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Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, with research interests including screenwriting, prose fiction, radio drama, popular music, the practice of film production, short film production and distribution, narratology and the theory and practice of comedy. Author affiliation details are correct at time of print publication.

John Marland is a Senior Lecturer in Literature Studies at York St John University with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production. Author affiliation details are correct at time of print publication.

Murray Pomerance is an independent scholar living in Toronto, Canada. He is the editor of the Techniques of the Moving Image series and the Horizons of Cinema series, and co-editor, with Lester D. Friedman and Adrienne L. McLean respectively, of the Screen Decades and Star Decades series. Pomerance has written, edited and co-edited several books, including Virtuoso: Film Performance and the Actor’s Magic (2019), A Dream of Hitchcock (2019), Cinema, If You Please (2018), Moment of Action (2016), Alfred Hitchcock's America (2013), The Horse who Drank the Sky: Film Experience beyond Narrative and Theory (2008), and two BFI Classics on Marnie (2014) and The Man Who Knew Too Much (2016). Author affiliation details are correct at time of print publication.

Murray Pomerance is an independent scholar living in Toronto, Canada. He is the editor of the Techniques of the Moving Image series and the Horizons of Cinema series, and co-editor, with Lester D. Friedman and Adrienne L. McLean respectively, of the Screen Decades and Star Decades series. Pomerance has written, edited and co-edited several books, including Virtuoso: Film Performance and the Actor’s Magic (2019), A Dream of Hitchcock (2019), Cinema, If You Please (2018), Moment of Action (2016), Alfred Hitchcock's America (2013), The Horse who Drank the Sky: Film Experience beyond Narrative and Theory (2008), and two BFI Classics on Marnie (2014) and The Man Who Knew Too Much (2016). Author affiliation details are correct at time of print publication.

Robert J. Kiss

Frances L. Restuccia is an English Professor at Boston College, where she teaches contemporary literary and cultural theory, the modern novel, the world novel, and film/film theory. She is the author of Amorous Acts: Lacanian Ethics in Modernism, Film, and Queer Theory (Stanford UP). Author affiliation details are correct at time of print publication.

Philip J. Skerry is Professor Emeritus at Lakeland Community College, Ohio, USA, and is the author of Psycho in the Shower: The History of Cinema’s Most Famous Scene (2009), as well as numerous articles for scholarly journals. He lives with his wife Amy, a therapist, in Beachwood, Ohio, USA. Author affiliation details are correct at time of print publication.

Philip J. Skerry is Professor Emeritus at Lakeland Community College, Ohio, USA, and is the author of Psycho in the Shower: The History of Cinema’s Most Famous Scene (2009), as well as numerous articles for scholarly journals. He lives with his wife Amy, a therapist, in Beachwood, Ohio, USA. Author affiliation details are correct at time of print publication.

Frances L. Restuccia is an English Professor at Boston College, where she teaches contemporary literary and cultural theory, the modern novel, the world novel, and film/film theory. She is the author of Amorous Acts: Lacanian Ethics in Modernism, Film, and Queer Theory (Stanford UP). Author affiliation details are correct at time of print publication.

Philip J. Skerry is Professor Emeritus at Lakeland Community College, Ohio, USA, and is the author of Psycho in the Shower: The History of Cinema’s Most Famous Scene (2009), as well as numerous articles for scholarly journals. He lives with his wife Amy, a therapist, in Beachwood, Ohio, USA. Author affiliation details are correct at time of print publication.

Frances L. Restuccia is an English Professor at Boston College, where she teaches contemporary literary and cultural theory, the modern novel, the world novel, and film/film theory. She is the author of Amorous Acts: Lacanian Ethics in Modernism, Film, and Queer Theory (Stanford UP). Author affiliation details are correct at time of print publication.