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Theoretical trajectories in the age of late cinema: Time and space

Bruce Isaacs

Bruce Isaacs is a Lecturer in Film Studies at the University of Sydney, Australia. He has published widely on film history and theory. Author affiliation details are correct at time of print publication.

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The Orientation of Future Cinema : Technology, Aesthetics, Spectacle

Bloomsbury Academic, 2013

Book chapter

...The unfortunate burden of time For a filmmaker, you could say that time is of the essence and is everywhere inscribed into film in a complex and metaphorical manner … Basically, a filmmaker constructs a ‘sense of time’ and a ‘sense...

Air Force One: Eight Sequences Eight Miles Up

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

...In this 1997 film, screenwriter Andrew Marlowe and director Wolfgang Petersen teamed to create a polished and sophisticated thriller that demonstrates effective use of the four main tools, with dramatic and ironic tension building across...

Lawrence of Arabia: Sixteen Sequences and an Intermission

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

...Because of its length, Lawrence of Arabia stretches the limits of the dramatic form. As first noted by Aristotle and reinforced by others, one aspect that distinguishes drama from the novel and other long narrative forms...

The autonomous image of cinema

Bruce Isaacs

Bruce Isaacs is a Lecturer in Film Studies at the University of Sydney, Australia. He has published widely on film history and theory. Author affiliation details are correct at time of print publication.

Search for publications

The Orientation of Future Cinema : Technology, Aesthetics, Spectacle

Bloomsbury Academic, 2013

Book chapter

...The image as object in reproduction I will propose that film be seen instead as an immanent set of processes, specifically as a series of relational processes and hybrid contexts comprising the artists’ and audience’s psychologies...

Double Indemnity: Flashback to the Future

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

...Released in 1944 as a much-anticipated cinematic adaptation of a James M. Cain novel considered too risqué for the screen, Double Indemnity wound up winning several Academy Awards, among them Best Screenplay. It is noteworthy...

Comedy-Centered & Romantic Comedy Genres

Stephen V. Duncan

Stephen Duncan is an Associate Professor, and currently Chair of the Screenwriting Department, at Loyola Marymount University. Author affiliation details are correct at time of print publication.

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Genre Screenwriting : How to Write Popular Screenplays That Sell

Continuum, 2008

Book chapter

...Make ’Em Laugh EXT. CHICAGO MEAT SLAUGHTER DISTRICT - DAY The rent-a-wreck truck leaves behind the CATTLE WREAKING A TRAIL OF DESTRUCTION . . . INT. RENT-A-WRECK TRUCK - MOVING - DAY Andrew (30, African American, handsome), Whitney...

North by Northwest: 1,700 Miles in Nine Sequences

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

...All writers should be aware of the profound distinction between a story (narrative) and the telling of a story (narration). A single story can be told any number of different ways, primarily by manipulating what the audience knows and when...

Neo-baroque form: Excess and disambiguation

Bruce Isaacs

Bruce Isaacs is a Lecturer in Film Studies at the University of Sydney, Australia. He has published widely on film history and theory. Author affiliation details are correct at time of print publication.

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The Orientation of Future Cinema : Technology, Aesthetics, Spectacle

Bloomsbury Academic, 2013

Book chapter

...The blockbuster auteur: On the cinema of Steven Spielberg What role can a single director play in changing the course of Hollywood film history?Buckland, Directed by Steven Spielberg, 13. In this chapter, I continue my examination...

The Basic Concepts of Dramatic Screenwriting

Stephen V. Duncan

Stephen Duncan is an Associate Professor, and currently Chair of the Screenwriting Department, at Loyola Marymount University. Author affiliation details are correct at time of print publication.

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Genre Screenwriting : How to Write Popular Screenplays That Sell

Continuum, 2008

Book chapter

...THERE ARE MANY COMPREHENSIVE BOOKS on the fundamentals of writing a screenplay.Among the many books on screenwriting is one of my own: A Guide to Screenwriting Success: Writing for Film & Television (Rowman-Littlefield Publishers, Inc.,...

New cinematic imaginaries

Bruce Isaacs

Bruce Isaacs is a Lecturer in Film Studies at the University of Sydney, Australia. He has published widely on film history and theory. Author affiliation details are correct at time of print publication.

Search for publications

The Orientation of Future Cinema : Technology, Aesthetics, Spectacle

Bloomsbury Academic, 2013

Book chapter

...Teleological and transcendental narratives in image media: The Dark Knight Rises, IMAX film, and HFR cinema Every new development added to the cinema must, paradoxically, take it nearer and nearer to its origins. In short, cinema has...