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Editing

Michael Ryan

Dr Sean Michael Ryan is a Lecturer in Biblical Studies, Heythrop College, University of London Author affiliation details are correct at time of print publication.

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Melissa Lenos

Melissa Lenos is Assistant Professor of English, Donnelly College, USA. Author affiliation details are correct at time of print publication.

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An Introduction to Film Analysis : Technique and Meaning in Narrative Film

Continuum, 2012

Book chapter

...Editing is the art of selection and combination. An editor combines shots and images in ways that illuminate character, suggest ideas, or stage conflicts. The editor also combines scenes into a coherent and unified narrative. S/he maintains...

Political Criticism

Michael Ryan

Dr Sean Michael Ryan is a Lecturer in Biblical Studies, Heythrop College, University of London Author affiliation details are correct at time of print publication.

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Melissa Lenos

Melissa Lenos is Assistant Professor of English, Donnelly College, USA. Author affiliation details are correct at time of print publication.

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An Introduction to Film Analysis : Technique and Meaning in Narrative Film

Continuum, 2012

Book chapter

...Politics derives from the Greek word polis or city, and it names the way governance is conducted and power exercised in communities. The most obvious kind of politics is the institutional life of governments. But there is also a more...

'I wake up, screaming'

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 3 : Film-makers on Film-making

Faber and Faber Limited, 1994

Book chapter

...(with apologies to Bertrand Tavernier) Prologue The dreams came first. The dark man, his face hidden, his hat pulled low, his coat garnered around him, standing alone in the wasteland, staring towards the lights of the town, a storm...

Journals 1989-1993

Projections 3 : Film-makers on Film-making

Faber and Faber Limited, 1994

Book chapter

...19 October 1989 Ideas If one second were a billion years, and this world we know, this beautiful earth and its creatures, existed for one-billionth of a second, then how privileged we are to have lived in it. It is a tiling beyond...

Acting is Doing

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 3 : Film-makers on Film-making

Faber and Faber Limited, 1994

Book chapter

...Sydney Pollack trained as an actor and taught acting before he became a director. I first became interested in his work when I saw The Slender Thread. The acting had a special intensity. We were both working at MGM in the late sixties. I...

Answers first, questions later

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 3 : Film-makers on Film-making

Faber and Faber Limited, 1994

Book chapter

...Introduction Graham Fuller Quentin Tarantino was born in Knoxville, Tennessee, in 1963, the year when Monte Hellman's Back Door to Hell and Flight to Fury, Don Siegel's The Killers, and Sergio Leone's A Fistful of Dollars were also...

Apocalypse Now on a Borderline of Consciousness

Michael Richardson

Michael Richardson is Visiting Fellow (honorary) at Goldsmith's College, University of London. His research interests focus on issues of representation and how they relate to the anthropological relation. He has published widely, having edited a collection of writings of Georges Bataille on surrealism (The Absence of Myth, Verso, 1991) and surrealism and the Caribbean (Refusal of the Shadow, Verso 1996), as well as writing the single authored books George Bataille (Routledge, 1994), The Experience of Culture (Sage, 2001) and Surrealism and Cinema (Berg, 2006). From 2004-7, he was Visiting Professor in Cultural Studies at Waseda University, Tokyo. Author affiliation details are correct at time of print publication.

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Otherness in Hollywood Cinema

Continuum, 2010

Book chapter

...We know that the Vietnam conflict traumatized the American psyche; the only time, it likes to believe, that the United States ‘lost’ a war, something which for a while brought into question the sense of ‘manifest destiny’ with which US...

Art Direction: Wajda to Spielberg

Projections 3 : Film-makers on Film-making

Faber and Faber Limited, 1994

Book chapter

...When I think about my work in film, I realize increasingly how much my life has been influenced by the fact that I belong to the second generation of filmmakers. My father Ludwik was a scriptwriter in the 1930s. He was the only professional...

The Burning Question: Is there a relation between Dream and Film?

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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and

Walter Donohue

Walter Donohue

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Projections 3 : Film-makers on Film-making

Faber and Faber Limited, 1994

Book chapter

...Paul Schrader I rarely dream about movies or making movies. I dream movies. Literally. I often have dreams of sustained narrative over a period of hours. I know this because I'll wake up, look at the clock, return to the dream (I also have...

Chasing Chinese Shadows

Michael Richardson

Michael Richardson is Visiting Fellow (honorary) at Goldsmith's College, University of London. His research interests focus on issues of representation and how they relate to the anthropological relation. He has published widely, having edited a collection of writings of Georges Bataille on surrealism (The Absence of Myth, Verso, 1991) and surrealism and the Caribbean (Refusal of the Shadow, Verso 1996), as well as writing the single authored books George Bataille (Routledge, 1994), The Experience of Culture (Sage, 2001) and Surrealism and Cinema (Berg, 2006). From 2004-7, he was Visiting Professor in Cultural Studies at Waseda University, Tokyo. Author affiliation details are correct at time of print publication.

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Otherness in Hollywood Cinema

Continuum, 2010

Book chapter

...The conceptualization of China in Hollywood cinema is as oblique as it is complex. In the first place, when we use the word ‘China’ here it may also mean at times Japan or Korea as well as China itself. Saying this alerts us to the fact...