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Introduction

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

...Emotions, then, are bound up with how we inhabit the world ‘with’ others. Since emotions are in the phenomenological sense always intentional, and are “directed” towards an object or other (however imaginary), then emotions are precisely...

Old Love

Cynthia Whitcomb

Cynthia Whitcomb has sold more than 70 feature-length screenplays, 25 of which have been filmed. Her scripts have won and been nominated for many awards, including the Emmy Award, Cable Ace Award, Edgar Allan Poe Award, Humanitas Award, and Writers Guild of America Awards. Her students have also gone on to write successful box-office hits. She has taught screenwriting for many years, including seven at the acclaimed UCLA Film School. Author affiliation details are correct at time of print publication.

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The Heart of the Film : Writing Love Stories in Screenplays

Routledge, 2017

Book

... Old Love chapTer 22 OLD LOVE As the Boomers become the Social Security seniors set, the genre of older love stories is experiencing a revival. Nancy Meyers has been one of the artists responsible for making many of these. (In addition...

Afterword: where have all the children gone?

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

...It is only in a land where the spaces of states will have been perforated and topologically deformed, and the citizen will have learned to acknowledge the refugee that he himself is, that man’s political survival today is imaginable.Agamben...

Becoming YouTube’s Grandad: Media, Age, and Generation in a Virtual Community

Susan Aasman

Susan Aasman is Associate Professor of History at the University of Groningen, the Netherlands. As a media historian and active researcher, she has written extensively about the history of amateur media and the history of documentary filmmaking. Since 2012, she has served as the chief editor for the Dutch Journal for Media History. Author affiliation details are correct at time of print publication.

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Materializing Memories : Dispositifs, Generations, Amateurs

Bloomsbury Academic, 2018

Book

...This contribution explores the iconic video collection of the YouTube vlogger Peter Oakley, better known as “Geriatric1927.” During a period of eight years, Oakley, born in 1927, posted more than 400 vlogs. Over the years he would receive...

Age Anxiety and Chills

Rikke Schubart

Rikke Schubart is Associate Professor in Media Studies at the Institute for the Study of Culture, University of Southern Denmark in Odense, Denmark. Her research focuses on gender, genre, and emotions in cinema and media. Schubart’s publications include Bloomsbury’s recent Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements (2016, co-edited with Anne Gjelsvik), Eastwood’s Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Anne Gjelsvik), and Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006 (2007). Author affiliation details are correct at time of print publication.

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Mastering Fear : Women, Emotions, and Contemporary Horror

Bloomsbury Academic, 2018

Book

...Mihaly Csikszentmihalyi, Creativity: Flow and the Psychology of Discovery and Invention (New York, HarperCollins Publishers, 1996), Kindle edition, 346.So, the first step toward a more creative life is the cultivation of curiosity...

Landscape in the Mist

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

...One At the very end of Theo Angelopoulos’ Landscape in the Mist (Τοπίο στην Ομίχλη, 1988) two children climb from a small boat and run towards a tree on a hill shrouded in mist. We think that they are dead; we’ve just heard shots...

Little Moth and The Road: precarity, immobility and inertia

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

Search for publications

There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

...How long can we stay here, Papa?You asked me that.I know.We’ll see.That means not very long.Probably.McCarthy Cormac (2006), The Road, London: Picador, p. 260. One Little Moth, directed by film-maker Peng Tao in 2007, is an essay...

The Red Balloon and Squirt’s Journey: story-telling with child migrants

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

...– if you were going to make a film about your home – what would be the soundtrack?Maybe Travelin’ Soldier by Dixie Chicks because I’ve always sung it with my mum, or in the car or something, so it’s like heading back home, that feeling...

Diamonds of the Night

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

Search for publications

There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

...For all of us survivors, who are not exactly polyglot, the first days in the Lager have remained impressed in our memory in the form of an out-of-focus and frenzied film, filled with dreadful sound and fury devoid of meaning: a hubbub...

Abyss and Peak

Rikke Schubart

Rikke Schubart is Associate Professor in Media Studies at the Institute for the Study of Culture, University of Southern Denmark in Odense, Denmark. Her research focuses on gender, genre, and emotions in cinema and media. Schubart’s publications include Bloomsbury’s recent Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements (2016, co-edited with Anne Gjelsvik), Eastwood’s Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Anne Gjelsvik), and Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006 (2007). Author affiliation details are correct at time of print publication.

Search for publications

Mastering Fear : Women, Emotions, and Contemporary Horror

Bloomsbury Academic, 2018

Book

...With this chapter, we come to the old woman in horror. There may be old horror heroines who are protagonists, however, I have not met them.It can be argued that the medium in Insidious 3 (2015, Leigh Whannell) functions as the protagonist...