Faculty of Arts. Author affiliation details are correct at time of print publication.

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Guillermo del Toro : Film as Alchemic Art

Bloomsbury Academic, 2014

Book chapter

...Writing in 2002, the year in which Blade II appeared, John Whately summarized the then relation of the Gothic to high culture in the following way:The status of the Gothic text has then always been problematic; a form that is denied yet...

Fan as Film-maker

Keith McDonald

Keith McDonald holds a PhD from Birkbeck College, University of London, UK, and is the Head of Programme for Media, Film Studies and Mass Communications at York St John University, UK. His research interests include popular culture, cult cinema and digital media. Author affiliation details are correct at time of print publication.

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Roger Clark

Roger Clark taught literature and film in UK Universities for over thirty years and has published on contemporary fiction and film. He was Senior Lecturer in Literature Studies at York St John University, UK, where he is currently Honorary Research Fellow in the Faculty of Arts. Author affiliation details are correct at time of print publication.

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Guillermo del Toro : Film as Alchemic Art

Bloomsbury Academic, 2014

Book chapter

...It is the intention of this chapter to argue that del Toro has a unique place in contemporary ‘geek’ film-making as a director who is lauded as an artist with an accomplished ability and authorial mission and a fellow fan with vested...

Dubbing Delon: Voice, Body, and National Stardom in Rocco e i suoi fratelli/Rocco and his Brothers (Luchino Visconti, 1960)

Catherine O’Rawe

Catherine O’Rawe

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Alain Delon : Style, Stardom, and Masculinity

Bloomsbury Academic, 2015

Book chapter

...Catherine O’Rawe takes Visconti’s Rocco as an extended case study of the young Delon within the cross-cultural context of Franco-Italian co-productions of the period, with their practice of dubbing the original voice-tracks into Italian...

Trauma – childhood – History: The Devil’s Backbone and Pan’s Labyrinth

Keith McDonald

Keith McDonald holds a PhD from Birkbeck College, University of London, UK, and is the Head of Programme for Media, Film Studies and Mass Communications at York St John University, UK. His research interests include popular culture, cult cinema and digital media. Author affiliation details are correct at time of print publication.

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and

Roger Clark

Roger Clark taught literature and film in UK Universities for over thirty years and has published on contemporary fiction and film. He was Senior Lecturer in Literature Studies at York St John University, UK, where he is currently Honorary Research Fellow in the Faculty of Arts. Author affiliation details are correct at time of print publication.

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Guillermo del Toro : Film as Alchemic Art

Bloomsbury Academic, 2014

Book chapter

...This chapter considers del Toro’s political horror films: The Devil’s Backbone (El Espinazo del Diablo) and Pan’s Labyrinth (El Laberinto del Fauno). If Cronos brought an alchemic touch to the vampire movie, re-politicizing the genre in its...