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  • Antonioni, Michelangelo
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Introduction

Roger Crittenden

Roger Crittenden: After a distinguished career at the BBC, where he gained a special award for sustained excellence as a film editor, he was recruited to the new National Film and Television School as Head of Editing and later became Director of the MA programme. While with the NFTS, he taught in Moscow, Mexico City, Manila, Copenhagen, Singapore, Brisbane Australia, and in Cuba. In 2014 he was given the first ever CILECT International Teaching Award for his outstanding contribution to media pedagogy. More recently, he was appointed Adjunct Professor of Film at Griffith University in Brisbane, Australia. Roger is the author of two books on editing, as well as a book on Truffaut’s Day For Night for the British Film Institute's Film Classic Series. Author affiliation details are correct at time of print publication.

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Fine Cuts : Interviews on the Practice of European Film Editing

Routledge, 2018

Book

... I f I were writing the history of fi lm editors in the United States, I might start with a photo that shows D.W. Griffi th with a certain Rose Smith. It was her husband, James Smith, who as his editor was credited by Griffi th as being...

Brazil’s open cities: Mimicry, sexuality and class dynamics in the urban landscape of 1960s cinema

Bruce Williams

Bruce Williams

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Third Cinema, World Cinema and Marxism

Bloomsbury Academic, 2020

Book

...Brazil of the 1960s was a country divided and plagued by national angst; a privileged elite feared a popularist uprising inspired by international communism. This crisis of the ruling class was exacerbated by pressure from the United...

Jessica Levin, Ayad Stehle-Akhtar and Claudia Myers: Students, Columbia University Graduate Program

Projections 12 : Film-makers on Film Schools

Faber and Faber Limited, 2002

Book

...Jessica LevinAyad Stehle-AkhtarClaudia Myers (centre)Jessica Levin is the Production and Development Manager for Madstone Films, a New York-based digital film company. She has produced numerous short films including Gina, An Actress, Age 29...

An interview with Pawel Pawlikowski by Andrew Pulver

Projections 12 : Film-makers on Film Schools

Faber and Faber Limited, 2002

Book

...Pawel Pawlikowski. © Clive PostlethwaiteWith Last Resort, his first released feature film, Pawel Pawlikowski was immediately catapulted into the front rank of British film-making, winning the Michael Powell Award for Best New British...

Dear Antonioni

Patrick ffrench

Patrick ffrench is Professor of French at King's College London, where he teaches modern French literature and thought. Author affiliation details are correct at time of print publication.

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Roland Barthes and Film : Myth, Eroticism and Poetics

Bloomsbury Academic, 2020

Book

...Barthes’ relationship to Michelangelo Antonioni and his work is paradoxically both oblique and crucial. Barthes’ essay on the Italian director, written in the form of a letter and published with the title “Dear Antonioni,” is one of the few...

Roger Crittenden: Director of Curriculum, National Film and Television School

Fraser MacDonald

Fraser MacDonald

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Projections 12 : Film-makers on Film Schools

Faber and Faber Limited, 2002

Book

...Roger CrittendenRoger Crittenden has been at the NFTS since its inception in 1971. Over the years he has become a valuable source of knowledge for the students, a unique sounding board for ideas and frustrations, because he has seen...

Dick Ross: Tutor

Projections 12 : Film-makers on Film Schools

Faber and Faber Limited, 2002

Book

...Dick RossBorn in New Zealand, Dick Ross got his professional start at the BBC in London. In 1980 he was appointed head of the Film diploma course at the Royal College of Art. He has subsequently taught at NFTS, New York University...

Film and Photography

Sarah Carey

Sarah Carey

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Italian Cinema from the Silent Screen to the Digital Image

Bloomsbury Academic, 2020

Book

...Cinema owes its life to the photographic image. It is the sequence of photograms, after all, that produces a moving picture. When photographs (as objects) appear in a film—as they often do—they are subtle references to film’s material...

On the Dialectics of Filmic Colours (in general) and Red (in particular)

Paul Coates

Paul Coates is Professor in the Film Studies Department of the University of Western Ontario, Canada. He is the author of The Story of the Lost Reflection (1985), The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror (1991) and Cinema, Religion and the Romantic Legacy (2003). Author affiliation details are correct at time of print publication.

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Cinema and Colour : The Saturated Image

British Film Institute, 2010

Book

...Introduction: In the Shadow of Eisenstein I wanted there to be red drops of blood in the black-and-white part, after the murder of Vladimir Andreyevich; but Fira Tobak would not have it; saying that would be Formalism. (Eisenstein...

Bruno Dumont on Bruno Dumont by Kaleem Aftab

Projections 12 : Film-makers on Film Schools

Faber and Faber Limited, 2002

Book

...Bruno DumontWith only two features to his name, 43-year-old French director Bruno Dumont has already won more international prizes than most auteurs could hope for in a lifetime’s work. And yet jeers greeted Dumont as he collected...