• Altman, Robert
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Gosford Park – The Company – Tanner on Tanner

Altman on Altman

Faber & Faber, 2010


...Gosford Park DAVID THOMPSON: What brought you to England to do a period film? ROBERT ALTMAN: Bob BalabanBob Balaban (b. 1945) has had an extensive career on stage, television and film, both as an actor and director, notably of Parents...
...Altman as a young boy, already expressing himself with a pencil Early Years Robert Bernard Altman was born on 20 February 1925 in Kansas City, Missouri. His ancestors were German in origin; his great-grandfather Clement, born...
...Short Cuts DAVID THOMPSON: How did you come to think of Raymond Carver's short stories as material for a film?. ROBERT ALTMAN: I was on an airplane, flying back from Europe in 1990 after a project in Italy had collapsed,Altman and his son...

McCabe and Mrs Miller

Edward Buscombe

Edward Buscombe is the editor of The BFI Companion to Western and has written on Stagecoach, The Searchers and The Unforgiven in the BFI Film Classics series. Author affiliation details are correct at time of print publication.

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100 Westerns : BFI Screen Guides

British Film Institute, 2006


...Accompanied throughout by the plaintive songs of Leonard Cohen, this is a bitter-sweet love story set in a ramshackle town in the mountains of the north-west. John McCabe (Warren Beatty) arrives in Presbyterian Church as a gambler...


Douglas Pye

Douglas Pye is Senior Visting Research Fellow for Film, Theatre and TV at the University of Reading, UK. His works include Style and Meaning (2005) and The Movie Book of the Western (1996). Author affiliation details are correct at time of print publication.

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100 Film Musicals : BFI Screen Guides

British Film Institute, 2011


...Nashville is the most ambitious of the remarkable series of revisionist genre films (M.A.S.H., 1970, McCabe and Mrs Miller, 1971, and The Long Goodbye, 1973, preceded Nashville) that Robert Altman directed in the 1970s. Set shortly after...

Auteurism in the 1990s

The Cinema Book

British Film Institute, 2007


...In the Afterword to the 1998 edition of Signs and Meaning in the Cinema, Peter Wollen wrote: ‘I am still an auteurist’. It is tempting to see the coincidence of auteurism and millennialism contained in the notion ‘auteurism in the 1990s...

Making An Epic and Staying Independent: There Will Be Blood

Rona Murray

Rona Murray is a tutor in film and media studies at Holy Cross College, U.K. Author affiliation details are correct at time of print publication.

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Studying American Independent Cinema

Auteur, 2011


...In There Will Be Blood (2007), Paul Thomas Anderson has formed an American epic that evokes classics of American literature and film. The elemental story references American literature and also consciously looks back at film history...


Jason Wood

Jason Wood is a writer, film programmer and filmmaker. He is Artistic Director of Film at HOME, Visiting Professor at MMU and Visiting Professor at University of Salford, UK, and the author of a number of books including The Faber Book of Mexican Cinema (2006), Nick Broomfield: Documenting Icons (2005), 100 Road Movies (BFI 2007) and Talking Movies: Contemporary World Directors in Interview (2006). He contributes to a range of publications including Sight & Sound, The Guardian, Vertigo and Little White Lies. Author affiliation details are correct at time of print publication.

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100 American Independent Films : BFI Screen Guides

British Film Institute, 2009


...Following the production of industrial training films in his native Kansas City, a successful career in television (credited as the source of his improvisational methodology) and numerous low-key features, Altman finally rose to prominence...

Robert Altman and the New Hollywood Musical

The Sound of Musicals

British Film Institute, 2010


...Between 1975 and 1980, director Robert Altman (1925–2006) made eight films, of which three are unquestionably musicals. These three musicals were filmed during one of the most productive and volatile periods in Altman’s career, and amid...

Getting Started

Dan Mirvish

Dan Mirvish is a director, screenwriter, producer, inventor and author. Mentored by Robert Altman on his first film, Omaha (the movie), Dan co-founded the Slamdance Film Festival. Dan's film Open House forced the Academy Awards® to rewrite their rules, and he also co-wrote the critically-acclaimed novel I Am Martin Eisenstadt. His award-winning film Between Us played in 23 festivals and sold to 144 countries. Dan’s latest film is Bernard and Huey, written by the legendary Jules Feiffer. He’s also written for Filmmaker Magazine, Indiewire and The Huffington Post. Dan has a master’s degree in film from USC and has guest lectured at UCLA, NYU, USC, CalArts and many other film schools. Once labelled a "cheerful subversive" by The New York Times, Mirvish was named one of Variety's Top 50 Creatives to Watch. Author affiliation details are correct at time of print publication.

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The Cheerful Subversive’s Guide to Independent Filmmaking

Routledge, 2017


... Write a Brilliant Script! Do you have something important to say that can only be expressed as a series of moving images and sound? Did you have a peyote-dosed fever dream at Burning Man that you absolutely must share with the rest...