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The Star’s Script: Delon as Director, Producer, and Screenwriter

Alain Delon : Style, Stardom, and Masculinity

Bloomsbury Academic, 2015

Book chapter

...In Chapter 7, Isabelle Vanderschelden investigates an overlooked period in Delon’s career, broadly 1976–1983. It investigates the star’s input into film production, then more specifically into screenwriting and directing. Vanderschelden...

Toujours Delon: The Script of Aging

Sue Harris

Sue Harris is Reader in French Cinema at Queen Mary University of London, UK. She is an Associate Editor of French Cultural Studies, the author of Bertrand Blier (2001) and co-editor of France in Focus: Film and National Identity (2000) and From Perversion to Purity: The Stardom of Catherine Deneuve (2007), among other titles. Author affiliation details are correct at time of print publication.

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Alain Delon : Style, Stardom, and Masculinity

Bloomsbury Academic, 2015

Book chapter

...Toujours is the theme song to Frank Riva, sung by Axelle Red. The lyrics speak of continuity between the past and the present and implicitly between youth and the experience of maturity: “There will always be something of you in me/ You...

Alain Delon, International Man of Mystery

Alain Delon : Style, Stardom, and Masculinity

Bloomsbury Academic, 2015

Book chapter

...Mark Gallagher examines Delon’s career outside of French national contexts. Combining industrial analysis with performance, Gallagher addresses the circulation of Delon’s persona beyond the context of French cinema of the 1960s and 1970s...

Delon and Performance: Emploi and the Interaction Between Individual, Role, and Character

Alain Delon : Style, Stardom, and Masculinity

Bloomsbury Academic, 2015

Book chapter

...In Chapter 2, Laurent Jullier and Jean-Marc Leveratto reference Delon’s mythical status as pin-up, going on to situate his career in relation to the sociological concept of emploi, via the writings of Erving Goffman. Drawing on examples...

France’s “new Don Juan”: The Representation of Alain Delon’s Youth

Alain Delon : Style, Stardom, and Masculinity

Bloomsbury Academic, 2015

Book chapter

...In Chapter 3, Gwénaëlle Legras examines Delon’s early media profile, showing how he was positioned between the generic traditions of French cinema of the late 1950s and the modernity that he was seen to represent both physically...

Coming to America

De Toth on De Toth : Putting the Drama in front of the Camera

Faber & Faber, 2010

Book chapter

...Andre de Toth’s first two American films are, if nothing else, extraordinarily diverse. Both deal with the subject of the Nazis. The first represents the low point of American film-making: a typical B-picture, with little to commend...

Gothic Superheroes: Blade II, Hellboy and Hellboy II: The Golden Army

Keith McDonald

Keith McDonald holds a PhD from Birkbeck College, University of London, UK, and is the Head of Programme for Media, Film Studies and Mass Communications at York St John University, UK. His research interests include popular culture, cult cinema and digital media. Author affiliation details are correct at time of print publication.

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Roger Clark

Roger Clark taught literature and film in UK Universities for over thirty years and has published on contemporary fiction and film. He was Senior Lecturer in Literature Studies at York St John University, UK, where he is currently Honorary Research Fellow in the Faculty of Arts. Author affiliation details are correct at time of print publication.

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Guillermo del Toro : Film as Alchemic Art

Bloomsbury Academic, 2014

Book chapter

...Writing in 2002, the year in which Blade II appeared, John Whately summarized the then relation of the Gothic to high culture in the following way:The status of the Gothic text has then always been problematic; a form that is denied yet...

Fan as Film-maker

Keith McDonald

Keith McDonald holds a PhD from Birkbeck College, University of London, UK, and is the Head of Programme for Media, Film Studies and Mass Communications at York St John University, UK. His research interests include popular culture, cult cinema and digital media. Author affiliation details are correct at time of print publication.

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Roger Clark

Roger Clark taught literature and film in UK Universities for over thirty years and has published on contemporary fiction and film. He was Senior Lecturer in Literature Studies at York St John University, UK, where he is currently Honorary Research Fellow in the Faculty of Arts. Author affiliation details are correct at time of print publication.

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Guillermo del Toro : Film as Alchemic Art

Bloomsbury Academic, 2014

Book chapter

...It is the intention of this chapter to argue that del Toro has a unique place in contemporary ‘geek’ film-making as a director who is lauded as an artist with an accomplished ability and authorial mission and a fellow fan with vested...

Accented Fantasy and the Gothic Perverse

Keith McDonald

Keith McDonald holds a PhD from Birkbeck College, University of London, UK, and is the Head of Programme for Media, Film Studies and Mass Communications at York St John University, UK. His research interests include popular culture, cult cinema and digital media. Author affiliation details are correct at time of print publication.

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and

Roger Clark

Roger Clark taught literature and film in UK Universities for over thirty years and has published on contemporary fiction and film. He was Senior Lecturer in Literature Studies at York St John University, UK, where he is currently Honorary Research Fellow in the Faculty of Arts. Author affiliation details are correct at time of print publication.

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Guillermo del Toro : Film as Alchemic Art

Bloomsbury Academic, 2014

Book chapter

...This chapter further interrogates Guillermo del Toro’s relationship with two key areas of screen studies: transnationalism and Queer cinema. We situate del Toro in the context of contemporary transnational cinema, both as an exilic...

Return to America

De Toth on De Toth : Putting the Drama in front of the Camera

Faber & Faber, 2010

Book chapter

...In his final years in the United Kingdom, Andre de Toth was busy on a number of projects, all largely undocumented. The most unusual – not that any of de Toth’s projects are ordinary – came in the summer of 1976, when he made a film...