Loading
Loading

Results

  • Aesthetics Close
Sort By:  1-10 of 648 (65 pages)
Results per page:
         

A Proposed Workflow for the Creation of Integrated Titles Based on Eye-Tracking Data

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Introduction Abusive, creative, hybrid and integrated are just some of the many terms that have emerged in past years to describe new kinds of subtitles – titles that appear all over the screen, that imitate or contrast with the film...

Invisible Rhythms: Tracking Aesthetic Perception in Film and the Visual Arts

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Eye tracking has proved particularly valuable in highlighting the micromovements that underpin visual perception and in doing so can provide insight into the fine-grained structures of aesthetic perception in both film and the visual arts...

Cameras

The Cinema Book

British Film Institute, 2007

Book chapter

...One of the first recognised technical problems of cinema was how to take a sharp moving image that then could be clearly replayed by a projector. The technical and scientific problems posed motivated scientists and engineers to continually...

Deep-Focus

The Cinema Book

British Film Institute, 2007

Book chapter

...Deep-focus cinematography, in which objects in several planes of depth are kept in equally sharp focus, is commonly associated with certain Hollywood films of the 1940s. Patrick Ogle dates its emergence at around 1941, and argues that its...

Lighting

The Cinema Book

British Film Institute, 2007

Book chapter

...In the 1890s, the major source of illumination for shooting film was sunlight. Sets were built and filmed on outdoor stages with muslin diffusers and various kinds of reflectors used to control the levels of brightness and shadow.The first...

Alternative Production Formats

The Cinema Book

British Film Institute, 2007

Book chapter

...‘From the moment 35mm was established as the professional production format, the dominant film industry has either consciously or unconsciously positioned alternative production media formats – 16mm, 8mm and video – as inferior...

Cinematic video installations: Hybridized apparatuses inside the black box

Jihoon Kim

Jihoon Kim is Assistant Professor in the Department of Film Studies at Chung-ang University, South Korea, after teaching in the Division of Broadcast and Cinema Studies at Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. His essays have appeared in Screen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac, and the anthologies Global Art Cinema: New Histories and Theories (2010), and Taking Place: Location and the Moving Image (2011), among others. Author affiliation details are correct at time of print publication.

Search for publications

Between Film, Video, and the Digital : Hybrid Moving Images in the Post-Media Age

Bloomsbury Academic, 2016

Book chapter

...The gallery is not a repository for the splinters and debris of cinema, which has not so much “expanded” . . . as exploded. And video is clearly the agent that has enabled the overlap of film and gallery.Chris Darke, “Cinema Exploded...

Digital glitch video and mixed-media abstraction: Materialism and hybrid abstraction in the digital age

Jihoon Kim

Jihoon Kim is Assistant Professor in the Department of Film Studies at Chung-ang University, South Korea, after teaching in the Division of Broadcast and Cinema Studies at Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. His essays have appeared in Screen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac, and the anthologies Global Art Cinema: New Histories and Theories (2010), and Taking Place: Location and the Moving Image (2011), among others. Author affiliation details are correct at time of print publication.

Search for publications

Between Film, Video, and the Digital : Hybrid Moving Images in the Post-Media Age

Bloomsbury Academic, 2016

Book chapter

...Introduction: Digital abstract moving images and hybridity In Compression Study # 1 (Untitled data mashup) (2007, Figure 2.1), a mix of the music videos for Rihanna’s “Umbrella” and The Cranberries’ “Zombie,” the viewer is able...

Afterword

Jihoon Kim

Jihoon Kim is Assistant Professor in the Department of Film Studies at Chung-ang University, South Korea, after teaching in the Division of Broadcast and Cinema Studies at Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. His essays have appeared in Screen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac, and the anthologies Global Art Cinema: New Histories and Theories (2010), and Taking Place: Location and the Moving Image (2011), among others. Author affiliation details are correct at time of print publication.

Search for publications

Between Film, Video, and the Digital : Hybrid Moving Images in the Post-Media Age

Bloomsbury Academic, 2016

Book chapter

...Andrew Neumann’s Double Psycho (2011, Figure 6.1) alternates key sequences from both Hitchcock’s original movie and Gus Van Sant’s 1998 remake at an extremely fast rate, such that the work’s images appear as the rapid-fire cutting between...

Composition

Michael Ryan

Dr Sean Michael Ryan is a Lecturer in Biblical Studies, Heythrop College, University of London Author affiliation details are correct at time of print publication.

Search for publications
and

Melissa Lenos

Melissa Lenos is Assistant Professor of English, Donnelly College, USA. Author affiliation details are correct at time of print publication.

Search for publications

An Introduction to Film Analysis : Technique and Meaning in Narrative Film

Continuum, 2012

Book chapter

...If you pause a movie, you see something resembling a photograph. The difference is that everything inside the movie image consists of artificially arranged elements that have been deliberately assembled to resemble real life. Little of what...