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HERE—Locating the Cinematic

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...Walking into a modern museum exhibition running a show where many sounds and images are projected can now be an overwhelming experience. This is particularly the case when these sounds and images are not separated but overlap, so...

Me—Situating Cinematic Presence

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...A large black shadow dances on a highly illuminated surface, a building façade consisting of one square plane and two more or less triangular planes. In the shadow a reflection, not of the person casting the shadow but rather a residue...

NOW—Navigating Cinematic Time

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...Thus begins Robert Jan Westdijk’s film Zusje (NL, Little Sister 1995—Figures 2.1–2.6). The film is seemingly shot from the perspective of Martijn’s home video camera, with which he travels from London to Amsterdam to make a film about his...

Coda—Flash Forward

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...In this book I have made a case for analyzing the chronotopes of the cinematic as affective encounters in space-time. I have argued that, while the site of cinema is on the move, the extent to which technologically mediated sounds...

Introduction

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

Search for publications

Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...In 2009 Philips released an online advertisement entitled Carousel for their 21:9 “cinema proportioned” LCD television, directed by Adam Berg in collaboration with Stink Digital. A single continuous tracking shot, the advertisement takes...

No ‘exprmnts’

Wim Wenders

Wim Wenders is the distinguished director of Paris, Texas and Wings of Desire, as well as The American Friend. For Faber he has published three volumes of essays, which have been collected together into one volume, titled On Film. He has also written My Time with Antonioni, which chronicles his experience working with Antonioni on Beyond the Clouds. Author affiliation details are correct at time of print publication.

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On Film

Faber and Faber Limited, 2001

Book chapter

...Experiments at staying awake; not giving up hope of seeing a good film; pushing through a narrow door into the big auditorium over and over again, only to leave it disappointed after two minutes.The décor in the Knokke Casino was far more...

I’m movin’ on (BMI 2:50)

Wim Wenders

Wim Wenders is the distinguished director of Paris, Texas and Wings of Desire, as well as The American Friend. For Faber he has published three volumes of essays, which have been collected together into one volume, titled On Film. He has also written My Time with Antonioni, which chronicles his experience working with Antonioni on Beyond the Clouds. Author affiliation details are correct at time of print publication.

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On Film

Faber and Faber Limited, 2001

Book chapter

...Even for someone who has looked at the stills on display in the foyer and decided just to gaze fanatically at Elvis Presley, the film Charro! is almost unbearably depressing because Elvis doesn’t even appear in it. The only thing you see...

For (not about) Ingmar Bergman

Wim Wenders

Wim Wenders is the distinguished director of Paris, Texas and Wings of Desire, as well as The American Friend. For Faber he has published three volumes of essays, which have been collected together into one volume, titled On Film. He has also written My Time with Antonioni, which chronicles his experience working with Antonioni on Beyond the Clouds. Author affiliation details are correct at time of print publication.

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On Film

Faber and Faber Limited, 2001

Book chapter

...It seems to me presumptuous to try to write or say anything about Ingmar Bergman, and any account is an impertinence: these films stand alone like great beacons in film history. There is nothing one would welcome so much as their liberation...

On Television: Furchtlosen Flieger (The Fearless Fliers)

Wim Wenders

Wim Wenders is the distinguished director of Paris, Texas and Wings of Desire, as well as The American Friend. For Faber he has published three volumes of essays, which have been collected together into one volume, titled On Film. He has also written My Time with Antonioni, which chronicles his experience working with Antonioni on Beyond the Clouds. Author affiliation details are correct at time of print publication.

Search for publications

On Film

Faber and Faber Limited, 2001

Book chapter

...In the last week I’ve seen two films about airmen: Only Angels Have Wings by Howard Hawks and Die Furchtlosen Flieger (The Fearless Fliers) by Veith von Fürstenberg and Martin Müller.The airmen in the Hawks film get into difficulties mostly...

Réunion – blanche neige

Wim Wenders

Wim Wenders is the distinguished director of Paris, Texas and Wings of Desire, as well as The American Friend. For Faber he has published three volumes of essays, which have been collected together into one volume, titled On Film. He has also written My Time with Antonioni, which chronicles his experience working with Antonioni on Beyond the Clouds. Author affiliation details are correct at time of print publication.

Search for publications

On Film

Faber and Faber Limited, 2001

Book chapter

...Jean-Paul Belmondo switches off the bedside lamp. Marion and Louis are lying in the dark room. The camera is in the dark. It’s doing what your eyes do if you suddenly step out of the light into a dark room: they slowly adapt themselves...