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Ryan Gilbey is a freelance film journalist and writes for a variety of publications, including Sight & Sound, the Guardian, Observer and the Sunday Times. He is the former film critic for the Independent. It Don’t Worry Me is his first book. Author affiliation details are correct at time of print publication.

Ryan Gilbey is a freelance film journalist and writes for a variety of publications, including Sight & Sound, the Guardian, Observer and the Sunday Times. He is the former film critic for the Independent. It Don’t Worry Me is his first book. Author affiliation details are correct at time of print publication.

Julie MacLusky is Assistant Professor of Screenwriting at Chapman University. Several of her short stories have been published in anthologies, and she has also writen and produced documentaries for BBC radio. Author affiliation details are correct at time of print publication.

Julie MacLusky is Assistant Professor of Screenwriting at Chapman University. Several of her short stories have been published in anthologies, and she has also writen and produced documentaries for BBC radio. Author affiliation details are correct at time of print publication.

Julie MacLusky is Assistant Professor of Screenwriting at Chapman University. Several of her short stories have been published in anthologies, and she has also writen and produced documentaries for BBC radio. Author affiliation details are correct at time of print publication.

Julie MacLusky is Assistant Professor of Screenwriting at Chapman University. Several of her short stories have been published in anthologies, and she has also writen and produced documentaries for BBC radio. Author affiliation details are correct at time of print publication.

Julie MacLusky is Assistant Professor of Screenwriting at Chapman University. Several of her short stories have been published in anthologies, and she has also writen and produced documentaries for BBC radio. Author affiliation details are correct at time of print publication.

Brad Prager is Associate Professor of German and a member of the Program in Film Studies at the University of Missouri. He is the author of The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth (2007) and Aesthetic Vision and German Romanticism: Writing Images (2007). He is also the coeditor of a volume on Visual Studies and the Holocaust entitled Visualizing the Holocaust: Documents, Aesthetics, Memory (2008), as well as of a recent volume on contemporary German cinema, and is the editor of Wiley-Blackwell’s Companion to Werner Herzog(2012). Author affiliation details are correct at time of print publication.

Brad Prager is Associate Professor of German and a member of the Program in Film Studies at the University of Missouri. He is the author of The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth (2007) and Aesthetic Vision and German Romanticism: Writing Images (2007). He is also the coeditor of a volume on Visual Studies and the Holocaust entitled Visualizing the Holocaust: Documents, Aesthetics, Memory (2008), as well as of a recent volume on contemporary German cinema, and is the editor of Wiley-Blackwell’s Companion to Werner Herzog(2012). Author affiliation details are correct at time of print publication.

Brad Prager is Associate Professor of German and a member of the Program in Film Studies at the University of Missouri. He is the author of The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth (2007) and Aesthetic Vision and German Romanticism: Writing Images (2007). He is also the coeditor of a volume on Visual Studies and the Holocaust entitled Visualizing the Holocaust: Documents, Aesthetics, Memory (2008), as well as of a recent volume on contemporary German cinema, and is the editor of Wiley-Blackwell’s Companion to Werner Herzog(2012). Author affiliation details are correct at time of print publication.