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Jay Holben spent more than a decade working as a director of photography. As a technical journalist, Holben has been a lead contributing writer for American Cinematographer magazine for nearly two decades. For seven years, he served as technical editor for Digital Video magazine, he is the current lighting columnist for TV Technology magazine, and has been a contributor to Videography and The Hollywood Reporter. As the author of the highly-lauded independent lighting manual: A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget, Holben was been able to bring his on-set experiences to new filmmakers. In addition to frequent speaking engagements, he holds a faculty position at the Global Cinematography Institute. With Behind the Lens, Holben strives to influence and inform today’s entrenched production technicians with regaling stories from the front-lines. He is currently an independent producer and director living in Los Angeles. Author affiliation details are correct at time of print publication.

Christopher Frayling is Rector of the Royal College of Art and Professor of Cultural History there. His books include Sergio Leone: Something to Do With Death, Clint Eastwood and a BFI monograph on Things to Come. He is Chairman of the Arts Council, England. Author affiliation details are correct at time of print publication.

Christopher Frayling is Rector of the Royal College of Art and Professor of Cultural History there. His books include Sergio Leone: Something to Do With Death, Clint Eastwood and a BFI monograph on Things to Come. He is Chairman of the Arts Council, England. Author affiliation details are correct at time of print publication.

Edward Buscombe is the editor of The BFI Companion to Western and has written on Stagecoach, The Searchers and The Unforgiven in the BFI Film Classics series. Author affiliation details are correct at time of print publication.

Todd Rendleman is Professor of Communication Studies at Seattle Pacific University, where he teaches film art, history, and criticism. He lives in Seattle, Washington. Author affiliation details are correct at time of print publication.

Christopher Frayling is Rector of the Royal College of Art and Professor of Cultural History there. His books include Sergio Leone: Something to Do With Death, Clint Eastwood and a BFI monograph on Things to Come. He is Chairman of the Arts Council, England. Author affiliation details are correct at time of print publication.

Todd Rendleman is Professor of Communication Studies at Seattle Pacific University, where he teaches film art, history, and criticism. He lives in Seattle, Washington. Author affiliation details are correct at time of print publication.

Todd Rendleman is Professor of Communication Studies at Seattle Pacific University, where he teaches film art, history, and criticism. He lives in Seattle, Washington. Author affiliation details are correct at time of print publication.

Jason Wood is a writer, film programmer and filmmaker. He is Artistic Director of Film at HOME, Visiting Professor at MMU and Visiting Professor at University of Salford, UK, and the author of a number of books including The Faber Book of Mexican Cinema (2006), Nick Broomfield: Documenting Icons (2005), 100 Road Movies (BFI 2007) and Talking Movies: Contemporary World Directors in Interview (2006). He contributes to a range of publications including Sight & Sound, The Guardian, Vertigo and Little White Lies. Author affiliation details are correct at time of print publication.

Edward Buscombe is the editor of The BFI Companion to Western and has written on Stagecoach, The Searchers and The Unforgiven in the BFI Film Classics series. Author affiliation details are correct at time of print publication.