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Representing the Body in Cyberspace: Riefenstahl's Self-staging (Notes on Leni Riefenstahl's Web Page)

Martina Thiele

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Martina Thiele

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Ingeborg Majer-O'Sickey

Ingeborg Majer-O'Sickey

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Neil Christian Pages

Neil Christian Pages is Assistant Professor of German and Comparative Literature at the Binghamton University SUNY, where he teaches courses in literary theory, cultural history, and European literature. His publications include essays on Kierkegaard, Nietzsche, Georg Brandes, and W.G. Sebald. He is currently at work on a manuscript on memorials, public memory and other acts of commemoration, tentatively titled On Commemoration: Memory.Identity.Ideology. Author affiliation details are correct at time of print publication.

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Riefenstahl Screened : An Anthology of New Criticism

Continuum, 2008

Book chapter

...I. From the depth of the sea a body glides upward into brilliant blue light: This is Leni Riefenstahl. The scene is from her last film, Impressions under Water, broadcast by the Arte television channel in 2002 in honor of her one hundredth...

Fernando León De Aranoa

Kevin Conroy Scott

Kevin Conroy Scott is the director of the Tibor Jones authors’ agency. He is the editor of Screenwriters’ Masterclass Author affiliation details are correct at time of print publication.

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Screenwriters’ Masterclass : Screenwriters Talk About Their Greatest Movies

Faber & Faber, 2010

Book chapter

...Fernando León de Aranoa‘When things aren’t working, it’s like walking through a desert, you don’t like it but you keep walking.’Fernando León has written and directed three feature films: Familia (1996), Barrio (1996) and Los Lunes al Sol...

Carlos Cuarón

Kevin Conroy Scott

Kevin Conroy Scott is the director of the Tibor Jones authors’ agency. He is the editor of Screenwriters’ Masterclass Author affiliation details are correct at time of print publication.

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Screenwriters’ Masterclass : Screenwriters Talk About Their Greatest Movies

Faber & Faber, 2010

Book chapter

...Carlos Cuarón‘Left-wing chicks are hot, dude.’ Julio (Gael García Bernal) and Tenoch (Diego Luna) share a joint with Luisa (Maribel Verdú).‘I wanted to be García Márquez, man!’ At the 2003 Academy Awards Carlos Cuarón and his older brother,...

Wonderful, Horrible Lies: Riefenstahl Memory and Riefenstahl History in Germany

Riefenstahl Screened : An Anthology of New Criticism

Continuum, 2008

Book chapter

...The research and writing of this essay has been generously supported by the Jena Center for Twentieth Century History at the Friedrich-Schiller-Universität Jena. I am especially indebted to the director of the center, Norbert Frei...

Michael Tolkin

Kevin Conroy Scott

Kevin Conroy Scott is the director of the Tibor Jones authors’ agency. He is the editor of Screenwriters’ Masterclass Author affiliation details are correct at time of print publication.

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Screenwriters’ Masterclass : Screenwriters Talk About Their Greatest Movies

Faber & Faber, 2010

Book chapter

...Peter (Peter Weller) and Katherine (Judy Davis) ponder life without money and spirituality.‘Most of the time we’re making bad decisions and running out of money.’ Michael Tolkin is probably most famous for adapting his novel The Player...

Reading Rammstein, Remembering Riefenstahl: “Fascist Aesthetics” and German Popular Culture

Riefenstahl Screened : An Anthology of New Criticism

Continuum, 2008

Book chapter

...“Rammstein sucks. Everyone knows it. And it is linked to the aesthetically clueless and historically insane Leni Riefenstahl revivals in videos, Nike ads, or symposia and retrospectives in Potsdam.”“Rammstein sucks. Jeder weiss das. Und...

Guillermo Arriaga

Kevin Conroy Scott

Kevin Conroy Scott is the director of the Tibor Jones authors’ agency. He is the editor of Screenwriters’ Masterclass Author affiliation details are correct at time of print publication.

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Screenwriters’ Masterclass : Screenwriters Talk About Their Greatest Movies

Faber & Faber, 2010

Book chapter

...Guillermo Arriaga‘Each one is a son of a bitch.’ El Chivo (Emilio Echevarría) waits for the right moment to re-enter his daughter’s life.‘You do not choose what you write, it chooses you.’Guillermo Arriaga is the author of three novels...

Control and Consumption: The Photographs of Leni Riefenstahl

Riefenstahl Screened : An Anthology of New Criticism

Continuum, 2008

Book chapter

...In a 1997 interview with the German newsmagazine Der Spiegel, Leni Riefenstahl asserted that she wanted to make “the beautiful” visible to people and to thereby rescue it.Mathias Schreiber and Susanne Weingarten, “Realität interessiert mich...

Introduction: Screening Riefenstahl—Riefenstahl Screened

Neil Christian Pages

,

Neil Christian Pages is Assistant Professor of German and Comparative Literature at the Binghamton University SUNY, where he teaches courses in literary theory, cultural history, and European literature. His publications include essays on Kierkegaard, Nietzsche, Georg Brandes, and W.G. Sebald. He is currently at work on a manuscript on memorials, public memory and other acts of commemoration, tentatively titled On Commemoration: Memory.Identity.Ideology. Author affiliation details are correct at time of print publication.

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Mary Rhiel

Mary Rhiel is Associate Professor of German at the University of New Hampshire.In tandem with her interests in German film and colonial narratives, particularly those set in China, she has published on German film and on the problems of biography. Her publications include Re-Viewing Kleist: The Discursive Construction of Authorial Subjectivity in West German Kleist Films (Peter Lang, 1991) and the co-edited volume The Seductions of Biography (Routledge, 1996). She has published on teaching Riefenstahl in the journal Unterrichtspraxis. Author affiliation details are correct at time of print publication.

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Ingeborg Majer-O’Sickey

Ingeborg Majer O'Sickey is Associate Professor of German and Women's Studies at Binghamton University SUNY. Her publications include numerous articles on German film as well as the co-edited volumes Triangulated Visions: Women in Recent German Cinema (SUNY Press, 1998) and Subversive Subjects: Reading Marguerite Yourcenar (FDU Press, 2004). Her current book project, Women in Nazi Cinema: Engendering Heimat, Genderizing Nation, is forthcoming in 2006 (Berghahn). Her scholarly and teaching interests in contemporary feminist cultural theories, which she mobilizes in order to read cinematic representations of femininities, meld with her work in German literature and culture. Author affiliation details are correct at time of print publication.

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Riefenstahl Screened : An Anthology of New Criticism

Continuum, 2008

Book chapter

...This anthology emerged from our assumption that there were enough monographs and biographies of Leni Riefenstahl, but that there was a dearth of critical, scholarly volumes dealing with her work and persona. Predicting that the biography...

Paul Laverty

Kevin Conroy Scott

Kevin Conroy Scott is the director of the Tibor Jones authors’ agency. He is the editor of Screenwriters’ Masterclass Author affiliation details are correct at time of print publication.

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Screenwriters’ Masterclass : Screenwriters Talk About Their Greatest Movies

Faber & Faber, 2010

Book chapter

...Paul Laverty‘I fucking love you, I need you, you’re the only person I got in my life.’ Liam (Martin Compston) studies the River Clyde and plans for his family’s future.‘Did you mean to set out to make a sixty million dollar propaganda...