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  • Antonioni, Michelangelo
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Introduction

Roger Crittenden

Roger Crittenden: After a distinguished career at the BBC, where he gained a special award for sustained excellence as a film editor, he was recruited to the new National Film and Television School as Head of Editing and later became Director of the MA programme. While with the NFTS, he taught in Moscow, Mexico City, Manila, Copenhagen, Singapore, Brisbane Australia, and in Cuba. In 2014 he was given the first ever CILECT International Teaching Award for his outstanding contribution to media pedagogy. More recently, he was appointed Adjunct Professor of Film at Griffith University in Brisbane, Australia. Roger is the author of two books on editing, as well as a book on Truffaut’s Day For Night for the British Film Institute's Film Classic Series. Author affiliation details are correct at time of print publication.

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Fine Cuts : Interviews on the Practice of European Film Editing

Routledge, 2018

Book

... I f I were writing the history of fi lm editors in the United States, I might start with a photo that shows D.W. Griffi th with a certain Rose Smith. It was her husband, James Smith, who as his editor was credited by Griffi th as being...

Jessica Levin, Ayad Stehle-Akhtar and Claudia Myers: Students, Columbia University Graduate Program

Projections 12 : Film-makers on Film Schools

Faber and Faber Limited, 2002

Book

...Jessica LevinAyad Stehle-AkhtarClaudia Myers (centre)Jessica Levin is the Production and Development Manager for Madstone Films, a New York-based digital film company. She has produced numerous short films including Gina, An Actress, Age 29...

An interview with Pawel Pawlikowski by Andrew Pulver

Projections 12 : Film-makers on Film Schools

Faber and Faber Limited, 2002

Book

...Pawel Pawlikowski. © Clive PostlethwaiteWith Last Resort, his first released feature film, Pawel Pawlikowski was immediately catapulted into the front rank of British film-making, winning the Michael Powell Award for Best New British...

Dear Antonioni

Patrick ffrench

Patrick ffrench is Professor of French at King's College London, where he teaches modern French literature and thought. Author affiliation details are correct at time of print publication.

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Roland Barthes and Film : Myth, Eroticism and Poetics

Bloomsbury Academic, 2020

Book

...Barthes’ relationship to Michelangelo Antonioni and his work is paradoxically both oblique and crucial. Barthes’ essay on the Italian director, written in the form of a letter and published with the title “Dear Antonioni,” is one of the few...

Roger Crittenden: Director of Curriculum, National Film and Television School

Fraser MacDonald

Fraser MacDonald

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Projections 12 : Film-makers on Film Schools

Faber and Faber Limited, 2002

Book

...Roger CrittendenRoger Crittenden has been at the NFTS since its inception in 1971. Over the years he has become a valuable source of knowledge for the students, a unique sounding board for ideas and frustrations, because he has seen...

Dick Ross: Tutor

Projections 12 : Film-makers on Film Schools

Faber and Faber Limited, 2002

Book

...Dick RossBorn in New Zealand, Dick Ross got his professional start at the BBC in London. In 1980 he was appointed head of the Film diploma course at the Royal College of Art. He has subsequently taught at NFTS, New York University...

Film and Photography

Sarah Carey

Sarah Carey

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Italian Cinema from the Silent Screen to the Digital Image

Bloomsbury Academic, 2020

Book

...Cinema owes its life to the photographic image. It is the sequence of photograms, after all, that produces a moving picture. When photographs (as objects) appear in a film—as they often do—they are subtle references to film’s material...

Zabriskie Point (1970), Michelangelo Antonioni and European Directors in Hollywood

Melis Behlil

Melis Behlil

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The Hollywood Renaissance : Revisiting American Cinema’s Most Celebrated Era

Bloomsbury Academic, 2018

Book

...Among the films covered in this volume, Italian auteur Michelangelo Antonioni’s Zabriskie Point both fits a norm and constitutes an anomaly. Its narrative of rebellious young people in love (or at least making love) and trying to make sense...

The Passenger (Professione: Reporter)

Jason Wood

Jason Wood is a writer, film programmer and filmmaker. He is Artistic Director of Film at HOME, Visiting Professor at MMU and Visiting Professor at University of Salford, UK, and the author of a number of books including The Faber Book of Mexican Cinema (2006), Nick Broomfield: Documenting Icons (2005), 100 Road Movies (BFI 2007) and Talking Movies: Contemporary World Directors in Interview (2006). He contributes to a range of publications including Sight & Sound, The Guardian, Vertigo and Little White Lies. Author affiliation details are correct at time of print publication.

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100 Road Movies : BFI Screen Guides

British Film Institute, 2007

Book

...One of Michelangelo Antonioni’s finest achievements, and alongside Blow Up (1966) the best of his English-language films, The Passenger signalled a glorious return to form after the visually impressive but flawed and largely incoherent...

Sound and Soundtrack in Italian Cinema

Monica Facchini

Monica Facchini

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Italian Cinema from the Silent Screen to the Digital Image

Bloomsbury Academic, 2020

Book

...A mother who sees her son dying in her arms will desperately cry. . . . Lips uttering the true words of love and pain will move the audiences. “La madre a cui muore tra le braccia il figliuolo darà un urlo disperato. . . . Le labbra...