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Production

Robert Klenner

Robert Klenner is the Acting Head of Directing at The Australian Film, Television and Radio School. Author affiliation details are correct at time of print publication.

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Directing Screen Performances

Bloomsbury Academic, 2019

Book chapter

...Directing the shoot is about being in the moment—engaging with people and physical settings, and making countless decisions. It is challenging, stressful, and exhilarating. You may find that once you start production you enter a kind...

The Successful Chorus of ‘The Second Wave’

Chunning Guo (Maggie)

Chunning Guo (Maggie)

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Global Animation Theory : International Perspectives at Animafest Zagreb

Bloomsbury Academic, 2019

Book chapter

...The paper was originally presented at the 7th annual Under the Radar conference (Vienna; http://under-radar.com/2017/ ). Preface: the images of ‘Father Power’ and the voices of women artists When...

The Theory and Practice of History

Eleftheria Thanouli

Eleftheria Thanouli is Assistant Professor in Film Theory at the Film Department at Aristotle University of Thessaloniki. She received her Ph.D. from the University of Amsterdam in 2005. She is the author of Post-Classical Cinema: An International Poetics of Film Narration (2009). Author affiliation details are correct at time of print publication.

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History and Film : A Tale of Two Disciplines

Bloomsbury Academic, 2019

Book chapter

...For this invention [writing] will produce forgetfulness in the minds of those who learn to use it, because they will not practice their memory. Their trust in writing, produced by external characters which are no part of themselves...

Amateurs: Naïve Artists or Everyday Experts?

Patrice Flichy

Patrice Flichy

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Materializing Memories : Dispositifs, Generations, Amateurs

Bloomsbury Academic, 2018

Book chapter

...What are the skills, the pleasures and the subjective meanings of being “amateur” using the internet to express his passion? The amateur is not the opposite of the professional, he is halfway between the ordinary man and the professional...

Frank

Barry Monahan

Barry Monahan is lecturer in Film Studies at the University College Cork, Ireland. He has published Ireland’s Theatre on Film: Style, Stories and the National Stage on Screen (2009), and also written on Irish cinema from different theoretical and aesthetic perspectives in various collections of essays, including Screening Irish America (2009), Genre and Cinema: Ireland and Transnationalism (2007), and Viewpoints: Theoretical Perspectives on Irish Visual Texts (2013). He contributes regularly to Estudios Irlandeses, the Spanish Journal of Irish Studies. Author affiliation details are correct at time of print publication.

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The Films of Lenny Abrahamson : A Filmmaking of Philosophy

Bloomsbury Academic, 2018

Book chapter

...Inside the head of the character in early cinema The spectacular nature of the earliest cinematic projections enthralled audiences because of the ways that details and movements were...

From the Photogenic to the Simulacrum

Nitzan Ben-Shaul

Nitzan Ben-Shaul is Associate Professor at the Film and Television Department in Tel Aviv University. He is the author of Mythical Expressions of Siege in Israeli Films, Introduction to Film Theories and A Violent World: Competing Images of Middle East Conflicts. Author affiliation details are correct at time of print publication.

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Film : The Key Concepts

Berg, 2007

Book chapter

...Introduction The concept of the photogenic in film was developed by French theorist and filmmaker Jean Epstein. It concerns the specific nature of the film image. For the different variants of the realist approach to film...

Experimental Animation

Paul Taberhman

Paul Taberhman

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The Animation Studies Reader

Bloomsbury Academic, 2019

Book chapter

...Experimental animation offers a distinct set of formal challenges to the spectator. Watching a commercial animation, the viewer is typically compelled to speculate on how the narrative conflicts might be resolved, and they are also invited...

Carrington (1995)

Directed by

Christopher Hampton

Written by

Christopher Hampton

Screenplay

Image
...Caption on black screen: LYTTON AND CARRINGTON 1915 LEWES STATION. DAY The hiss and clatter of a steam train. A small, dirty engine pulls its train into the deserted station, shabby from wartime neglect. One door opens and a man steps...

Live Cinema Presents … Cultures, Economies, Aesthetics

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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and

and Helen W. Kennedy

and Helen W. Kennedy

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...Cultures Spectacular, Spectacular, No words in the vernacular, Can describe this great event … ‘The Pitch (Spectacular Spectacular)’ from Moulin RougeLyrics by Baz Luhrmann and Craig Pearce, from the film Moulin Rouge, Dir: Baz Luhrmann...

Collaborations

Nichola Dobson

Nichola Dobson is a teaching fellow in design and screen cultures at Edinburgh College of Art, UK. Founding editor of Animation Studies (2006 - 2011) and Animation Studies 2.0 (2012- present). Author affiliation details are correct at time of print publication.

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Norman McLaren : Between the Frames

Bloomsbury Academic, 2018

Book chapter

...Sometimes I get the impression from articles people write about me that I make my films almost single-handed. Now, this is a quite erroneous impression. Usually it’s with one or two people. We form a small team. Most often it’s been...