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‘Carnaby Street, 10 a.m.’: KateModern and the Ephemeral Dynamics of Online Drama

Elizabeth Jane Evans

Elizabeth Jane Evans

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Ephemeral Media : Transitory Screen Culture from Television to YouTube

British Film Institute, 2011

Book chapter

...Film and television are temporal media. Unlike ‘static’ storytelling forms such as painting or photography, they are experienced through time, constantly changing alongside the lived experience of their viewer. They are, in essence, defined...

Introduction

Tarja Laine

Tarja Laine is Assistant Professor of Film Studies at the University of Amsterdam in the Netherlands. She is the author of Shame and Desire: Emotion, Intersubjectivity, Cinema (2007). Author affiliation details are correct at time of print publication.

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Feeling Cinema : Emotional Dynamics in Film Studies

Continuum, 2011

Book chapter

...The poem above, entitled “An Argument with Wordsworth,” is written by Wendy Cope as a response to the famous Wordsworth quotation from his Lyrical Ballads.Wendy Cope, Serious Concerns (London: Faber and Faber, 1992), 47. Similar, I feel...

Sound and Fury

Jeff Swimmer

Jeff Swimmer is Associate Professor at Chapman University’s Dodge College of Film and Media Arts, USA, where he teaches Documentary Production and directs the renowned International Documentary program. He is an award-winning Writer and Producer of documentary films on both sides of the Atlantic. His programs have aired on BBC, PBS, NBC News, HBO, A&E, CNN, DISCOVERY, THE HISTORY CHANNEL, TRAVEL CHANNEL, ARTE and many others. His 2001 Northern Ireland: Dying For Peace (Supervising Producer, CNN) won a DuPont Award in 2001. Author affiliation details are correct at time of print publication.

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Documentary Case Studies : Behind the Scenes of the Greatest (True) Stories Ever Told

Bloomsbury Academic, 2015

Book chapter

...director and producerJosh AronsonproducerRoger WeisbergOscar Nomination, Best Documentary Feature—2000summaryAn exploration of the world of deafness via a family torn apart by their dramatically different approaches to their deaf children...

Conclusion

Helen Hanson

Helen Hanson is Senior Lecturer in Film Studies at the University of Exeter, UK. Her research focuses on film style, histories of American cinema and the film industry, feminism and popular culture. Author affiliation details are correct at time of print publication.

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Hollywood Soundscapes : Film Sound Style, Craft and Production in the Classical Era

British Film Institute, 2017

Book chapter

...This book has tried to restore classical Hollywood’s sound technicians to the historical picture by undertaking a multi-level approach. By tracing sound technicians across the axes of their activities, and by highlighting their influence...

Kazuhiro Soda’s Migrant Voices

Luke Robinson

Luke Robinson

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Vocal Projections : Voices in Documentary

Bloomsbury Academic, 2019

Book chapter

...Introduction This chapter addresses the problem of how to ‘give voice’ to the documentary subject. Traditionally associated with ideas of agency and subjectivity, and central to both...

Art, Science and Showmanship: The Technical Cultures of Hollywood’s Sound Engineers and the Shaping of Film Sound Technologies

Helen Hanson

Helen Hanson is Senior Lecturer in Film Studies at the University of Exeter, UK. Her research focuses on film style, histories of American cinema and the film industry, feminism and popular culture. Author affiliation details are correct at time of print publication.

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Hollywood Soundscapes : Film Sound Style, Craft and Production in the Classical Era

British Film Institute, 2017

Book chapter

...Introduction This chapter investigates the shifting dynamics between technology, economics and sound film production from the early sound period to the late 1940s. It analyses how technological changes were both facilitated and constrained...

The Art of Narrative – Towards the Floating Work of Art

Söke Dinkla

Söke Dinkla

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New Screen Media : Cinema/Art/Narrative

British Film Institute, 2002

Book chapter

...Throughout the centuries the art of narrative, which traditionally has been understood as the depiction of a sequence of real or imagined events, has not only made social and political alteration one of its major themes, but has also...

From Gadgeteers to Sound Experts: Defining and Recognising Sound Labour and Expertise

Helen Hanson

Helen Hanson is Senior Lecturer in Film Studies at the University of Exeter, UK. Her research focuses on film style, histories of American cinema and the film industry, feminism and popular culture. Author affiliation details are correct at time of print publication.

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Hollywood Soundscapes : Film Sound Style, Craft and Production in the Classical Era

British Film Institute, 2017

Book chapter

...The dazzling spotlight which Hollywood turns upon its Personalities throws into shadow the thousands who work in the movie studios – technicians and craftsmen, musicians and sound engineers, painters, carpenters, laboratory workers. These,...

Introduction: Sound and Silences: Writing the History of Sound Craft in Hollywood’s Studio Era

Helen Hanson

Helen Hanson is Senior Lecturer in Film Studies at the University of Exeter, UK. Her research focuses on film style, histories of American cinema and the film industry, feminism and popular culture. Author affiliation details are correct at time of print publication.

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Hollywood Soundscapes : Film Sound Style, Craft and Production in the Classical Era

British Film Institute, 2017

Book chapter

...They can make or break a picture, yet they seldom rate more than a passing nod. They’re the forgotten men of an industry that forgets easily. That’s the technical mob, those worthies who struggle with gadgets and can turn up with anything...

Horror

Tarja Laine

Tarja Laine is Assistant Professor of Film Studies at the University of Amsterdam in the Netherlands. She is the author of Shame and Desire: Emotion, Intersubjectivity, Cinema (2007). Author affiliation details are correct at time of print publication.

Search for publications

Feeling Cinema : Emotional Dynamics in Film Studies

Continuum, 2011

Book chapter

...Noël Carroll has suggested that scary films scare, because our fear is structured by the disgusting, horrible, and dangerous properties of the film monsters in ways that mirror, but do not duplicate, the emotions...