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The Representation of Time as Death: Authentic Being in Tokyo Story and Last Year at Marienbad

Ozu International : Essays on the Global Influences of a Japanese Auteur

Bloomsbury Academic, 2015

Book chapter

...The experience of existence is predicated on a constant one-way flow of time, and experiencing it continuously, without reversing its course or repeating the same period of duration. Although time is experienced ecstatically, where...

In Yoko’s Room: Hou, Ozu, and the Poetics of Space

Ozu International : Essays on the Global Influences of a Japanese Auteur

Bloomsbury Academic, 2015

Book chapter

...On the occasion of Ozu’s centenary year in 2003, the Shochiku Company planned various projects and events in Japan and throughout the rest of the world. Taiwanese filmmaker Hsiao-hsien Hou joined the Ozu centennial symposium in Tokyo...

Introduction

Wayne Stein

Wayne Stein is a Professor in the English Department at the University of Central Oklahoma, USA, where he teaches classes on Kurosawa, Japanese horror, Vietnam War cinema. He’s co-authored readers, Fresh Takes (2009) and Strategems (2008) and has written various chapters in books and encyclopedias on Asian American literature and Asian cinema. Author affiliation details are correct at time of print publication.

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Marc DiPaolo

Marc DiPaolo is Assistant Professor of English and Film at Oklahoma City University, US. Author affiliation details are correct at time of print publication.

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Ozu International : Essays on the Global Influences of a Japanese Auteur

Bloomsbury Academic, 2015

Book chapter

...This book is a study of the director who made the greatest film of all time.In 2012, Sight and Sound’s poll of directors named Tokyo Story (1953) the best film ever made. Halliwell’s Film Guide has shared this sentiment. The film has grown...

Too Slow to Handle? Ozu, Malick, and the Art-House Family Drama

Ozu International : Essays on the Global Influences of a Japanese Auteur

Bloomsbury Academic, 2015

Book chapter

...Is Ozu slow? This question was the title of a lecture film critic Jonathan Rosenbaum gave on Yasujiro Ozu in 1998. Building on the quantitative analysis of Ozu’s films by David Bordwell, Rosenbaum once more defended the director against...

Kenji Mizoguchi and his Women

Catherine Russell

Catherine Russell is Professor of Film Studies at the Mel Hoppenheim School of Cinema at Concordia University, Canada. Author affiliation details are correct at time of print publication.

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Classical Japanese Cinema Revisited

Continuum, 2011

Book chapter

...As an auteur, Mizoguchi is known mainly for two recurring features over his 24-year career: long, fluid camera movements and suffering women. He excelled in jidai-geki, although he worked in both gendaigeki and jidai-geki genres. His...

The Classical, the Modern and Japanese Cinema in the Global System

Catherine Russell

Catherine Russell is Professor of Film Studies at the Mel Hoppenheim School of Cinema at Concordia University, Canada. Author affiliation details are correct at time of print publication.

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Classical Japanese Cinema Revisited

Continuum, 2011

Book chapter

...Japanese cinema has often been thought of as an “other” to Hollywood classical cinema, exhibiting a stylistic alternative to the narrative realism associated with the American industry.The key influential text in this regard is Noël Burch...

Mikio Naruse: A Japanese Woman's Cinema

Catherine Russell

Catherine Russell is Professor of Film Studies at the Mel Hoppenheim School of Cinema at Concordia University, Canada. Author affiliation details are correct at time of print publication.

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Classical Japanese Cinema Revisited

Continuum, 2011

Book chapter

...The long career of Mikio Naruse provides many insights into classical Japanese cinema as a commercial industry and as a cultural practice. Naruse has long been recognized in Japan as the “number four” director, but it has taken many decades...

Tokyo Twilight: Alienation, Belonging, and the Fractured Family

Ozu International : Essays on the Global Influences of a Japanese Auteur

Bloomsbury Academic, 2015

Book chapter

...Yasujiro Ozu directed thirty-nine films between 1927 and the end of the Asia Pacific War. During the seven years of occupation that followed Japan’s surrender, he directed six more under American censorship.On the effects of censorship...

A Sensitivity to Things: Mono no aware in Late Spring and Equinox Flower

Ozu International : Essays on the Global Influences of a Japanese Auteur

Bloomsbury Academic, 2015

Book chapter

...Ozu’s films paradoxically tend to be viewed, correctly or not, as either typically, and traditionally, Japanese, or as the hallmark of an international modernist sensibility. Of this situation, Scott Nygren writes, “the paradox of Ozu...

Tokyo Is a Nice Place: The Suburban, the Urban, and the Space in Between in Early Ozu

Ozu International : Essays on the Global Influences of a Japanese Auteur

Bloomsbury Academic, 2015

Book chapter

...Yasujiro Ozu and cinematic urbanism are not subjects that have been regularly paired for analysis. However, many of the director’s films take place in the Japanese capital and essentially chart its development in both prewar and postwar...