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Invisible Rhythms: Tracking Aesthetic Perception in Film and the Visual Arts

Paul Atkinson

Paul Atkinson

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Eye tracking has proved particularly valuable in highlighting the micromovements that underpin visual perception and in doing so can provide insight into the fine-grained structures of aesthetic perception in both film and the visual arts....

A Proposed Workflow for the Creation of Integrated Titles Based on Eye-Tracking Data

Wendy Fox

Wendy Fox

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Introduction Abusive, creative, hybrid and integrated are just some of the many terms that have emerged in past years to describe new kinds of subtitles – titles that appear all over the screen, that imitate or contrast with the film...

Composition

Michael Ryan

Dr Sean Michael Ryan is a Lecturer in Biblical Studies, Heythrop College, University of London Author affiliation details are correct at time of print publication.

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Melissa Lenos

Melissa Lenos is Assistant Professor of English, Donnelly College, USA. Author affiliation details are correct at time of print publication.

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An Introduction to Film Analysis : Technique and Meaning in Narrative Film

Continuum, 2012

Book chapter

...If you pause a movie, you see something resembling a photograph. The difference is that everything inside the movie image consists of artificially arranged elements that have been deliberately assembled to resemble real life. Little of what...

Considering Description: Tropes, Tunes, and Moving Pictures

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...The world of description Visual, musical and verbal tropes arrayed in a simple but nuanced architecture are expressed through shifts of key that buttress the structural complexity. The palette is harmonious and dissonant by turns: colors...

Introduction: Two Pictures of a Rose in the Dark

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...Two pictures of a rose in the dark. One is quite black, for the rose is invisible. The other is painted in full detail and surrounded by black.There are philosophers of a certain stripe who are close to being artists, and artists whose...

Dynamic and Syntactic Universals

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...Nonverbal universals So far we’ve looked at meaning fairly superficially, beginning with narrative language; making comparisons, first with general image making, specifically painting and photography, then looking more widely...

Modes of Perception and Modes of Expression

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...First ideas in a new medium: the cinematic suspension of disbelief Here, at the beginning of the twenty-first century, it’s easy to think that movies have been with us forever, but in fact they’ve just popped over the historical horizon....

The Moving Target

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...It is axiomatic in linguistics that any human being can learn any language in the world. Digital ubiquity—the memosphere and the mediasphere So far we’ve been discussing the past, attempting to secure perspectives that would allow us...

Children’s Little Thumb Films or “Films-Poucets”

Alexandra Schneider

Alexandra Schneider

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and

Wanda Strauven

Wanda Strauven

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Compact Cinematics : The Moving Image in the Age of Bit-Sized Media

Bloomsbury Academic, 2017

Book chapter

...“Once upon a time, in the countryside, the sun was shining. Look! Everywhere! The sun is shining.” These are the lyrics of an improvised song by a five-year-old girl, who on a sunny Sunday morning made a short video with a digital...

‘It’s all painful…’: Lars von Trier & The Idiots

Richard T. Kelly

Richard T. Kelly was born in Newcastle-upon-Tyne in 1970, and grew up in Northern Ireland. He has worked as a theatre director, a journalist, a documentary-maker, a film festival programmer, and an editor of books. Sean Penn is the third book he has written, following the oral biography Alan Clarke (1998) and the interview collection The Name of This Book is Dogme 95 (2000). His first novel, Crusaders, was published in 2008. Author affiliation details are correct at time of print publication.

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The name of this book is Dogme95

Faber & Faber, 2010

Book chapter

...Film City, Hvidovre: Thursday, 18 November 1999We kick our heels in Lars’s crib with yet another charming Zentropa blonde. The agreeably cluttered interior of his office betrays the characteristic preoccupations of a world-famous cinéaste...