Loading
Loading

Results

Sort By:  1-8 of 8 (1 page)
Results per page:
         

Naked (1993)

Mike Leigh

Born in Salford, Manchester, in 1943, Mike Leigh has developed a unique method of creating films through controlled improvisations. After his debut Bleak Moments (1971) he made a succession of admired TV plays, including Abigail's Party and Nuts in May. He then returned to feature films: High Hopes (1988), Life is Sweet (1990), Naked (1993). Secrets and Lies won the Palme d'Or at Cannes in 1996. Topsy-Turvy (1999) won two Oscars. All or Nothing followed in 2002. Since then he has made the Oscar-nominated Vera Drake (2004), which won the Golden Lion at the Venice Film Festival, Happy-Go-Lucky (2008) and Another Year (2010). He also did Two Thousand Years for the National Theatre in 2005. Author affiliation details are correct at time of print publication.

Search for publications
and

Amy Raphael

Amy Raphael was born in London in 1967. She has worked on The Face, NME, Elle and Esquire and now freelances for the Guardian, the Observer and The Times. Her first book, Never Mind the Bollocks: Women Rewrite Rock, was published by Virago in 1995. She conducted the conversations and edited Mike Leigh on Mike Leigh, which was published by Faber in 2008. She has also contributed to the The Rolling Stone Book of Women in Rock and Perfect Pitch, a series of books about football. Author affiliation details are correct at time of print publication.

Search for publications

Mike Leigh on Mike Leigh

Faber and Faber, 2008

Book chapter

...Down a dark alleyway in Manchester, Johnny (David Thewlis) is having rough sex with a woman. It’s hard to see exactly what is going on, but it’s clear she is starting to object, to struggle. Johnny runs off. He steals a car and drives...

Diverging Trajectories

Christina Gerhardt

Christina Gerhardt is Associate Professor of German at University of Hawai’i at Manoa, USA. Author affiliation details are correct at time of print publication.

Search for publications

Screening the Red Army Faction : Historical and Cultural Memory

Bloomsbury Academic, 2018

Book chapter

...This chapter was generously funded by an appointment as visiting scholar at Harvard University’s Minda de Ginzburg Center for European Studies (2008) and at Columbia University (2008–10). Previous versions of this chapter were presented...

Colour and Suffering

Paul Coates

Paul Coates is Professor in the Film Studies Department of the University of Western Ontario, Canada. He is the author of The Story of the Lost Reflection (1985), The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror (1991) and Cinema, Religion and the Romantic Legacy (2003). Author affiliation details are correct at time of print publication.

Search for publications

Cinema and Colour : The Saturated Image

British Film Institute, 2010

Book chapter

...The gold of your hair MargaretheThe ash of your hair Sulamith. (Paul Celan) A Matter of Life and Death Sometimes, shockingly, the properties of film technology – its powers and inadequacies – can make the difference between life...

Holocaust Documentaries IV: The Poetic Documentary

Aaron Kerner

Aaron Kerner is an Associate Professor in the Cinema Department at San Francisco State University. Author affiliation details are correct at time of print publication.

Search for publications

Film and the Holocaust : New Perspectives on Dramas, Documentaries, and Experimental Films

Continuum, 2011

Book chapter

...Introduction Incongruity and radical juxtaposition are trademarks of the poetic documentary. At the core, then, of the poetic Holocaust documentary are comparative strategies to measure temporal differences, generational differences...

‘I Spy’

Devised and Directed by Mike Leigh

Bloomsbury Academic, 2013

Book chapter

...During the Britpop era of the 1990s, the name of Mike Leigh was invoked regularly both by musicians and the journalists who wrote about them. To compare a band or a record to Mike Leigh was to use a form of cultural shorthand...

Transgression and Transcendence

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

Search for publications

Devised and Directed by Mike Leigh

Bloomsbury Academic, 2013

Book chapter

...Mike Leigh’s films and the characters who populate them have often been described as bleak, dreary, and even miserable, which may be true to a certain extent. But the films, as demonstrated through the rich and realistic characterization...

Introduction

Marc DiPaolo

Marc DiPaolo is Assistant Professor of English and Film at Oklahoma City University, US. Author affiliation details are correct at time of print publication.

Search for publications

Devised and Directed by Mike Leigh

Bloomsbury Academic, 2013

Book chapter

...Renowned for making films that are at once sly domestic satires and heartbreaking ‘social realist’ dramas, British writer-director Mike Leigh confronts his viewers with an un-romanticized dramatization of modern-day society in the hopes...

Independents: ‘To the Rear of the Back End’

Tino Balio

Tino Balio is Emeritus Professor of Communication Arts at the University of Wisconsin-Madison.The 2001 recipient of the inaugural Academy Film Scholar Grant from the Academy of Motion Picture Arts and Sciences, Balio has written widely on the historical development of Hollywoodand the American film industry. He is the author of a two-volume history of United Artists, Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939 (1996), and The Foreign Film Renaissance on American Screens, 1946–1973 (2010). Author affiliation details are correct at time of print publication.

Search for publications

Hollywood in the New Millennium

British Film Institute, 2013

Book chapter

...The independent film market is headquartered in New York City and is run by numerous small distributors who typically acquire their pictures as pickups at film festivals. The term ‘independent’ has meant different things at different times...