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Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

Jeff Rush is an associate professor at Temple University's Department of Film & Media Arts. He has served as director of the MFA program and as Department Chair in Film & Media Arts. He received an MFA in Screenwriting and Directing from the American Film Institute and an MFA in Fiction Writing from the University of Iowa's Writer's Workshop. In addition to teaching, Jeff has worked as a freelance screenwriter and has published numerous articles and books. Author affiliation details are correct at time of print publication.

Ryan Gilbey is a freelance film journalist and writes for a variety of publications, including Sight & Sound, the Guardian, Observer and the Sunday Times. He is the former film critic for the Independent. It Don’t Worry Me is his first book. Author affiliation details are correct at time of print publication.

Ryan Gilbey is a freelance film journalist and writes for a variety of publications, including Sight & Sound, the Guardian, Observer and the Sunday Times. He is the former film critic for the Independent. It Don’t Worry Me is his first book. Author affiliation details are correct at time of print publication.

Julie MacLusky is Assistant Professor of Screenwriting at Chapman University. Several of her short stories have been published in anthologies, and she has also writen and produced documentaries for BBC radio. Author affiliation details are correct at time of print publication.

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Publications include Screenwriting (2009) and Directing Fiction (2010) and most recently the second edition of The Language of Film(Bloomsbury, 2015). Research projects include work on Hitchcock and Herrmann, contemporary television and Top Gear. Robert was a co-editor of The Music Documentary: Acid Rock to Electropop (2013). Author affiliation details are correct at time of print publication.

Lenore DeKoven has had a distinguished and varied career in film, theatre, and television on both east and west coasts. From 1988 to 2008, she taught in the Graduate Film Division of Columbia University’s School of the Arts, and has also taught at UCLA and New York University. She is a member of the Directors Guild of America, a former Vice President of the League of Professional Theatre Women, was one of the Founders of NY Women in Film and TV, and has directed and produced plays and television in New York and LA. In 1981, DeKoven created Our Workshop East, a development gym for actors, writers, and directors. Author affiliation details are correct at time of print publication.

Julie MacLusky is Assistant Professor of Screenwriting at Chapman University. Several of her short stories have been published in anthologies, and she has also writen and produced documentaries for BBC radio. Author affiliation details are correct at time of print publication.

Julie MacLusky is Assistant Professor of Screenwriting at Chapman University. Several of her short stories have been published in anthologies, and she has also writen and produced documentaries for BBC radio. Author affiliation details are correct at time of print publication.

Brad Prager is Associate Professor of German and a member of the Program in Film Studies at the University of Missouri. He is the author of The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth (2007) and Aesthetic Vision and German Romanticism: Writing Images (2007). He is also the coeditor of a volume on Visual Studies and the Holocaust entitled Visualizing the Holocaust: Documents, Aesthetics, Memory (2008), as well as of a recent volume on contemporary German cinema, and is the editor of Wiley-Blackwell’s Companion to Werner Herzog(2012). Author affiliation details are correct at time of print publication.

Julie MacLusky is Assistant Professor of Screenwriting at Chapman University. Several of her short stories have been published in anthologies, and she has also writen and produced documentaries for BBC radio. Author affiliation details are correct at time of print publication.