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Introduction: 1999–2019, and Beyond: A Post-Kubrickian Odyssey

Jeremi Szaniawski

Jeremi Szaniawski is Assistant Professor of comparative literature and film studies in the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst, USA. He is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

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After Kubrick : A Filmmaker’s Legacy

Bloomsbury Academic, 2020

Book

...We’re all children of Kubrick, aren’t we? Is there anything you can do that he hasn’t done?And the stars look very different today. Black Stars In 1969, the song “Space Oddity,” by a young artist named David Bowie, reached the top...

Stanley Kubrick

Ryan Gilbey

Ryan Gilbey is a freelance film journalist and writes for a variety of publications, including Sight & Sound, the Guardian, Observer and the Sunday Times. He is the former film critic for the Independent. It Don’t Worry Me is his first book. Author affiliation details are correct at time of print publication.

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It Don’t Worry Me : Nashville, Jaws, Star Wars and beyond

Faber and Faber, 2003

Book

...Making Barry Lyndon (1975): Stanley Kubrick directs Ryan O’Neal (as Redmond Barry) and Pat Roach (Toole). Barry Lyndon: the Chevalier de Balibari (Patrick Magee) and Redmond Barry (Ryan O’Neal...

Kubrick at the Museum: Post-Cinematic Conditions, Limitations, and Possibilities

Jihoon Kim

Jihoon Kim is Assistant Professor in the Department of Film Studies at Chung-ang University, South Korea, after teaching in the Division of Broadcast and Cinema Studies at Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. His essays have appeared in Screen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac, and the anthologies Global Art Cinema: New Histories and Theories (2010), and Taking Place: Location and the Moving Image (2011), among others. Author affiliation details are correct at time of print publication.

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After Kubrick : A Filmmaker’s Legacy

Bloomsbury Academic, 2020

Book

...This chapter is a revised and updated version of my publication of the same title in Curator: The Museum Journal 60(4) (2017); 227–47.Following Stanley Kubrick’s passing, one of the projects to celebrate his oeuvre and legacy became...

Introduction

Mark Le Fanu

Mark Le Fanu is a well-known writer on film who has contributed regular pieces and columns to Sight and Sound, Positif and the East-West Review. A former Lecturer in English at the University of Cambridge, he was from 1993-2008 Director of Studies in Film History at the European Film College in Ebeltoft, Denmark. He is the author of The Cinema of Andrei Tarkovsky (1987) and Mizoguchi and Japan (2005), which was shortlisted in its year of publication for the Krazna-Kraus Prize. Author affiliation details are correct at time of print publication.

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Believing in Film : Christianity and Classic European Cinema

I.B. Tauris, 2018

Book

...At some stage in European civilisation, Christianity ceased to be the paramount driving force; it ceased to be both the primary inspiration of art, and the measure of that art’s true value – its final court of appeal, so to speak...
...Translated from the original French by Sally Shafto and Jeremi Szaniawski.In 2017, the Cannes premiere and subsequent release of The Killing of a Sacred Deer, coming on the heels of The Lobster (2015), confirmed the improbable international...

Stanley Kubrick’s Prototypes: The Author as World-Maker

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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After Kubrick : A Filmmaker’s Legacy

Bloomsbury Academic, 2020

Book

...A version of this chapter originally appeared in Kinematograph 20 2004 under the title “Evolutionary Imagineer.” It has been updated and edited for the needs of this collection.Kubrick is like the black slab in 2001: a force of supernatural...

Lolita (1963)

Mark Axelrod

Mark Axelrod is a Full Professor of English & Comparative Literature, and Director of the John Fowles Center for Creative Writing, at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Constructing Dialogue : Screenwriting From Citizen Kane to Midnight in Paris

Bloomsbury Academic, 2014

Book

...Screenplay by Vladimir Nabokov and Stanley KubrickI’ve chosen this scene since it’s actually the one that initiates the entire film even though it doesn’t occur until much later in the film. It is the scene that opens with Humbert...

Early Works (1966–1988)

Joseph G. Kickasola

Joe Kickasola is Assistant Professor of Communication Studies at Baylor University. Author affiliation details are correct at time of print publication.

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The Films of Krzysztof Kieślowski : The Liminal Image

Continuum, 2004

Book

...As discussed, Kieślowski began in documentaries, and this experience exerted considerable influence on his feature filmmaking. What is most clear is that Kieślowski appreciated the immediate powers of the image, even as he debated its...

Love and Death in A. I. Artificial Intelligence

James Naremore

James Naremore is Emeritus Chancellors’ Professor at Indiana University. He is the author of a number of books, including Acting in the Cinema (1988), The Films of Vincente Minnelli (1993), More than Night: Film Noir in its Contexts (1998; 2008) and On Kubrick (2007). Author affiliation details are correct at time of print publication.

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On Kubrick

British Film Institute, 2007

Book

...At the end of the Steven Spielberg/Stanley Kubrick production of A. I. Artificial Intelligence (2001), a blond, innocent-looking boy, played by the remarkable child actor Haley Joel Osment, goes to bed with his beautiful, dark-haired...

Transnational Topographies: Barry Lyndon as Irish Odyssey

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book

...A little bit of Hollywood has fallen off the merry-go-round and landed in Ireland.An innovation every day.In Chapter 3, I argue that succession—which is both a temporal ordering and a process of exchange between generations—structures...