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Me—Situating Cinematic Presence

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...A large black shadow dances on a highly illuminated surface, a building façade consisting of one square plane and two more or less triangular planes. In the shadow a reflection, not of the person casting the shadow but rather a residue...

NOW—Navigating Cinematic Time

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...Thus begins Robert Jan Westdijk’s film Zusje (NL, Little Sister 1995—Figures 2.1–2.6). The film is seemingly shot from the perspective of Martijn’s home video camera, with which he travels from London to Amsterdam to make a film about his...

HERE—Locating the Cinematic

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...Walking into a modern museum exhibition running a show where many sounds and images are projected can now be an overwhelming experience. This is particularly the case when these sounds and images are not separated but overlap, so...

Coda—Flash Forward

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...In this book I have made a case for analyzing the chronotopes of the cinematic as affective encounters in space-time. I have argued that, while the site of cinema is on the move, the extent to which technologically mediated sounds...

Introduction

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...In 2009 Philips released an online advertisement entitled Carousel for their 21:9 “cinema proportioned” LCD television, directed by Adam Berg in collaboration with Stink Digital. A single continuous tracking shot, the advertisement takes...

The 10th Kinks LP – the 51st Alfred Hitchcock Film – the 4th Creedence Clearwater Revival LP – the 3rd Harvey Mandel LP

Wim Wenders

Wim Wenders is the distinguished director of Paris, Texas and Wings of Desire, as well as The American Friend. For Faber he has published three volumes of essays, which have been collected together into one volume, titled On Film. He has also written My Time with Antonioni, which chronicles his experience working with Antonioni on Beyond the Clouds. Author affiliation details are correct at time of print publication.

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On Film

Faber and Faber Limited, 2001

Book chapter

...With a lot of experiences you know beforehand that they’ll be so new and, at the same time, so familiar that you’re a little scared actually to go through with them.Suddenlyin a record shop where I didn’t even want to buy a record, I see...

The men in the rodeo arena: Lusty

Wim Wenders

Wim Wenders is the distinguished director of Paris, Texas and Wings of Desire, as well as The American Friend. For Faber he has published three volumes of essays, which have been collected together into one volume, titled On Film. He has also written My Time with Antonioni, which chronicles his experience working with Antonioni on Beyond the Clouds. Author affiliation details are correct at time of print publication.

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On Film

Faber and Faber Limited, 2001

Book chapter

...The Lusty Men is a black-and-white film made by Nicholas Ray in 1951 under the title Cowpoke for the producer Howard Hughes, with Susan Hayward, Robert Mitchum and Arthur Kennedy in the leading roles. For a year the film was kept on ice...

PanAm makes the big flight

Wim Wenders

Wim Wenders is the distinguished director of Paris, Texas and Wings of Desire, as well as The American Friend. For Faber he has published three volumes of essays, which have been collected together into one volume, titled On Film. He has also written My Time with Antonioni, which chronicles his experience working with Antonioni on Beyond the Clouds. Author affiliation details are correct at time of print publication.

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On Film

Faber and Faber Limited, 2001

Book chapter

...On the back of the new Bob Dylan album Nashville Skyline you can see a panorama of Nashville, Tennessee, and the image of the city is as deserted and peaceful as Bob Dylan’s new songs.In Melville’s film L’Aîné des Ferchaux...

Religion, Community, and Revitalization: Why Cinematic Myth Resonates

Jacking In to the Matrix Franchise : Cultural Reception and Interpretation

Continuum, 2004

Book chapter

...In 1999, four professors, including myself, from a small, Christian, liberal arts university in eastern Tennessee, sneaked out of our hotel rooms one evening, piled into one car, and hurriedly drove several miles to see The Matrix. We were...

That’s entertainment: Hitler

Wim Wenders

Wim Wenders is the distinguished director of Paris, Texas and Wings of Desire, as well as The American Friend. For Faber he has published three volumes of essays, which have been collected together into one volume, titled On Film. He has also written My Time with Antonioni, which chronicles his experience working with Antonioni on Beyond the Clouds. Author affiliation details are correct at time of print publication.

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On Film

Faber and Faber Limited, 2001

Book chapter

...Joachim C. Fest and Christian Herrendoerfer’s Hitler film had its first showing at the film festival in Berlin. Looking at the programme full of ringing statements, I was full of expectation. I read: ‘This film shows the Hitler period...