Results

Ernest Mathijs is Associate Professor of Film Studies at the University of British Columbia, Canada. He is the author of The Cinema of David Cronenberg (2008), co-author of Cult Cinema (2011) and co-editor of The Cult Film Reader (2008). Author affiliation details are correct at time of print publication.

Larrie Dudenhoeffer is a professor of English at Kennesaw State University, USA, specializing in film studies, critical theory, and American studies. He is the author of Embodiment and Horror Cinema (2014) and Anatomy of the Superhero Film (2017). Author affiliation details are correct at time of print publication.

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is author of Film Genre (2007) and Voyages of Discovery (1992) and co-author of The Film Studies Dictionary (2001) and 100 Documentary Films (2009). Author affiliation details are correct at time of print publication.

Stuart Henderson is Senior Marketing Manager at Studiocanal, UK. He has published articles in a number of scholarly journals and has a PhD in Film Studies from the University of Warwick, UK. Author affiliation details are correct at time of print publication.

Alfio Leotta is Lecturer in Film Studies at Victoria University of Wellington, New Zealand. His main research interests are the relation between film and tourism; the global dispersal of film production; the history of New Zealand film, and contemporary Italian cinema. He is the author of Touring the Screen: Tourism and New Zealand Film Geographies (2011). Author affiliation details are correct at time of print publication.

Ernest Mathijs is Associate Professor of Film Studies at the University of British Columbia, Canada. He is the author of The Cinema of David Cronenberg (2008), co-author of Cult Cinema (2011) and co-editor of The Cult Film Reader (2008). Author affiliation details are correct at time of print publication.

Alfio Leotta is Lecturer in Film Studies at Victoria University of Wellington, New Zealand. His main research interests are the relation between film and tourism; the global dispersal of film production; the history of New Zealand film, and contemporary Italian cinema. He is the author of Touring the Screen: Tourism and New Zealand Film Geographies (2011). Author affiliation details are correct at time of print publication.

Alfio Leotta is Lecturer in Film Studies at Victoria University of Wellington, New Zealand. His main research interests are the relation between film and tourism; the global dispersal of film production; the history of New Zealand film, and contemporary Italian cinema. He is the author of Touring the Screen: Tourism and New Zealand Film Geographies (2011). Author affiliation details are correct at time of print publication.

Alfio Leotta is Lecturer in Film Studies at Victoria University of Wellington, New Zealand. His main research interests are the relation between film and tourism; the global dispersal of film production; the history of New Zealand film, and contemporary Italian cinema. He is the author of Touring the Screen: Tourism and New Zealand Film Geographies (2011). Author affiliation details are correct at time of print publication.

Alfio Leotta is Lecturer in Film Studies at Victoria University of Wellington, New Zealand. His main research interests are the relation between film and tourism; the global dispersal of film production; the history of New Zealand film, and contemporary Italian cinema. He is the author of Touring the Screen: Tourism and New Zealand Film Geographies (2011). Author affiliation details are correct at time of print publication.