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Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

Jeff Rush is an associate professor at Temple University's Department of Film & Media Arts. He has served as director of the MFA program and as Department Chair in Film & Media Arts. He received an MFA in Screenwriting and Directing from the American Film Institute and an MFA in Fiction Writing from the University of Iowa's Writer's Workshop. In addition to teaching, Jeff has worked as a freelance screenwriter and has published numerous articles and books. Author affiliation details are correct at time of print publication.

Isabelle Vanderschelden

Sue Harris is Reader in French Cinema at Queen Mary University of London, UK. She is an Associate Editor of French Cultural Studies, the author of Bertrand Blier (2001) and co-editor of France in Focus: Film and National Identity (2000) and From Perversion to Purity: The Stardom of Catherine Deneuve (2007), among other titles. Author affiliation details are correct at time of print publication.

Mark Gallagher

Laurent Jullier

Jean-Marc Leveratto

Gwénaëlle Le Gras

Keith McDonald holds a PhD from Birkbeck College, University of London, UK, and is the Head of Programme for Media, Film Studies and Mass Communications at York St John University, UK. His research interests include popular culture, cult cinema and digital media. Author affiliation details are correct at time of print publication.

Roger Clark taught literature and film in UK Universities for over thirty years and has published on contemporary fiction and film. He was Senior Lecturer in Literature Studies at York St John University, UK, where he is currently Honorary Research Fellow in the Faculty of Arts. Author affiliation details are correct at time of print publication.

Keith McDonald holds a PhD from Birkbeck College, University of London, UK, and is the Head of Programme for Media, Film Studies and Mass Communications at York St John University, UK. His research interests include popular culture, cult cinema and digital media. Author affiliation details are correct at time of print publication.

Roger Clark taught literature and film in UK Universities for over thirty years and has published on contemporary fiction and film. He was Senior Lecturer in Literature Studies at York St John University, UK, where he is currently Honorary Research Fellow in the Faculty of Arts. Author affiliation details are correct at time of print publication.

Keith McDonald holds a PhD from Birkbeck College, University of London, UK, and is the Head of Programme for Media, Film Studies and Mass Communications at York St John University, UK. His research interests include popular culture, cult cinema and digital media. Author affiliation details are correct at time of print publication.

Roger Clark taught literature and film in UK Universities for over thirty years and has published on contemporary fiction and film. He was Senior Lecturer in Literature Studies at York St John University, UK, where he is currently Honorary Research Fellow in the Faculty of Arts. Author affiliation details are correct at time of print publication.