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Laura Blacklow teaches at the School of the (Boston) Museum of Fine Arts at Tufts University. A professional artist for over 40 years, she has received numerous grants and awards; her manipulated photographs are in the collection of the Addison Gallery of American Art, Harvard University’s Fogg Museum, Chicago’s Museum of Contemporary Art, and Polaroid’s International Collection. Her work has also appeared in Christina Z. Anderson's Gum Printing and Other Amazing Contact Printing Processes (2017), Robert Hirsch's Exploring Color Photography (2015), and Robert Hirsch's Light and Lens: Photography in the Digital Age (2012). Author affiliation details are correct at time of print publication.

Laura Blacklow teaches at the School of the (Boston) Museum of Fine Arts at Tufts University. A professional artist for over 40 years, she has received numerous grants and awards; her manipulated photographs are in the collection of the Addison Gallery of American Art, Harvard University’s Fogg Museum, Chicago’s Museum of Contemporary Art, and Polaroid’s International Collection. Her work has also appeared in Christina Z. Anderson's Gum Printing and Other Amazing Contact Printing Processes (2017), Robert Hirsch's Exploring Color Photography (2015), and Robert Hirsch's Light and Lens: Photography in the Digital Age (2012). Author affiliation details are correct at time of print publication.

Laura Blacklow teaches at the School of the (Boston) Museum of Fine Arts at Tufts University. A professional artist for over 40 years, she has received numerous grants and awards; her manipulated photographs are in the collection of the Addison Gallery of American Art, Harvard University’s Fogg Museum, Chicago’s Museum of Contemporary Art, and Polaroid’s International Collection. Her work has also appeared in Christina Z. Anderson's Gum Printing and Other Amazing Contact Printing Processes (2017), Robert Hirsch's Exploring Color Photography (2015), and Robert Hirsch's Light and Lens: Photography in the Digital Age (2012). Author affiliation details are correct at time of print publication.

Elaine O'Neil is an award-winning North Carolina textile designer. Author affiliation details are correct at time of print publication.

Laura Blacklow teaches at the School of the (Boston) Museum of Fine Arts at Tufts University. A professional artist for over 40 years, she has received numerous grants and awards; her manipulated photographs are in the collection of the Addison Gallery of American Art, Harvard University’s Fogg Museum, Chicago’s Museum of Contemporary Art, and Polaroid’s International Collection. Her work has also appeared in Christina Z. Anderson's Gum Printing and Other Amazing Contact Printing Processes (2017), Robert Hirsch's Exploring Color Photography (2015), and Robert Hirsch's Light and Lens: Photography in the Digital Age (2012). Author affiliation details are correct at time of print publication.

Gillian McIver is filmmaker and Lecturer in Film at the SAE Institute, London, UK. She has curated art exhibitions, and worked as a filmmaker in Russia and Germany, as well as Canada, and remains based in London. Her artist films have been screened internationally on every continent, and she also works as a producer and director. She has been Visiting Lecturer at many institutions, and has taught at Roehampton University, UK. Author affiliation details are correct at time of print publication.

Gillian McIver is filmmaker and Lecturer in Film at the SAE Institute, London, UK. She has curated art exhibitions, and worked as a filmmaker in Russia and Germany, as well as Canada, and remains based in London. Her artist films have been screened internationally on every continent, and she also works as a producer and director. She has been Visiting Lecturer at many institutions, and has taught at Roehampton University, UK. Author affiliation details are correct at time of print publication.

Michael Rizzo is a writer, artist, photographer, teacher, art director, and web designer. He currently works as the Art Director of GLEE at Paramount Studios. Among the films he has both art directed and production designed are Vanilla Sky, Notes from Underground, Joy Ride, My Fellow Americans, Rocketman, Gone Fishin’, Murder in the First, So I Married an Axe Murderer, Body of Evidence, White Sands and My Cousin Vinny, and JFK. His TV credits include Glee, The Hunley, The Day Lincoln was Shot, The Lost Battalion, Ghost Whisperer, Comic Relief, Golden Gate, and All My Children. Author affiliation details are correct at time of print publication.

Janet Harbord is Professor of Film Studies at Queen Mary, University of London, UK. She is the author of several books on film and philosophies of the moving image, including Chris Marker: La Jetée (2009), The Evolution of Film (2006) and Film Cultures (2002). She is the recipient of grants from the AHRC, EPSRC and the Leverhulme Trust. Author affiliation details are correct at time of print publication.

Michael Rizzo is a writer, artist, photographer, teacher, art director, and web designer. He currently works as the Art Director of GLEE at Paramount Studios. Among the films he has both art directed and production designed are Vanilla Sky, Notes from Underground, Joy Ride, My Fellow Americans, Rocketman, Gone Fishin’, Murder in the First, So I Married an Axe Murderer, Body of Evidence, White Sands and My Cousin Vinny, and JFK. His TV credits include Glee, The Hunley, The Day Lincoln was Shot, The Lost Battalion, Ghost Whisperer, Comic Relief, Golden Gate, and All My Children. Author affiliation details are correct at time of print publication.