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A Cinema of Abjection?

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

...Two films from Cannes Two films that prompted much discussion at the 2016 Cannes Festival were the Palme d’Or winner, Ken Loach’s I, Daniel Blake, and the surprise of the festival...

Black Suns and a Bright Planet

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

...End-of-the-world movies Asked in an interview about the future of humanity, German director Werner Herzog gave a terse reply: ‘I’m convinced that our presence on this planet is not sustainable, so we will be extinct fairly soon ....

Film as Thought Experiment

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

...The previous chapters sketched the general background that led film studies to turn to philosophy. They also outlined some of the reasons that make new thinking about European cinema both possible and necessary, and signalled the need...

Exotic Objects

Elizabeth Ezra

Elizabeth Ezra is Professor of Cinema and Culture at the University of Stirling in Scotland. Major publications include: The Colonial Unconscious (2000); Georges Méliès: The Birth of the Auteur (2000); Jean-Pierre Jeunet (2008); European Cinema (2004); and Transnational Cinema: The Film Reader (2006) as well as numerous contributions to scholarly journals including Screen and Yale French Studies. Current work includes projects on screen tests and on the posthuman in children's literature and cinema. Author affiliation details are correct at time of print publication.

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The Cinema of Things : Globalization and the Posthuman Object

Bloomsbury Academic, 2017

Book chapter

...In the climax of Micmacs, the homeless band hoodwinks the arms dealers into thinking they are in the Middle East, when in fact they have never left the outskirts of Paris. A similar play of distance and proximity is at work...

Feminism and Cléo from 5 to 7

Hilary Neroni

Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

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Feminist Film Theory and Cléo from 5 to 7

Bloomsbury Academic, 2016

Book chapter

...The roles of women Released in 1962, Agnès Varda’s Cléo de 5 à 7 (Cléo from 5 to 7) appeared before the majority of the developments of feminist theory that I’ve discussed in the previous chapter. As we will see in the following filmic...

Conclusion

Hilary Neroni

Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

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Feminist Film Theory and Cléo from 5 to 7

Bloomsbury Academic, 2016

Book chapter

...Wandering through the streets of Paris, Agnès Varda reveals to the spectator her own questions about being a woman. In Cléo from 5 to 7, she situates Cléo (Corinne Marchand) in spaces filled with possibility and restriction, asking us...

Feminist Film Theory

Hilary Neroni

Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

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Feminist Film Theory and Cléo from 5 to 7

Bloomsbury Academic, 2016

Book chapter

...Feminism and identification There is, of course, neither one type of feminism nor one type of feminist film theory. Most major ideas within feminist film theory inspire various competing positions. Nonetheless, it is this very struggle...

Introduction

Hilary Neroni

Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

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Feminist Film Theory and Cléo from 5 to 7

Bloomsbury Academic, 2016

Book chapter

...In 2015, the Cannes Film Festival awarded French filmmaker Agnès Varda an honorary Palme d’Or, the highest honor at the festival. Cannes gives the honorary Palme d’Or as a lifetime achievement award, and Varda was the first female filmmaker...

Irreconcilable Differences

Charles Drazin

Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.

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The Faber Book of French Cinema

Faber & Faber, 2011

Book chapter

...The last year of the Occupation weighed heavily on the French film industry. On the one hand power cuts and the scarcity of materials made film-making increasingly difficult, while on the other air bombardment and raids by the German...

The Professional

Charles Drazin

Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.

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The Faber Book of French Cinema

Faber & Faber, 2011

Book chapter

...Le Figaro littéraire, 7 November 1967If I was an architect and I had to build a palace to the cinema, I would put at its entrance a statue of Duvivier.To understand Renoir’s comment it helps to imagine what his palace of the cinema would...