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A Proposed Workflow for the Creation of Integrated Titles Based on Eye-Tracking Data

Wendy Fox

Wendy Fox

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Introduction Abusive, creative, hybrid and integrated are just some of the many terms that have emerged in past years to describe new kinds of subtitles – titles that appear all over the screen, that imitate or contrast with the film...

Invisible Rhythms: Tracking Aesthetic Perception in Film and the Visual Arts

Paul Atkinson

Paul Atkinson

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Eye tracking has proved particularly valuable in highlighting the micromovements that underpin visual perception and in doing so can provide insight into the fine-grained structures of aesthetic perception in both film and the visual arts...

Cameras

Michael Allen

Michael Allen

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The Cinema Book

British Film Institute, 2007

Book chapter

...One of the first recognised technical problems of cinema was how to take a sharp moving image that then could be clearly replayed by a projector. The technical and scientific problems posed motivated scientists and engineers to continually...

Deep-Focus

Michael Allen

Michael Allen

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Annette Kuhn

Annette Kuhn

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The Cinema Book

British Film Institute, 2007

Book chapter

...Deep-focus cinematography, in which objects in several planes of depth are kept in equally sharp focus, is commonly associated with certain Hollywood films of the 1940s. Patrick Ogle dates its emergence at around 1941, and argues that its...

Lighting

Michael Allen

Michael Allen

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Annette Kuhn

Annette Kuhn

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The Cinema Book

British Film Institute, 2007

Book chapter

...In the 1890s, the major source of illumination for shooting film was sunlight. Sets were built and filmed on outdoor stages with muslin diffusers and various kinds of reflectors used to control the levels of brightness and shadow.The first...

Conclusion: Cinema as Infrastructure

Stephen Groening

Stephen Groening is Assistant Professor of Cinema and Media Studies at the University of Washington, USA. Author affiliation details are correct at time of print publication.

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Cinema Beyond Territory : Inflight Entertainment and Atmospheres of Globalisation

British Film Institute, 2014

Book chapter

...The globalist visions analysed in this book were both inspired by and inspirational to cinema and aviation. They relied on the logics of technological solutionism – the idea that social relations can be transformed, altered and/or fixed...

Introduction: Two Pictures of a Rose in the Dark

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...Two pictures of a rose in the dark. One is quite black, for the rose is invisible. The other is painted in full detail and surrounded by black.There are philosophers of a certain stripe who are close to being artists, and artists whose...

The Moving Target

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...It is axiomatic in linguistics that any human being can learn any language in the world. Digital ubiquity—the memosphere and the mediasphere So far we’ve been discussing the past, attempting to secure perspectives that would allow us...

Widescreen

Michael Allen

Michael Allen

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The Cinema Book

British Film Institute, 2007

Book chapter

...During the first 20 years of cinema, the industry was engaged in a number of patent wars, one of which also determined the development of widescreen film formats. In August 1897, Thomas Edison was granted a patent for his 35mm...

Composition

Michael Ryan

Dr Sean Michael Ryan is a Lecturer in Biblical Studies, Heythrop College, University of London Author affiliation details are correct at time of print publication.

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Melissa Lenos

Melissa Lenos is Assistant Professor of English, Donnelly College, USA. Author affiliation details are correct at time of print publication.

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An Introduction to Film Analysis : Technique and Meaning in Narrative Film

Continuum, 2012

Book chapter

...If you pause a movie, you see something resembling a photograph. The difference is that everything inside the movie image consists of artificially arranged elements that have been deliberately assembled to resemble real life. Little of what...