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Ryan Gilbey is a freelance film journalist and writes for a variety of publications, including Sight & Sound, the Guardian, Observer and the Sunday Times. He is the former film critic for the Independent. It Don’t Worry Me is his first book. Author affiliation details are correct at time of print publication.

Mark Axelrod is a Full Professor of English & Comparative Literature, and Director of the John Fowles Center for Creative Writing, at Chapman University, USA. Author affiliation details are correct at time of print publication.

Mark Axelrod is a Full Professor of English & Comparative Literature, and Director of the John Fowles Center for Creative Writing, at Chapman University, USA. Author affiliation details are correct at time of print publication.

Mary Harrod

After dropping out of school at 15, Christopher Bray worked for eight years as a typesetter and designer, before resuming his studies in the University of Warwick's department of Film and Literature. He has since written on movies, books, music and paintings for the Daily Telegraph, the Sunday Times, the TLS, Literary Review, the New York Times, the New Statesman and The Word. The author of Michael Caine: A Class Act, a book the renowned film critic David Thomson described as “Excellent… Bray has thought hard about this man, and he has a fascinating story to tell”, he lives in south-east London. Author affiliation details are correct at time of print publication.

After dropping out of school at 15, Christopher Bray worked for eight years as a typesetter and designer, before resuming his studies in the University of Warwick's department of Film and Literature. He has since written on movies, books, music and paintings for the Daily Telegraph, the Sunday Times, the TLS, Literary Review, the New York Times, the New Statesman and The Word. The author of Michael Caine: A Class Act, a book the renowned film critic David Thomson described as “Excellent… Bray has thought hard about this man, and he has a fascinating story to tell”, he lives in south-east London. Author affiliation details are correct at time of print publication.

After dropping out of school at 15, Christopher Bray worked for eight years as a typesetter and designer, before resuming his studies in the University of Warwick's department of Film and Literature. He has since written on movies, books, music and paintings for the Daily Telegraph, the Sunday Times, the TLS, Literary Review, the New York Times, the New Statesman and The Word. The author of Michael Caine: A Class Act, a book the renowned film critic David Thomson described as “Excellent… Bray has thought hard about this man, and he has a fascinating story to tell”, he lives in south-east London. Author affiliation details are correct at time of print publication.

After dropping out of school at 15, Christopher Bray worked for eight years as a typesetter and designer, before resuming his studies in the University of Warwick's department of Film and Literature. He has since written on movies, books, music and paintings for the Daily Telegraph, the Sunday Times, the TLS, Literary Review, the New York Times, the New Statesman and The Word. The author of Michael Caine: A Class Act, a book the renowned film critic David Thomson described as “Excellent… Bray has thought hard about this man, and he has a fascinating story to tell”, he lives in south-east London. Author affiliation details are correct at time of print publication.

CarrieLynn D. Reinhard is an Associate Professor in Communication Arts and Sciences at Dominican University, Illinois, USA, where her research focuses on sense-making in media reception. She completed her Ph.D. in Communication at Ohio State University, USA, and was a post-doctoral research fellow for the Virtual World Research Group at Roskilde University in Denmark. Author affiliation details are correct at time of print publication.

Craig Batty

Adrian Dyer

Claire Perkins is Senior Lecturer in Film and Screen Studies in the School of Media, Film and Journalism at Monash University, Australia. She is the author of American Smart Cinema (2012), and co-editor of U.S Independent Film After 1989: Possible Films (2015), B is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2014). Author affiliation details are correct at time of print publication.

Jodi Sita is Senior Lecturer in Anatomy and Neurosciences in the School of Allied Health at Australian Catholic University, Australia. She is a neuroscientist, health scientist, and eye-tracking expert, heading the eye-tracking laboratory at Australian Catholic University.. Author affiliation details are correct at time of print publication.