Skip to main content
Loading
Loading

Results

Sort By:  1-10 of 26 (3 pages)
Results per page:
         

“A slight duplication of efforts”: redundancy and the excessive camera in Inglourious Basterds

Quentin Tarantino’s Inglourious Basterds : A Manipulation of Metacinema

Continuum, 2012

Book

...At the end of the opening credits, a white-on-black title appears: Chapter One/Once upon a time … /in Nazi-occupied France. It is the first of five titles that divide Inglourious Basterds into chapters. After the title, the first shot...

“Fire!” in a crowded theater: liquidating history in Inglourious Basterds

Quentin Tarantino’s Inglourious Basterds : A Manipulation of Metacinema

Continuum, 2012

Book

...Quentin Tarantino maintains a consistent obsession with the cinema as cinephilia, which he invites his audience to share, in his work’s explicit and ironic play with film history. His films present us with clever, wry, and often...

“What shall the history books read?” The debate over Inglourious Basterds and the limits of representation

Quentin Tarantino’s Inglourious Basterds : A Manipulation of Metacinema

Continuum, 2012

Book

...In the early 1990s, Mike Godwin formulated a theory of internet behavior that has since become known as Godwin’s Law of Nazi Analogies: “As an online discussion grows longer, the probability of a comparison involving Nazis or Hitler...

Vengeful violence: Inglourious Basterds, allohistory, and the inversion of victims and perpetrators

Quentin Tarantino’s Inglourious Basterds : A Manipulation of Metacinema

Continuum, 2012

Book

...When Quentin Tarantino’s long-planned war film premiered at Cannes, it received a nearly ten-minute-long standing ovation.Wigney, James, “Quentin’s Glory Days.” Sunday Mail (South Australia), August 16, 2009, 91. Following its full release,...

Inglourious music: revenge, reflexivity, and Morricone as muse in Inglourious Basterds

Quentin Tarantino’s Inglourious Basterds : A Manipulation of Metacinema

Continuum, 2012

Book

...While Inglourious Basterds shares its focus on revenge with many of Tarantino’s other films, it distinguishes itself by the way in which this vengeance moves beyond human parameters to encompass the revenge of cinema itself. Cinema...
Image
...Shipyard. Day. The voice of the Comentator begins to speak over a LONG SHOT of an empty shipyard. The year is 1937. Leslie Howard voice over This is the story of a ship… A giant crane swings the first section of a Destroyer’s keel across...

Counterfactuals, quantum physics, and cruel monsters in Quentin Tarantino’s Inglourious Basterds

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

Search for publications

Quentin Tarantino’s Inglourious Basterds : A Manipulation of Metacinema

Continuum, 2012

Book

...Inglourious Basterds (2009) shows us history as it wasn’t. The titular Basterds are a bunch of predominantly American Jews dropped into occupied France, where it is their business to kill Nazis. They discover that a Parisian cinema...

In the Company of Men

Jason Wood

Jason Wood is a writer, film programmer and filmmaker. He is Artistic Director of Film at HOME, Visiting Professor at MMU and Visiting Professor at University of Salford, UK, and the author of a number of books including The Faber Book of Mexican Cinema (2006), Nick Broomfield: Documenting Icons (2005), 100 Road Movies (BFI 2007) and Talking Movies: Contemporary World Directors in Interview (2006). He contributes to a range of publications including Sight & Sound, The Guardian, Vertigo and Little White Lies. Author affiliation details are correct at time of print publication.

Search for publications

100 American Independent Films : BFI Screen Guides

British Film Institute, 2009

Book

...Partly funded by an insurance settlement following a car accident, In the Company of Men marked playwright LaBute’s transition from stage to screen. LaBute is a practising Mormon and the author of provocative plays such as Filthy Talk...

Disruptive violence as means to create a space for reflection: thoughts on Tarantino’s attempts at audience irritation

Quentin Tarantino’s Inglourious Basterds : A Manipulation of Metacinema

Continuum, 2012

Book

...Introduction Quentin Tarantino’s latest violent masterpiece Inglourious Basterds has been well yet critically received. Many reviewers have pointed out that the film is morally ambivalent the least because of the aesthetics of violence...

Is Tarantino serious? The twofold image of the Auteur and the state of exception

Oliver C. Speck

Oliver C. Speck is Associate Professor of Film Studies at Virginia Commonwealth University, USA. His scholarly writing focuses on the representation of memory and history in French, German and other European cinema. Author affiliation details are correct at time of print publication.

Search for publications

Quentin Tarantino’s Inglourious Basterds : A Manipulation of Metacinema

Continuum, 2012

Book

...Quentin Tarantino might be American cinema’s best know auteur, one of the very few directors whose work is promoted in the U.S. with the “a film by” label. It is a label that, of course, the filmmaker himself tirelessly and skillfully...