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  • Aesthetics
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The Picture Edit and Pace

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

... The Picture Edit and Pace j Once the rough assembly is satisfactory, the question of narrative clarity has, to a certain extent, been satisfied. Shots flow from one to another and suggest continuity. What is still lacking is the dramatic...

A Proposed Workflow for the Creation of Integrated Titles Based on Eye-Tracking Data

Wendy Fox

Wendy Fox

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book

...Introduction Abusive, creative, hybrid and integrated are just some of the many terms that have emerged in past years to describe new kinds of subtitles – titles that appear all over the screen, that imitate or contrast with the film...

Conclusion

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

... Conclusion j This book covers the theory and practice of editing from the beginning to the 1990s. We have far surpassed the skepticism that Rudolph Arnheim expressed when he said that technological changes such as sound could add...

Nonlinear Editing and Digital Technology II

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

... Nonlinear Editing and Digital Technology II j In the last chapter we introduced the notion that there is a tradition of nonlinear storytelling and that the technological shift to nonlinear editing has accelerated the consideration...

Invisible Rhythms: Tracking Aesthetic Perception in Film and the Visual Arts

Paul Atkinson

Paul Atkinson

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book

...Eye tracking has proved particularly valuable in highlighting the micromovements that underpin visual perception and in doing so can provide insight into the fine-grained structures of aesthetic perception in both film and the visual arts...

Nonlinear Editing and Digital Technology I

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

... Nonlinear Editing and Digital Technology I j Today we no longer speak of the coming technological revolution or how digital technology will transform sound, special effects, film and video editing. The revolution is here. Our concerns...

Cameras

Michael Allen

Michael Allen

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The Cinema Book

British Film Institute, 2007

Book

...One of the first recognised technical problems of cinema was how to take a sharp moving image that then could be clearly replayed by a projector. The technical and scientific problems posed motivated scientists and engineers to continually...

Innovations of Sound

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

... Innovations of Sound j In the era of digital Dolby sound, a logical question to pose is whether the technical innovations in sound, which have been considerable, have led to a new aesthetic, or at least to a number of innovations...

The Sound Edit and Clarity

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

... The Sound Edit and Clarity j In the picture edit, the rough assembly begins the process of narrative clarification. The goal at the end of the rough picture assembly is a clear narrative in which performance and story progression can...

Deep-Focus

Michael Allen

Michael Allen

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Annette Kuhn

Annette Kuhn

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The Cinema Book

British Film Institute, 2007

Book

...Deep-focus cinematography, in which objects in several planes of depth are kept in equally sharp focus, is commonly associated with certain Hollywood films of the 1940s. Patrick Ogle dates its emergence at around 1941, and argues that its...