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  • Apocalpyse Now
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Editing

Michael Ryan

Dr Sean Michael Ryan is a Lecturer in Biblical Studies, Heythrop College, University of London Author affiliation details are correct at time of print publication.

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and

Melissa Lenos

Melissa Lenos is Assistant Professor of English, Donnelly College, USA. Author affiliation details are correct at time of print publication.

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An Introduction to Film Analysis : Technique and Meaning in Narrative Film

Continuum, 2012

Book

...Editing is the art of selection and combination. An editor combines shots and images in ways that illuminate character, suggest ideas, or stage conflicts. The editor also combines scenes into a coherent and unified narrative. S/he maintains...

Political Criticism

Michael Ryan

Dr Sean Michael Ryan is a Lecturer in Biblical Studies, Heythrop College, University of London Author affiliation details are correct at time of print publication.

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and

Melissa Lenos

Melissa Lenos is Assistant Professor of English, Donnelly College, USA. Author affiliation details are correct at time of print publication.

Search for publications

An Introduction to Film Analysis : Technique and Meaning in Narrative Film

Continuum, 2012

Book

...Politics derives from the Greek word polis or city, and it names the way governance is conducted and power exercised in communities. The most obvious kind of politics is the institutional life of governments. But there is also a more...

Shooting: Phase 2 – from Brando to Playboy

The Apocalypse Now Book

Faber and Faber, 2000

Book

...Francis sent me a telegram saying, “Come to the Philippines and teach me two or three things about Godard, and I’ll teach you two or three things about big-time film-making!”‘Francis sent me a telegram saying’, author’s phone interview...

The Perils of Post-Production

The Apocalypse Now Book

Faber and Faber, 2000

Book

...When I went to the Philippines, and then came back, I had a mission, not unlike Willard.‘When I went to the Philippines’, author’s interview with Beggs, San Francisco, 16 April, 1999. The thing really took on this epic proportion. I guess...

Buried Treasure: The 5 1/2-hour Cut

The Apocalypse Now Book

Faber and Faber, 2000

Book

...Why do we stay here? It keeps our family together – we fight for that.Behind every great film lies a so-called ‘rough cut’. The more control a director has, the more difficult it is for him to accept a reductio ad absurdam of his cherished...

Shooting: Phase 3 – Riding the Edge

The Apocalypse Now Book

Faber and Faber, 2000

Book

...I had three birthdays on that film. Imagine having 200 days of shooting today. You wouldn’t have any fireworks, you’d have suicides – harakiri!‘I had three birthdays on that film’, author’s interview with Tavoularis, Paris, 4 November...

Shooting: Phase I – from Keitel to Sheen

The Apocalypse Now Book

Faber and Faber, 2000

Book

...You had to take a DC3 to the nearest strip, and then a 40-minute ride by jeep to the town of Baler. Each day it was another 30 minutes to the location by truck over bad roads -or 3 minutes by helicopter.Vittorio Storaro (at right...

Apocalypse Now on a Borderline of Consciousness

Michael Richardson

Michael Richardson is Visiting Fellow (honorary) at Goldsmith's College, University of London. His research interests focus on issues of representation and how they relate to the anthropological relation. He has published widely, having edited a collection of writings of Georges Bataille on surrealism (The Absence of Myth, Verso, 1991) and surrealism and the Caribbean (Refusal of the Shadow, Verso 1996), as well as writing the single authored books George Bataille (Routledge, 1994), The Experience of Culture (Sage, 2001) and Surrealism and Cinema (Berg, 2006). From 2004-7, he was Visiting Professor in Cultural Studies at Waseda University, Tokyo. Author affiliation details are correct at time of print publication.

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Otherness in Hollywood Cinema

Continuum, 2010

Book

...We know that the Vietnam conflict traumatized the American psyche; the only time, it likes to believe, that the United States ‘lost’ a war, something which for a while brought into question the sense of ‘manifest destiny’ with which US...

Art Direction: Wajda to Spielberg

Projections 3 : Film-makers on Film-making

Faber and Faber Limited, 1994

Book

...When I think about my work in film, I realize increasingly how much my life has been influenced by the fact that I belong to the second generation of filmmakers. My father Ludwik was a scriptwriter in the 1930s. He was the only professional...

Refigurations of the Exotic in Contemporary Cinema

Michael Richardson

Michael Richardson is Visiting Fellow (honorary) at Goldsmith's College, University of London. His research interests focus on issues of representation and how they relate to the anthropological relation. He has published widely, having edited a collection of writings of Georges Bataille on surrealism (The Absence of Myth, Verso, 1991) and surrealism and the Caribbean (Refusal of the Shadow, Verso 1996), as well as writing the single authored books George Bataille (Routledge, 1994), The Experience of Culture (Sage, 2001) and Surrealism and Cinema (Berg, 2006). From 2004-7, he was Visiting Professor in Cultural Studies at Waseda University, Tokyo. Author affiliation details are correct at time of print publication.

Search for publications

Otherness in Hollywood Cinema

Continuum, 2010

Book

...Since the 1960s, otherness has taken a variety of forms in Hollywood films. It makes its appearance in directors as diverse as Robert Altman, John Frankenheimer, John Sayles, Joe Dante, Larry Cohen, Paul Schrader, David Lynch, the Coen...