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Introduction: Two Pictures of a Rose in the Dark

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...Two pictures of a rose in the dark. One is quite black, for the rose is invisible. The other is painted in full detail and surrounded by black.There are philosophers of a certain stripe who are close to being artists, and artists whose...

The Moving Target

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...It is axiomatic in linguistics that any human being can learn any language in the world. Digital ubiquity—the memosphere and the mediasphere So far we’ve been discussing the past, attempting to secure perspectives that would allow us...

Modes of Perception and Modes of Expression

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...First ideas in a new medium: the cinematic suspension of disbelief Here, at the beginning of the twenty-first century, it’s easy to think that movies have been with us forever, but in fact they’ve just popped over the historical horizon....

Considering Description: Tropes, Tunes, and Moving Pictures

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...The world of description Visual, musical and verbal tropes arrayed in a simple but nuanced architecture are expressed through shifts of key that buttress the structural complexity. The palette is harmonious and dissonant by turns: colors...

Dynamic and Syntactic Universals

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...Nonverbal universals So far we’ve looked at meaning fairly superficially, beginning with narrative language; making comparisons, first with general image making, specifically painting and photography, then looking more widely...

Children’s Little Thumb Films or “Films-Poucets”

Alexandra Schneider

Alexandra Schneider

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Wanda Strauven

Wanda Strauven

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Compact Cinematics : The Moving Image in the Age of Bit-Sized Media

Bloomsbury Academic, 2017

Book chapter

...“Once upon a time, in the countryside, the sun was shining. Look! Everywhere! The sun is shining.” These are the lyrics of an improvised song by a five-year-old girl, who on a sunny Sunday morning made a short video with a digital...

Downtime#3: Wonderful, wonderful high taxation

Richard T. Kelly

Richard T. Kelly was born in Newcastle-upon-Tyne in 1970, and grew up in Northern Ireland. He has worked as a theatre director, a journalist, a documentary-maker, a film festival programmer, and an editor of books. Sean Penn is the third book he has written, following the oral biography Alan Clarke (1998) and the interview collection The Name of This Book is Dogme 95 (2000). His first novel, Crusaders, was published in 2008. Author affiliation details are correct at time of print publication.

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The name of this book is Dogme95

Faber & Faber, 2010

Book chapter

...National Film Theatre, London SE1: Sunday, 13 February 2000The NFT is putting a lid on its month-long season of recent Danish films by way of a torpid platform panel session, chaired by journalist Michael Soby, who’s also the Danish...

Millennial anxieties: D-Day, and the view from Kristian Levring’s cutting-room

Richard T. Kelly

Richard T. Kelly was born in Newcastle-upon-Tyne in 1970, and grew up in Northern Ireland. He has worked as a theatre director, a journalist, a documentary-maker, a film festival programmer, and an editor of books. Sean Penn is the third book he has written, following the oral biography Alan Clarke (1998) and the interview collection The Name of This Book is Dogme 95 (2000). His first novel, Crusaders, was published in 2008. Author affiliation details are correct at time of print publication.

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The name of this book is Dogme95

Faber & Faber, 2010

Book chapter

...BerwickStreet, Soho, London W1: Tuesday, 26 October 1999Now, what fresh wheeze is this? The Dogme website proclaims that the Brothers have accepted an invitation to direct a joint television project in Copenhagen on New Year’s Eve 1999....

Archaeology of Mobile Film: Blink, Bluevend, and the Pocket Shorts

Kim Louise Walden

Kim Louise Walden

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Compact Cinematics : The Moving Image in the Age of Bit-Sized Media

Bloomsbury Academic, 2017

Book chapter

...Introduction Watching film on tablets and mobile phones is now commonplace but just over a decade ago, such experiences were still just an aspiration. In 2002, Nokia ran a “Future Applications” advertisement featuring a woman sitting...

The Ethics of Repair: Reanimating the Archive

Sean Cubitt

Sean Cubitt

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Compact Cinematics : The Moving Image in the Age of Bit-Sized Media

Bloomsbury Academic, 2017

Book chapter

...When we consider archives, we should consider not only how we recall the dead, but how they recall us.Archive footage and found footage films are a significant subgenre of the compact cinema addressed in this book, from Len Lye...